Wszystkie pola: Jerzy Kowalski - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Poznanie przyrody i kształtowanie jej umiłowania w programie Ośrodka Szkoleniowo-Wypoczynkowego ZHP "Nadwarciański Gród" w Załęczu Wielkim-Kępowiźnie. Część I. Założenia i obecny stan realizacji
Getting to Know Nature and Developing Love of It in the Programme of Training - Recreational Centre of the Polish Pathfinders Association in Załęcze Nature Park. Part I. Assumptions and Present State of Implementation
Autorzy:: Kowalski, Jerzy
Powiązania:: https://bibliotekanauki.pl/articles/945417.pdf
Data publikacji:: 1986
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Opis:: The following problems are discussed in the paper: nature protection in activity of the Polish Pathfinders’ Association, birth of the programme concept of the Centre and criteria of its location, study programme of the Centre, the nature in field plays and in programme of camps, library, clubs of different interests. A mention was also made about an agreement concluded between the Institute of Environmental Biology of Łódź University and Head quarters of Sieradz Branch of the Polish Pathfinders’ Association, establishment of a field Research Station, and plans for the future.
Źródło:: Acta Universitatis Lodziensis. Folia Sozologica; 1986, 2
0208-6131
Pojawia się w:: Acta Universitatis Lodziensis. Folia Sozologica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Framing Polish-Jewish Relations Through Shakespeare in Post-war and Contemporary Polish Theatre
Autorzy:: Kowalski, Tomasz
Powiązania:: https://bibliotekanauki.pl/articles/39774053.pdf
Data publikacji:: 2023
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: Polish-Jewish relations
Holocaust
antisemitism
Jerzy Grotowski
Krzysztof Warlikowski
'Hamlet' in Poland
'Hamlet Study'
'The Merchant of Venice' in Poland
Opis:: The paper aims to analyse how the staging of Shakespeare’s texts in post-war and contemporary Poland reflected the indifferent and hostile attitudes of Poles towards Jews, particularly during the Holocaust, and the distortions and gaps in the collective memory regarding the events. In the first part, the author focuses on Hamlet Study (dir. Jerzy Grotowski) performed in 1964 by Laboratory Theatre of 13 Rows in Opole, which is symptomatic of silencing the matter during the communist period. The second part draws from the statement of Jan Ciechowicz, a Polish theatre historian, who claimed that “the Holocaust killed Shylock for Polish stage.” While verifying it, the author analyses selected aspects of three productions directed by Krzysztof Warlikowski (The Tempest (2003), The Merchant of Venice (1994) and The African Tales by Shakespeare (2011)) and juxtaposes them against the background of the changes in collective memory. He argues that the most cogent productions concerning Polish attitudes towards Jews are those that position the audience as witnesses of the acts of re-enacted violence and thus provoke an affective response.
Źródło:: Multicultural Shakespeare: Translation, Appropriation and Performance; 2023, 28, 43; 193-207
2083-8530
2300-7605
Pojawia się w:: Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:: Biblioteka Nauki

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