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    Wyświetlanie 1-6 z 6
    Tytuł:
    Sprawozdanie z XXI zjazdu Stowarzyszenia Polskich Muzyków Kościelnych. Łódź, 15-17 września 2020 r. Non nobis, Domine, da gloriam
    Autorzy:
    Nowak, Monika Dolores
    Powiązania:
    https://bibliotekanauki.pl/articles/1841185.pdf
    Data publikacji:
    2021-06-24
    Wydawca:
    Stowarzyszenie Polskich Muzyków Kościelnych
    Źródło:
    Musica Ecclesiastica; 2021, 16; 111-117
    2353-6985
    Pojawia się w:
    Musica Ecclesiastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mistyczny wymiar Liturgii godzin w praktyce celebracji
    Autorzy:
    Nowak, Dolores
    Powiązania:
    https://bibliotekanauki.pl/articles/947190.pdf
    Data publikacji:
    2018
    Wydawca:
    Stowarzyszenie Polskich Muzyków Kościelnych
    Tematy:
    Liturgia godzin
    misterium
    mistyka
    celebracja
    psalm
    śpiew
    Liturgy of the hours
    mysticis
    celebration
    singing
    Opis:
    The Liturgy of the Hours is a Christian misterium, the celebration of which the Second Vatican Council invited not only religious people but the whole People of God, who is the mystical Bride of Christ – the Divine Spouse. It is in the Liturgy of the Hours and throught it that every believer has the opportunity to accomplish the first and primary goal of both the liturgy itself and the entire Christian life. It is all about giving glory to God and gaining the skills to contemplat Him. At the same time, man’s implementaion of the vocation to constantly praise his Creator results in the santification of creation. This santivication in the Liturgy of the Hours especially concers the time that man has during his earthly journey. It may seem that the Liturgy of the Hours belongs to one of the forms of oral prayers. However, such an opinion, although now widely recognized, is the result of only an external perception of this liturgical prayer of the Church. It is true that its structure consists of a large number of texts, mostly biblical texts, mainly taken from the Book of Psalms, which are recited individually or sung by the community. However, if we reach to the genesis of this prayer, if we listen to its „spirit”, it will turn out that hte world of contemplation and even Christian mysticism hidden in it will open up for us. It is hidden under the texts themselves adn the ways in which they should be performed. The fact that the Liturgy of the Hours is, by its very nature, a contempative prayer, determines the ways and principles of its celebration. The musical ways of performing each element of the Liturgy of Hours, characterized in the article, prove that there is a deep, almost organic connection between the mystical spirituality of the Liturgy of the Hours and its practical implementation. Seeking such connection seems indispensable in order to protect the liturgical celebrations from formalism, which kills God’s vibrant life, and as a result there is no connection between God’s life in our Christian life.
    Źródło:
    Musica Ecclesiastica; 2018, 13; 75-99
    2353-6985
    Pojawia się w:
    Musica Ecclesiastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Opracowania melodii liturgii godzin Triduum Paschalnego
    Elaborating the melody of the liturgy of the Hours of the Paschal Triduum
    Autorzy:
    Nowak, Monika Dolores
    Powiązania:
    https://bibliotekanauki.pl/articles/2197940.pdf
    Data publikacji:
    2023-06-10
    Wydawca:
    Stowarzyszenie Polskich Muzyków Kościelnych
    Tematy:
    Triduum Paschalne
    Liturgia godzin
    oficjum
    Ciemne jutrznie
    Paschal Triduum
    Liturgy of the Hours
    office
    “Dark Morning Prayers”
    Opis:
    Triduum Paschalne posiada swoje jedyne i niepowtarzalne w całym roku liturgicznym celebracje, a wśród nich także poranne liturgie godzin. Kościół w wielu dokumentach podkreślał ogromne znaczenie i wartość tej formy modlitwy, zachęcając do jej czynnego, uroczystego i wspólnotowego sprawowania. Tradycja ta bardzo mocno zakorzeniła się także w Kościele w Polsce. W języku polskim oficjum to nazywano „Ciemnymi jutrzniami”. W odnowionej przez Vaticanum II Liturgii godzin „Ciemne jutrznie” po raz pierwszy w historii zostały całkowicie zreformowane w swojej strukturze i częściowo w tekstach. Aby umożliwić duchowieństwu oraz wiernym świeckim czynny udział w śpiewanych celebracjach tego wyjątkowego oficjum, w różnych ośrodkach lokalnych Kościoła w Polsce przez lata tworzono ich opracowania melodyczne. Celem niniejszego artykułu jest nie tyle wnikliwa analiza muzykologiczna powstałych melodii, co raczej wskazanie i omówienie zasadniczych kierunków oraz koncepcji kompozytorskich, jakimi kierowali się twórcy melodii i redaktorzy poszczególnych wydań w zaproponowanych opracowaniach muzycznych interesujących nas tekstów. Mamy nadzieję, że przedstawione w nim wnioski badawcze staną się przyczynkiem do stworzenia jednej wersji melodycznej tego oficjum dla Kościoła w Polsce.
