Temat: wall painting - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: A Man in a Vessel, Once More
Autorzy:: Innemée, Karel C.
Powiązania:: https://bibliotekanauki.pl/articles/484117.pdf
Data publikacji:: 2019
Wydawca:: Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:: Christian wall-painting
iconography
Abdallah-n-Irqi
Christian Nubia
Opis:: In one of the paintings in the Central Church of Abdallah-n-Irqi an enigmatic element can be seen: a small figure of a man in a jar. No satisfactory explanation for this detail has been found so far. Although a parallel representation seemed to have been discovered in Banganarti, it remains a unique and problematic representation. On the basis of a renewed investigation of the iconography of martyrs in the fourth century, the author proposes a new interpretation of the man in the vessel.
Źródło:: Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2019, 32; 111-120
2084-6762
2449-9579
Pojawia się w:: Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Wall Painting Decoration from the North-West Church in Hippos-Sussita of the Decapolis
Autorzy:: Burdajewicz, Julia
Powiązania:: https://bibliotekanauki.pl/articles/484073.pdf
Data publikacji:: 2017
Wydawca:: Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:: Hippos-Sussita
Early Byzantine period
churches
wall painting
Palaestina Secunda
pre-iconoclastic period
Opis:: Excavations in the North-West Church yielded numerous fragments of plain and painted wall plaster, which suggest that the entire interior of the church was plastered, and in large part, decorated with wall paintings. The majority of painted remains were discovered in the martyrion chapel and in the diakonikon. This paper describes the findings and addresses the following questions: to what extent was the church painted; what did the paintings represent; were these paintings aniconic; what are the characteristic features of the technique of execution of these paintings; do these paintings belong to a single phase of decoration of the church?
Źródło:: Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2017, 30; 161-180
2084-6762
2449-9579
Pojawia się w:: Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:: Biblioteka Nauki

Artykuł

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