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    Wyświetlanie 1-6 z 6
    Tytuł:
    The Poetics of Body: Representing Cultural Imaginations in Yang Jung-Ung’s "A Midsummer Night’s Dream"
    Autorzy:
    Choi, Boram
    Powiązania:
    https://bibliotekanauki.pl/articles/39760509.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    'A Midsummer Night’s Dream'
    Korean Shakespeare
    poetics
    Yang Jung- Ung
    Yohangza Theatre Company
    Opis:
    This article explores the psychology that motivates Yang Jung-Ung and his actors in the process of translating Shakespeare’s A Midsummer Night’s Dream into a Korean style. By focusing on the ways of showing the theme of the play in modern styles fused with traditional modes of theatrical practice, the director attempts to develop his own ways of expression to communicate with the modern Korean audience. In this process, Yang reconstructs the dialogues between the characters rather than rely heavily on Shakespeare’s text and language. For this reason, his production has often been criticised for missing Shakespeare’s poetry. However, the beauty of poetry is not only in Shakespeare’s language itself, but rather it is in the mental process of how the artist and audiences understand and translate its meaning in their cultural contexts. Shakespeare’s language includes a great deal of imagery that provides the artists with concrete information for constructing the stage mise-en-scène. In Yang’s production, Shakespeare’s poetry is expressed through the visual images created by the performer’s physical bodies, which reflects the director’s interpretation of the play in his cultural context. By analysing the performers’ physical movements, this article studies how Yang perceives the theme of Shakespeare’s Dream in relation to a Korean cultural context and presents his unique vision on the play.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2022, 25, 40; 75-94
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obrzęk Reinkego – możliwości rehabilitacji logopedycznej (studium przypadku)
    Reinke’s Edema – Possibility of Speech Therapy (a Case Study)
    Autorzy:
    Gliwa‑Patyńska, Renata
    Powiązania:
    https://bibliotekanauki.pl/articles/28408942.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    obrzęk Reinkego
    zaburzenia głosu
    rehabilitacja głosu
    Reinke’s oedma
    voice disorders
    voice therapy
    Opis:
    W artykule opisano przypadek 56‑letniej pacjentki, u której zdiagnozowano obrzęk Reinkego. Odnosząc się do literatury medycznej, scharakteryzowano obrzęk Reinkego, omówiono jego etiologię i epidemiologię. Podkreślono rolę czynników szczególnie sprzyjających jego rozwojowi. Wskazano typowe cechy głosu pacjentów dotkniętych obrzękiem. Zaprezentowano przykładowy program rehabilitacji logopedycznej. Porównano wyniki badań wstępnych i wyniki badań po 9 tygodniach rehabilitacji pacjentki, w celu oceny skuteczności wdrożonego postępowania.
    The article describes the case of a patient diagnosed with Reinke’s edema. Referring to the medical literature, the author characterises Reinke’s edema and discusses its etiology and epidemiology. The role of factors particularly conducive to its development was emphasised. Typical features of the voice of patients affected by edema are indicated. The case of a 56‑year‑old patient with Reinke’s edema was described in the context of the cited data. The research paper presents an exemplary speech therapy program and compares the results of the initial tests and the results of the tests after 9 weeks of rehabilitation, in order to assess the effectiveness of the implemented procedure.
    Źródło:
    Logopaedica Lodziensia; 2023, 8; 25-40
    2544-7238
    2657-4381
    Pojawia się w:
    Logopaedica Lodziensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    "Hamlet", "Macbeth", Anantanarayanan’s "The Silver Pilgrimage" and A Touch of Occidentalism
    Autorzy:
    Kaul, Mythili
    Powiązania:
    https://bibliotekanauki.pl/articles/39758680.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    occidentalism
    incongruity—cultural
    philosophical
    aesthetic stimulating perspective
    cultural chauvinism
    Opis:
    The article focuses on an encounter with Shakespeare in an unusual place, a novel set in medieval India, where Shakespeare is viewed and assessed by an Indian audience, by Indian listeners, through principles of classical Indian art and thought. Such an encounter creates a sense of incongruity, an incongruity that is cultural, philosophical and aesthetic, but at the same time leads to startling perspectives and new and fresh insights. The novel does not privilege one culture over another but the listeners do and we have a brilliant piece of comic writing where the humour derives from the one-sidedness of their perceptions, their “occidentalism”, their easy assumption of the superiority of their belief system over the “other”. The Silver Pilgrimage thus provides not only a stimulating perspective on two Shakespearean tragedies from the point of view of Sanskrit poetics and Indian thought, but also a gentle expose of the limitations of this point of view, and the cultural chauvinism that lies behind it.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2022, 25, 40; 61-73
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    From Casket to Court via Mercy and the Ring: Commemorating Shakespeare’s Portia in "The Merchant of Venice"
    Autorzy:
    Tripathy, Mitashree
    Powiązania:
    https://bibliotekanauki.pl/articles/39760912.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Elizabethan drama
