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    Wyświetlanie 1-6 z 6
    Tytuł:
    When Symbolic Action Fails: Illustrations from Small-Claims Court
    Autorzy:
    Yarbrough, Michael W.
    Powiązania:
    https://bibliotekanauki.pl/articles/2106896.pdf
    Data publikacji:
    2013-01-31
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Cultural Pragmatics
    Cultural Sociology
    Family
    Litigation
    Social Differentiation
    Social Performance
    Opis:
    This article extends the cultural-pragmatics model of symbolic action developed by Jeffrey Alexander and his associates, which observes that symbolic action has become difficult in contemporary, highly differentiated societies. When symbolic action succeeds, the cultural-pragmatics approach argues it does so by re-“fusing” the elements of social performance, which have been disaggregated by the effects of social differentiation. Fusion produces affectively charged shared interpretations with the power to reshape the social world in important ways. Drawing on an example from my own ethnographic research, I argue that the current articulation of cultural pragmatics is unable to apprehend instances when such affectively charged shared interpretations are produced even when the actor or actors in a performance fail to achieve their performative goals. In this article I introduce the concept of “meta-performance” as a tool for analyzing such instances, arguing that this enables us to consider interpretive vantage points that are not conditioned by the actor’s intent. I then apply my extended meta-performative model to the ethnographic episode that inspired it. This bitterly fought court case between an adult daughter and her family produced a shared feeling among those assembled of hopeless deadlock between the family members, drawing a series of sharp symbolic boundaries – inter alia, between the daughter and her family and between “love” and “money” – not only despite, but precisely because all the participants’ component performances failed.
    Źródło:
    Qualitative Sociology Review; 2013, 9, 1; 44-57
    1733-8077
    Pojawia się w:
    Qualitative Sociology Review
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    "Hamlet", "Macbeth", Anantanarayanan’s "The Silver Pilgrimage" and A Touch of Occidentalism
    Autorzy:
    Kaul, Mythili
    Powiązania:
    https://bibliotekanauki.pl/articles/39758680.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    occidentalism
    incongruity—cultural
    philosophical
    aesthetic stimulating perspective
    cultural chauvinism
    Opis:
    The article focuses on an encounter with Shakespeare in an unusual place, a novel set in medieval India, where Shakespeare is viewed and assessed by an Indian audience, by Indian listeners, through principles of classical Indian art and thought. Such an encounter creates a sense of incongruity, an incongruity that is cultural, philosophical and aesthetic, but at the same time leads to startling perspectives and new and fresh insights. The novel does not privilege one culture over another but the listeners do and we have a brilliant piece of comic writing where the humour derives from the one-sidedness of their perceptions, their “occidentalism”, their easy assumption of the superiority of their belief system over the “other”. The Silver Pilgrimage thus provides not only a stimulating perspective on two Shakespearean tragedies from the point of view of Sanskrit poetics and Indian thought, but also a gentle expose of the limitations of this point of view, and the cultural chauvinism that lies behind it.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2022, 25, 40; 61-73
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Politics, Shakespeare, East-Central Europe: Theatrical Border Crossings
    Autorzy:
    Almási, Zsolt
    Kujawińska Courtney, Krystyna
    Nicolaescu, Mădălina
    Škrobánková, Klára
    Vyroubalova, Ema
    Zaharia, Oana-Alis
    Powiązania:
    https://bibliotekanauki.pl/articles/39776472.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    race
    racism
    political theater
    William Shakespeare
    Jan Kott
    adaptation
    cultural mobility
    cultural transmission
    microhistories
    translation
    Opis:
    This essay discusses how productions of Shakespeare’s plays that transcend various geographical, national, and linguistic boundaries have influenced the theatrical-political discourse in East-Central Europe in the twenty-first century. It focuses primarily on the work of four internationally-established directors: Andrei Şerban (Romania), Jan Klata (Poland), David Jařab (Czech Republic), and Matei Vișniec (Romania), whose works have facilitated interregional cultural exchange, promoting artistic innovation and experimentation in the region and beyond. Among the boundary-crossing productions analysed in detail are Vișniec’s Richard III will not Take Place, Jařab’s Macbeth – Too Much Blood, Klata’s Measure for Measure, and Serban’s Richard III. The essay also notes that while there has been a relative scarcity of Shakespearean productions in this region engaging closely with gender and race inequalities, productions such as Klata’s African Tales or Vladimír Morávek’s Othello manage to work with these politically charged topics in subtler but still productive ways. The essay concludes that the region’s shared historical experience of totalitarian regimes followed by the struggles of nascent democracies, provides a fertile ground for a diverse and internationally ambitious Shakespearean theatre.  
