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    Wyświetlanie 1-6 z 6
    Tytuł:
    Verein für kaschubische Volkskunde w latach 1907–1914. Ludoznawstwo kaszubskie między niemieckością a polskością
    Verein für kaschubische Volkskunde in the years 1907–1914. Kashubian ethnography between the German and the Polish
    Autorzy:
    Kizik, Edmund
    Powiązania:
    https://bibliotekanauki.pl/articles/1193679.pdf
    Data publikacji:
    2015
    Wydawca:
    Towarzystwo Naukowe w Toruniu
    Tematy:
    scientific society
    ethnography
    West Prussia
    Kashubia
    Opis:
    Verein für kaschubische Volkskunde, which operated for several years prior to the outbreak of WW I, is one of the most interesting episodes in the organisation of scientific life in West Prussia. The eastern province of Germany was inhabited by Poles, Germans and Kashubians. Kashubians inhabited mainly the rural areas of the regency of Gdansk and belonged to the poorest social strata. Their dialect resembled the Polish language, while their folklore attracted the interest of ethnographers and linguists. In 1907 a Pole, a teacher and a social activist from Wdzydze – Izydor Gulgowski, also known as Ernts Seefried-Gulgowski (1874–1925), and a German linguist Dr Friedrich Lorentz (1870–1937) set up the Society whose members were Germans, Poles and a few Kashubians. Its aim was to integrate and intensify the research on the culture of Kashubia. The Society seated in Kartuzy started to issue their own scientific journal Mitteilungen des Vereins für kaschubische Volkskunde and it contributed to the preservation of the relics of folk culture. However, in the period of national tensions and the increase in political aspirations of Poles, the activity of the Society gave rise to many political controversies. According to some German circles, particularly the ones connected with Ostmarkenverein, the activity of the Society led to the strengthening of Polishness. Some Polish-Kashubian political activists such as Dr Aleksander Majkowski used the increase in the activity and awareness among Kashubians for their own political purposes creating the Society of Young Kashubians (1912). The scientific and ethnographic questions were only a tool to execute national objectives. The article presents the structure of the Society, the source of its financing, scientific achievements on the basis of archival sources (the State Archive in Gdansk), the press and journalism. The author analyses the reasons for different attitudes of its prominent members such as I. Gulgowski, a social activist influenced by the thinker Heinrich Sohnrey, the scientist Lorentz and the politician Aleksander Majkowski.
    Źródło:
    Zapiski Historyczne; 2015, 80, 2; 31-54
    0044-1791
    2449-8637
    Pojawia się w:
    Zapiski Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gdański inwentarz pośmiertny toruńskiego drukarza Johanna Christopha Jungmanna z 1778 roku
    The Gdansk postmortem inventory of Torun’s printer Johann Christoph Jungmann of 1778
    Autorzy:
    Kizik, Edmund
    Powiązania:
    https://bibliotekanauki.pl/articles/1193715.pdf
    Data publikacji:
    2015
    Wydawca:
    Towarzystwo Naukowe w Toruniu
    Tematy:
    the history of printing
    Royal Prussia
    Silesia
    the 18th century
    inheritance proceedings
    funerals
    Gdansk
    Torun
    Opis:
    In the years 1750–1759, Johann Christoph Jungmann was a tenant of the printing house in Torun. He was probably born around 1700 and from 1729 he was a printer in Jaworze in Silesia, from which he moved to Torun in 1750. He published, for example, the Torun hymnal (1752) and the artistic print to commemorate the 300th anniversary of incorporating Torun and Royal Prussia into the Crown in 1754. The activity of J.Ch. Jungmann after 1759 is not known; he was even omitted from the Torun biographic dictionary. Based on documents found in the State Archive in Gdansk, it is known that J.Ch. Jungmann died in Gdansk on 27 October 1778 and was buried in the church of Saints Peter and Paul. After his death the inheritance proceedings took place; the inventory of his property was carried out, his debts were paid and the costs of his funeral were covered. The heir of his wealth was his son who lived in Tczew. This documentation has allowed us to learn about the life of J.Ch. Jungmann and remember his publishing legacy.
    Źródło:
    Zapiski Historyczne; 2015, 80, 3; 169-178
    0044-1791
    2449-8637
    Pojawia się w:
    Zapiski Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Konstruowanie przeszłości. Powstanie ludowego ubioru kaszubskiego w pierwszej połowie XX wieku
    Constructing the Past: The Emergence of Kashubian Folk Costume in the First Half of the Twentieth Century
    Autorzy:
    Kizik, Edmund
    Powiązania:
    https://bibliotekanauki.pl/articles/1058000.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Towarzystwo Naukowe w Toruniu
    Tematy:
    ethnography
    folk costume
    historical iconography
    first half of the twentieth century
    Kashubia
    Bożena Stelmachowska
    Opis:
    The attire characteristic for peasants was described by ethnographers from the early nineteenth century, and the interest in folklore itself transformed from amateur item collecting to an academic discipline, namely ethnography. Researchers were intrigued by hand-made folk costumes, which contrasted with the factory-made clothing of the urban population. As the political importance of the peasantry grew, stylised folk costumes became an element of regional and ethnic identity. The motif of peasant culture found its way into global literature and the folk elements into political propaganda of the twentieth century. At the same time the origin of folk costumes and their design arouses controversy among researchers. Are they reconstructions of the past or perhaps ideologically motivated constructs? The article presents this issue on the example of a Kashubian costume created according to the concept of Professor Bożena Stelmachowska (1889–1956). On the basis of previously unexplored descriptions of peasants’ appearance contained in arrest warrants from the first half of the nineteenth century, the sources and research paradigm, which became a basis for the creation of the model Kashubian attire in 1954–1959, have been subjected to criticism. The concept adopted by the older scholarship was not confirmed as no primary sources (material artifacts, iconographic representations, written descriptions, etc.) were found. The similarity of clothes worn by Kashubians with clothes worn by other peasants was demonstrated, and so was the influence of military uniforms on men’s clothes. The model of Kashubian costume proposed by Stelmachowska should be treated as an intellectual construction that reflects certain trends in folklore studies of the time and a response to ideological and propaganda needs that arose in Pomerania after 1945.
