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Wyszukujesz frazę "Popular Music" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Creative Commons Licensing and Relations of Production in the Sound Industry
Autorzy:
Miszczyński, Miłosz
Powiązania:
https://bibliotekanauki.pl/articles/1790243.pdf
Data publikacji:
2021-09-20
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
Creative Commons
creative labor
intellectual protection
creative industries
popular music
Opis:
This article describes current production practices taking place in the sound industry, concentrating on the process of implementation and popularization of Creative Commons. Existing studies have considered the role of classical copyright in the creative industries, pointing at its functions in regulating the creative process, but so far have not extensively examined its relationship to alternative intellectual property frameworks. This paper uses the empirical example of the largest sound repository to describe the change occurring in cultural production. The article posits that mass popularization of Creative Commons provokes transformation within three key and intersecting areas of production, including the subjects of property (creators), objects of property (creations) and articulation of usage (source information). The paper theoretically frames and expands our understanding of change provoked by open licensing and its relationship to the creative production process.
Źródło:
Polish Sociological Review; 2021, 215, 3; 253-368
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Influence of Recording Technology and Practice on Popular Music Performance in the Recording Studio in Poland between 1960 and 1989
Autorzy:
Zagorski-Thomas, Simon
Powiązania:
https://bibliotekanauki.pl/articles/1790848.pdf
Data publikacji:
2016-12-28
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
Actor Network Theory
Polish Popular Music
Record Production
Sonic Cartoons
Sound Recording
Opis:
When recorded Polish popular music between 1960 and 1989 is compared to music from the USA and Western Europe, there is a striking difference in the sound of the productions. A positivist narration of these differences might characterize them as being more ‘advanced’: of using newer technologies and the techniques that grew out of them. This article aims to look deeper into these musical and sonic differences and to explore how economic and technological factors affected these differences through a variety of social mechanisms. While a particular set of working practices and value judgments about those practices can be seen to have been maintained by these factors, the article will also look at how that caused a different set of musical and sonic developments. By employing Actor Network Theory underpinned by the ecological approach to perception and embodied cognition, the way that occupational and social roles evolved in Poland’s music industry during this period will be examined. Although the lack of availability of new recording and instrument technologies was important, it will also be seen that by channeling musical creativity in different directions when the new technological options weren’t open, Polish popular music developed differently rather than simply belatedly.
Źródło:
Polish Sociological Review; 2016, 196, 4; 531-548
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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