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    Wyświetlanie 1-4 z 4
    Tytuł:
    Próby reformowania Imperium Osmańskiego przez Ruch Młodoosmański
    Attempts to Reform the Ottoman Empire by the Young Ottomans
    Autorzy:
    Olszowska, Karolina Wanda
    Powiązania:
    https://bibliotekanauki.pl/articles/577987.pdf
    Data publikacji:
    2018-03-14
    Wydawca:
    Polskie Towarzystwo Orientalistyczne
    Tematy:
    Ottoman Empire
    Midhad Pasha
    Abdul Hamid II
    Ottoman constitution of 1876
    Young Ottomans
    First Constitutional Era
    Opis:
    In the nineteenth century, the Ottoman Empire was on the verge of collapse. This country needed drastic reform. Those who decided to save the ‘Colossus with feet of clay’ were the Young Ottomans headed by Midhad Pasha. During the reign of Abdul Hamid II the first Constitution in the history of the Ottoman Empire was introduced. The document was in force for only two years (1876–1878) and this period is sometimes called the first constitutional monarchy (Birinci Meşrutiyet). The reforms that had been introduced postponed the collapse of this country on the Bosporus. The constitution equated the laws of the believers of various religions and introduced civil liberties, but the position of the sultan was still superior. Most of the provisions simply remained on paper and the sultan dissolved the parliament soon after.
    Źródło:
    Przegląd Orientalistyczny; 2017, 3-4 (263-264); 323-341
    0033-2283
    Pojawia się w:
    Przegląd Orientalistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Muzyka klasyczna w Imperium Osmańskim
    European Classical Music in the Ottoman Empire
    Autorzy:
    Pawlina, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/578010.pdf
    Data publikacji:
    2014
    Wydawca:
    Polskie Towarzystwo Orientalistyczne
    Tematy:
    music
    Ottoman music
    Turkish music
    westernization (Turkey)
    Opis:
    This paper aims to present a historical overview of the westernization process in music culture of the Ottoman Empire. Contrary to what is generally believed, the transformation of Ottoman music from the monophonic system based on melodic and rhythmic patterns (makams and usuls) to the European polyphony was not the idea of the newly formed Turkish state of the early 20th century. In the beginning of the 19th century, the Ottoman Empire faced decline. Under the threat of European domination, remaining sultans tried to balance the level of development in science and technology between the West and their own country by great reforms. In the 19th century, for the Ottoman court the adaptation of the western music system was a symbol of acculturation and modernization. In the last decades of the Ottoman Empire, with the help of European musicans and theoreticians, the first institutions of western style music education were established. Thus, surprisingly, music culture seems to be a shared heritage of the Ottoman Empire and the Republic of Turkey.
    Źródło:
    Przegląd Orientalistyczny; 2014, 1-2; 61-76
    0033-2283
    Pojawia się w:
    Przegląd Orientalistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Leksyka osmańskoturecka w postmodernistycznej prozie tureckiej. Analiza na podstawie wybranych powieści z początku XXI wieku
    Ottoman Turkish Lexicography in the Post-modern Turkish Prose. Analysis Based on Selected Novels from the Beginning of the 20th Century
    Autorzy:
    Cegiołka, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/578170.pdf
    Data publikacji:
    2020-05-28
    Wydawca:
    Polskie Towarzystwo Orientalistyczne
    Tematy:
    Turkish
    Ottoman
    language
    prose
    novel
    lexicography
    İhsan Oktay Anar
    Elif Şafak
    Opis:
    The aim of the present paper is to analyse a tendency shared by some contemporary Turkish post-modern novelists, which lies in the use of Ottoman Turkish vocabulary in their literary works. Today, this is largely regarded as old fashioned language and it is not commonly used by Turkish writers. This is directly connected with the fact that knowledge of the Ottoman Turkish words is limited and it continues to decline. In this article I will depict reasons for the renewed popularity of the language of the Ottoman predecessors as well as methods of its introduction into modern Turkish language. The basis for my considerations will be a novel by İhsan Oktay Anar entitled Suskunlar and two novels by Elif Şafak, entitled Mahrem and Araf.
    Źródło:
    Przegląd Orientalistyczny; 2019, 3-4(271-272); 219-232
    0033-2283
    Pojawia się w:
    Przegląd Orientalistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O twórczości literackiej Tatarów w dobie staropolskiej
    On the Literary Works of the Tatars in the Old Polish Period
    Autorzy:
    Drozd, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/577934.pdf
    Data publikacji:
    2017
    Wydawca:
    Polskie Towarzystwo Orientalistyczne
    Tematy:
    Polish-Lithuanian Tatars
    Islam and Christianity
    Old Polish literature
    Ottoman literature
    Islamic manuscripts
    translation of the Qur’an
    Old Testament apocrypha
    Opis:
    The Polish-Lithuanian Tatars began to form their own literature in the Polish and Old Byelorussian languages from the end of the 16th century. All Tatar texts were handwritten exclusively in Arabic script, irrespective of their own language. Tatar writings were characterized by the anonymity of the author but we know the author of the most important literary achievement of this community – the complete translation of the Qur’an dated 1686: the imam of Minsk, Urjasz b. Ism‚‘īl Szlamowicz. Most of the Tatar texts were translated from the Islamic popular religious literature spread in the land of the Golden Horde and Ottoman Empire. The appearance of this sort of Tatar oeuvre resulted from the fact that the Tatars had lost their native tongue sometime within the 16th and 17th c. This made the translation of the popular Islamic literature necessary to preserve the Tatars’ own religion. The Tatar manuscripts also contain an important component adopted from the Old Polish Christian literature including the Polish translation of the Bible by Szymon Budny (1572) created for the Arians – the most radical protestant movement in the Polish-Lithuanian Commonwealth. The Tatars integrated a significant amount of motifs and ideas of their Christian social environment into their religious Islamic traditions. Therefore we can assume that another factor that contributed to the rise of the Tatar literature was the religious and cultural revival which encompassed the Polish-Lithuanian Commonwealth in the 16th c. during the Renaissance and Reformation era. Apparently it played an important role in the cultural integration of this Turkic-Islamic community with local Christian society and culture.
    Źródło:
    Przegląd Orientalistyczny; 2017, 1-2; 19-44
    0033-2283
    Pojawia się w:
    Przegląd Orientalistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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