    Źródło:
    Zapiski Historyczne; 2021, 86, 1; 111-146
    0044-1791
    2449-8637
    Pojawia się w:
    Zapiski Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pierwsza kaszubska wystawa ludoznawcza w Kościerzynie w 1911 roku
    The First Kashubian Ethnographical Exhibition in Kościerzyna in 1911
    Autorzy:
    Kizik, Edmund
    Powiązania:
    https://bibliotekanauki.pl/articles/1194307.pdf
    Data publikacji:
    2017
    Wydawca:
    Towarzystwo Naukowe w Toruniu
    Tematy:
    national relations in Pomerania
    the beginnings of the 20th century
    the Society of Young Kashubians
    Aleksander Majkowski
    Opis:
    The Kashubina exhibition of 1911 was the first one to present the achievements of Polish industrial, agricultural and educational organizations in the north-west area of the Polish territories under the Prussian occupation. It is one of the proofs of the political activity of the Kashubian movement and the various communities functioning within it. The works on its organization, development and press accounts serve as an opportunity to illustrate the German-Polish tensions of that time. The article presents the activity of the main organizations involved in the preparation of the exhibition such as the Ethnographic Kashubian Society, the Industrial Society of Kościerzyna, the “Bazar Society”, and the various undertakings of those societies. The structure of the exhibition, its exhibits and products were briefly described.
    Źródło:
    Zapiski Historyczne; 2017, 82, 3; 51-65
    0044-1791
    2449-8637
    Pojawia się w:
    Zapiski Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    In Gold and Silver: Panoramas of Gdańsk on Coins and Medals in the 17th and 18th centuries
    Autorzy:
    Kizik, Edmund
    Chabros, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/1070558.pdf
    Data publikacji:
    2018-12-31
    Wydawca:
    Towarzystwo Naukowe w Toruniu
    Tematy:
    Gdańsk
    medallist
    political iconography
    symbolism of the city panorama
    17th–18th centuries
    Opis:
    Despite the lush development of painting in late medieval Gdańsk (the second half of the 15th – the first half of the 16th) no realistic depictions of the city or its part have survived. The first realistic panoramic view of Gdańsk was made relatively late, just before 1573. It was published in Cologne in 1575 and again in the following year in the atlas by Georg Braun and Frans Hogenberg, Civitates orbis terrarum. The novelty of Braun and Hogenberg found many followers in Gdańsk, who from the 1590s until the third decade of the 17th c. created their own original panoramic views, characterized by a much greater accuracy and faithfulness to the details of their city. The veduta of Gdańsk (221 x 35.3 cm) made in 1592/1593 by Anton Möller the Elder, was followed in 1599 by a painting version, nowadays lost, which was a gift for Venice. In 1617 Aegidius Dickmann created a panoramic view of Gdańsk with an album of 14 views of streets and districts. This image in a miniaturized form finally found its way to commemorative medals, an innovation in this part of Europe. It appeared for the first time in a 30-ducat donatywa, or a coin-medal commemorating King Sigismund III Vasa, made by Samuel Amman and Herman Han in 1617. This panorama shows a harbour city belted with powerful fortifications, with its characteristic churches, and ships on the horizon; the king is portrayed on the reverse. Apart from making the city famous, the coins with Gdańsk vedutas emphasized that in the political alliance with the King of Poland, this mighty city is equal. It is in these coins that Gdańsk paid an annual tax amounting to 2,000 Hungarian florins due to the Polish kings. The panoramic view of Gdańsk was repeatedly recorded on occasional medals and gift coins. There are at least 32 medals of this type, out of which as many as 27 were minted in the 17th c.; the remaining 5 come from 18th c. Most commonly, these were golden donatywas, sometimes commemorative historical medals minted in gold and silver, e.g. to commemorate the peace concluded in Oliwa in 1660. The last medals with the views of Gdańsk date back to 1754 and were minted to commemorate the 300th anniversary of incorporation of Prussia to the Crown, and to 1760 which was the date of the 100th anniversary of the peace of Oliwa. Other great cities of Royal Prussia only sporadically ordered such works. The gold and silver medals of Gdańsk with the city’s panorama were complemented by the panegyric image of a proud, mighty city invoked by writers – “laus urbis” or “in honorem Magistratus Gedanensis”. In the 17th c. the City Council generously rewarded such writers. In the 18th c. a weakening city seemed to be spending less money on propaganda purposes. After the occupation of Gdańsk by Prussia in 1793 these kinds of medals were not minted anymore.
    Źródło:
    Zapiski Historyczne; 2018, 83, 4; 91-114
    0044-1791
    2449-8637
    Pojawia się w:
    Zapiski Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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