    The Paschal Triduum has its unique celebrations throughout the liturgical year, including the morning liturgies of the hours. In many documents the Church has stressed the great importance and value of this form of prayer, encouraging its active, solemn and communal practice. This tradition is also deeply rooted in the Church in Poland. In Polish it was called “Dark Morning Prayers”. In the Liturgy renewed by Vaticanum II, the hours of “Dark Morning Prayers” were completely reformed in their structure and partially in their texts for the first time in history. In order to enable the clergy and the faithful laymen to take an active part in the sung celebrations of the unique office, various local centers of the Church in Poland have been creating melodic arrangements for them over the years. The aim of this article is not so much an in-depth musicological analysis of the melodies created, but rather to indicate and discuss the main directions and compositional concepts that guided the authors of melodies and editors of individual editions in the proposed musical compositions of the texts of interest to us. We hope that the research findings presented in it will contribute to the creation of a single melodic version of this office for the Church in Poland.
    Źródło:
    Musica Ecclesiastica; 2023, 18; 91-123
    2353-6985
    Pojawia się w:
    Musica Ecclesiastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    OD IDEAŁU DO CODZIENNEJ PRAKTYKI. HYMNY O ŚWIĘTYCH NA JUTRZNIĘ I NIESZPORY W POSOBOROWEJ LITURGII GODZIN
    From ideal to everyday practice. Hymns about saints for Matins and Vespers in the post-concilia Liturgy of the Hours
    Autorzy:
    Nowak, Dolores
    Powiązania:
    https://bibliotekanauki.pl/articles/946253.pdf
    Data publikacji:
    2020
    Wydawca:
    Stowarzyszenie Polskich Muzyków Kościelnych
    Tematy:
    kult świętych
    Liturgia godzin
    Jutrznia
    Nieszpory
    hymn
    pieśń
    struktury wersyfikacyjne
    formy muzyczne
    praktyka muzyczno-liturgiczna
    cult of saints
    Liturgy of the Hours
    Matins
    Vespers
    song
    versification structures
    musical forms
    musical and liturgical practice
    Opis:
    The cult of saints has been developing very vividly since the beginning of Christianity. It is expressed in three forms: veneratio – worship of the saints; imitatio – imitation of the example of their lives; invocatio – invocation of their intercession, which always leads to the Father glorified in his saints. This is most fully done in the liturgy, and thus also in the Liturgy of the Hours. Therefore, it was important to prepare the texts and melodies for the Liturgy of the Hours, renewed after the Second Vatican Council, which included liturgical memories, feasts and feasts of the Lord’s saints and common texts on saints. The constitutive element of the two basic canonical hours, Matins and Vespers, apart from reading, psalmody and prayer, are the hymns, the texts of which had to be reviewed and prepared according to the rules developed by the specially created Cœtus VII Study Group. The full set of hymns in the post-conciliar Liturgy of the Hours reached an unprecedented number of 291 songs. Most of the hymns of the Liturgy of the Hours were translated into Polish by P. Galiński. Of course, according to the recommendations of the Congregation of Rites, after the publication of the Liturgy of the Hours in the Polish language, it was necessary to make every effort to arrange appropriate melodies for it, especially for the parts intended by nature for singing, such as hymns. This article analyses the texts and melodies of the hymns about saints for the two most important canonical hours: Matins and Vespers, published in Selected hymns for Matins and Vespers, edited by s. J. M. Bujalska PDDM and s. M. D. Nowak PDDM. It was published in 2012 on the initiative of the Disciples of the Divine Master. In addition to the liturgical hymns, the collection discussed here also includes church songs about saints, which can be performed in place of the hymn. The review and analysis of the hymns on saints led to the conclusion that not all the rules of a well composed hymn, developed by Cœtus VII, were applied in the hymn texts on saits, published in the Polish edition of the Book Liturgy of the Hours. In turn, the presentation of compositions about saints included in the collection Selected hymns for Matins and Vespers, showed a huge richness of forms and musical styles that they represent. On the one hand, it revealed strong references to romantic folk songs and a strong attachment to diatonic scales, which are characteristic of Polish liturgical work. On the other hand, it revealed the attempts of composers to refer to contemporary music stylistics. All this gives a wide spectrum of views on contemporary liturgical work and allows us to set new paths for its development.
    Źródło:
    Musica Ecclesiastica; 2020, 15; 11-49
    2353-6985
    Pojawia się w:
    Musica Ecclesiastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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