Wszystkie pola: Wilde, Oscar - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Sztuki pasyjne po irlandzku, czyli kobiety i śmierć u Oskara Wilde’a i Mariny Carr
Passion Plays: The Mortal Women of Oscar Wilde and Marina Carr
Autorzy:: O’Keefe, Katherine
Powiązania:: https://bibliotekanauki.pl/articles/967676.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Oscar Wilde
Marina Carr
Irish theatre
Opis:: A little more than century apart from each other, Oscar Wilde and Marina Carr each took clear inspiration from antiquity to write intensely symbolic drama for their times, featuring powerful female characters with fatal impulses. The article intends to examine resonances between Oscar Wilde’s Salome and The Duchess of Padua and the more recent dramas by Marina Carr. In their complex interactions of desire, guilt, evocations of blood sacrifice, and an impulse towards death, these plays may offer a possibility of transcendence.
Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2014, 24, 2
1505-9057
2353-1908
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Subverting the Gaze, Seducing with the Bible: A Study of Oscar Wildes Salomé
Autorzy:: Dąbrowska, Justyna
Powiązania:: https://bibliotekanauki.pl/articles/653557.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Oscar Wilde
Bible
Salomé
male gaze
Opis:: The present article engages with the eponymous character of Oscar Wilde’s Salomé and focuses on her subversion of the patriarchal rules, and on her attempts at seducing the prophet Jokanaan. Wilde’s Salomé becomes “an erotic symbol of daring, transgression, and perversity” (Sloan 112). She wants to look at Jokanaan, as well as to be touched by him and openly states her great desire for him, using the imagery taken from the biblical Song of Songs to express her passion. Moreover, the Princess skillfully adopts and reverses the male gaze to manipulate others and go beyond the patriarchal constraints at Herod’s court. She becomes aware that the only way to reach her goals is to look actively and evade being a mere object of the male gaze. The article shows that the imagery employed in the eponymous character’s speeches contributes to her portrayal as a seductress, also accentuating her rebellion, and analyzes how the Princess transgresses the patriarchal constraints through appropriating the male gaze.
Źródło:: Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1
2353-6098
Pojawia się w:: Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Subverting the Gaze, Seducing with the Bible: A Study of Oscar Wildes Salomé
Autorzy:: Dąbrowska, Justyna
Powiązania:: https://bibliotekanauki.pl/articles/24987860.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Oscar Wilde
Bible
Salomé
male gaze
Opis:: The present article engages with the eponymous character of Oscar Wilde’s “Salomé” and focuses on her subversion of the patriarchal rules, and on her attempts at seducing the prophet Jokanaan. Wilde’s “Salomé” becomes “an erotic symbol of daring, transgression, and perversity” (Sloan 112). She wants to look at Jokanaan, as well as to be touched by him and openly states her great desire for him, using the imagery taken from the biblical “Song of Songs” to express her passion. Moreover, the Princess skillfully adopts and reverses the male gaze to manipulate others and go beyond the patriarchal constraints at Herod’s court. She becomes aware that the only way to reach her goals is to look actively and evade being a mere object of the male gaze. The article shows that the imagery employed in the eponymous character’s speeches contributes to her portrayal as a seductress, also accentuating her rebellion, and analyzes how the Princess transgresses the patriarchal constraints through appropriating the male gaze.
Źródło:: Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1; 9-17
2353-6098
Pojawia się w:: Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:: Biblioteka Nauki

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