    Portia
    intelligence
    Opis:
    Shakespeare’s comedies mark his artistic excellence in the portrayal of woman characters. Shakespearean women have invariably moved the audience and their understanding towards them from being sweet and mawkish to expressing their needs sternly for integrity, justice through wit and intelligence in his plays. Often strongly approved by the modern feminists, the qualities of intelligence and assertiveness are regarded as admirable qualities in Shakespearean comic heroines. As revolutionaries, Shakespearean female characters have always been projected as strong, sometimes stronger than the male counterparts; often going against the conventions of the society to symbolize what gender equality in the future may be like. Essential qualities like intelligence and wit always fulfilled and made Shakespearean heroines independent personalities. The female characters in Shakespeare’s plays always played an important role in the dramatic run in both tragedies and comedies. This article studies the portrayal of intelligence by Portia in The Merchant of Venice making her the hero of the play.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2022, 25, 40; 133-149
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Enemy Other: Discourse of Evil in William Shakespeare’s "The Tempest"
    Autorzy:
    Abu-Shomar, Ayman
    Powiązania:
    https://bibliotekanauki.pl/articles/39759622.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    discourse of evil
    William Shakespeare
    deconstruction
    post-colonial criticism
    European renaissance
    Opis:
    Caliban, the ‘enemy Other’ of William Shakespeare’s The Tempest, is a character that allows further investigations of the colonial ideology in its earliest forms; locating ‘evil’ forces outside the continent of Europe and the White race. Caliban, the only non-European character, is typified as the autocratic antagonist of the play whose evil intentions and actions cannot be redeemed. Against such representation, the essay argues that the villainous discourse attributed to Caliban is informed by Renaissance theological doctrines escorted by an emergent colonial ideology. It argues that, at a semantic level, the employment of the concept of ‘evil’ often serves as an intensifier to denounce wrongful actions. At a moral level, however the term is often contested on the basis that it involves unwarranted metaphysical commitments to dark spirits necessitating the presence of harmful supernatural creatures. To attribute the concept to human beings is therefore essentially problematic and dismissive since it lacks the explanatory power of why certain people commit villainous actions rather than others. Hence, the epistemological aporia of Caliban’s ‘evil’ myth reveals an inevitable paradox, which concurrently requires locating Caliban both as a human and unhuman figure. Drawing on a deconstructionist approach, the essay puts the concept of ‘evil’ under erasure, hence, argues that Caliban’s evilness is a mere production of rhetoric and discourse rather than a reality in itself. This review contributes to the intersecting areas of discourse, representations, and rhetoric of evil within the spectrum of postcolonial studies.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2022, 25, 40; 95-113
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Re-reading the Archive: A 21st Century Re-appraisal of Kurosawa’s "The Bad Sleep Well" as a Modern "Hamlet"
    Autorzy:
    van Zon, Stan Reiner
    Powiązania:
    https://bibliotekanauki.pl/articles/39761617.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Shakespeare reception
    adaptation
    Shakespeare in Japan
    'Hamlet'
    Kurosawa
    'The Bad Sleep Well'
    Shakespeare in film
    Opis:
    Among Japanese film director Kurosawa Akira’s three Shakespeare films, Throne of Blood (1957), Ran (1985), and The Bad Sleep Well (1960), the latter has been relatively ignored in Anglophone Shakespeare criticism. This article investigates the Anglophone reception of The Bad Sleep Well and argues in favor of its re-appraisal as a Hamlet. On reception, it examines three explanations for the neglect: its modern setting, its deconstructive adaptation, and its cinematic quality. Considering the latter unconvincing, the article posits that the first two were only detrimental to the film’s reception because they respectively did not conform to Western expectations of essentially pre-modern ‘Oriental’ Japan and of ‘straight’ canonical Shakespeare. Considering changed attitudes in Shakespeare studies, neither of these should still be held against the film. On re-appraisal, The Bad Sleep Well may be reread in the 21st century as part of our continuing memory of our global Shakespeare discourse. Centering on the film’s innovative presentation of Claudius and The Mousetrap, the article argues for the porous border between ‘straight’ production and ‘crooked’ adaptation, and the value to the tradition of oblique approaches to familiar scenes and characters. By arguing for The Bad Sleep Well as a Hamlet worthy of study, the article furthers discussion on archival silences and new rhizomatic models of global Shakespeare that seek to move past the more reductive qualities of the ‘national Shakespeares’ mode of discourse that dominated in the 1990s and 2000s.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2022, 25, 40; 41-59
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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