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2023, 28, 43; 45-68
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Grzegorz Wiśniewski’s Production of Richard III in Teatr Jaracza in Łódź-Textual Authority, the “Directors Cut”, and Theatre Status
    Autorzy:
    Cieślak, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/648040.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Richard III
    Grzegorz Wiśniewski
    Teatr Jaracza
    cultural authority
    intertextuality
    performance
    Opis:
    Grzegorz Wiśniewski’s 2012 Richard III in Teatr Jaracza in Łódź was a very successful production with critics and audiences alike. At the 2012 Gdańsk Shakespeare Festival it won the Golden Yorick, a prestigious Polish award for the best staging of a Shakespearean play in the season. Wiśniewski, a renown Polish theatre director and professor at the National Film School in Łódź, has his own way of understanding theatre, its role in culture, and Shakespeare’s place in it. Wiśniewski believes in the theatre of the middle path, as he calls it, that is neither classical/conservative, nor radically avantgarde. He wants to attract wide audiences and offer them intellectual and well-balanced cultural entertainment. Without diminishing the weight of such cultural and literary icons as Shakespeare, he vivisects texts to make productions that can easily speak to a contemporary audience. This paper analyzes Wiśniewski’s Richard III to show how the director manages to achieve balance between his own auteur power, the authority and complexity of Shakespeare’s text, and theatre’s cultural mission.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2018, 17, 32; 69-80
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Poetics of Body: Representing Cultural Imaginations in Yang Jung-Ung’s "A Midsummer Night’s Dream"
    Autorzy:
    Choi, Boram
    Powiązania:
    https://bibliotekanauki.pl/articles/39760509.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    'A Midsummer Night’s Dream'
    Korean Shakespeare
    poetics
    Yang Jung- Ung
    Yohangza Theatre Company
    Opis:
    This article explores the psychology that motivates Yang Jung-Ung and his actors in the process of translating Shakespeare’s A Midsummer Night’s Dream into a Korean style. By focusing on the ways of showing the theme of the play in modern styles fused with traditional modes of theatrical practice, the director attempts to develop his own ways of expression to communicate with the modern Korean audience. In this process, Yang reconstructs the dialogues between the characters rather than rely heavily on Shakespeare’s text and language. For this reason, his production has often been criticised for missing Shakespeare’s poetry. However, the beauty of poetry is not only in Shakespeare’s language itself, but rather it is in the mental process of how the artist and audiences understand and translate its meaning in their cultural contexts. Shakespeare’s language includes a great deal of imagery that provides the artists with concrete information for constructing the stage mise-en-scène. In Yang’s production, Shakespeare’s poetry is expressed through the visual images created by the performer’s physical bodies, which reflects the director’s interpretation of the play in his cultural context. By analysing the performers’ physical movements, this article studies how Yang perceives the theme of Shakespeare’s Dream in relation to a Korean cultural context and presents his unique vision on the play.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2022, 25, 40; 75-94
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Our Common Home: Eastern Europe / Central Europe / Post-Communist Europe as Signifiers of Cultural-Political Geographies and Identities
    Autorzy:
    Stavreva, Kirilka
    Sokolova, Boika
    Pikli, Natália
    Wild, Jana
    Powiązania:
    https://bibliotekanauki.pl/articles/39778914.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Eastern Europe
    Central Europe
    Post-Soviet Europe
    East-Central Europe
    transnational Shakespeare
    intra-European stereotypes
    nationalism
    Opis:
    The article discusses the historical mutability and political connotations of the geographical signifiers Eastern and Central Europe, and the chronotope Post-Soviet / Post-Communist Europe. It considers the tensions present in these denominations, arguing for the need to defamiliarize and re-define them. Three major sections survey the circumstances that shaped the referential and connotative values of the terms from the Enlightenment to the era of European integration. The article notes commonalities in the defining experiences of the countries in the east of Europe: their emergence from the ruins of former empires (Habsburg, Russian, Ottoman) and of the Soviet bloc. It considers whether the spatial terms have been developed from within or imposed from the outside, and discusses how they have perpetuated stereotypes of the region under consideration and its people(s) and generated enduring cultural myths. It concludes by proposing terms that recoup the cultural significance of the region—East-Central Europe, its close correlative East-Centre Europe, the neologism Europeast—and by alerting scholars working on transnational Shakespeare adaptations to the importance of recontextualizing research in individual national traditions as part of a larger investigation of the mutual translatability of shared experiences.  
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2023, 28, 43; 23-44
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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