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    Wyświetlanie 1-8 z 8
    Tytuł:
    A Taste of Diplomacy: Food Gifts for the Muscovite Embassy in Venice (1582)
    Autorzy:
    Mesotten, Laura
    Powiązania:
    https://bibliotekanauki.pl/articles/695681.pdf
    Data publikacji:
    2017
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Venice
    hospitality
    gift-giving
    food gifts
    diplomatic expenditure
    Opis:
    A vital factor governing early modern diplomatic relations was the practice of hospitality. To assure that the embassy began amicably, ambassadors had to be received with generosity. The nature and extent of diplomatic hospitality differed according to the host state, but it often included the offer of housing and victuals. This critical edition of a primary source aims to shed new light on the characteristics of diplomatic hospitality by carefully examining a list of expenses drafted by the Venetian office of the Rason Vecchie. This archival document provides a detailed account of all the food that was supplied to host a Muscovite delegation that visited Venice in 1582. In the first place, the article unravels the qualities and dynamics of Venetian food gifts by contextualising and comparing the source with additional Venetian records. Furthermore, it argues that the type of foodstuffs offered, the amount of money spent on them, and the splendour of festive banquets all communicated strong symbolic and political messages. By focusing the analysis on lists of expenses, the relevance of these documents for the study of diplomatic practices is illustrated. Overviews of financial transactions might seem static and dry accounts at first sight, however, when analysed closely, they reveal a great deal about the day-to-day operation of early modern diplomacy.
    Źródło:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies; 2017, 1
    2545-1685
    2545-1693
    Pojawia się w:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Promoting an Artist as an Integral Part of Diplomatic Networking: Chiappino Vitelli and Federico Zuccari at the Court of Queen Elizabeth I
    Autorzy:
    Mavilla, Francesca
    Powiązania:
    https://bibliotekanauki.pl/articles/2035967.pdf
    Data publikacji:
    2020-11-19
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Gift
    diplomacy
    Italy
    diplomatic networking
    Elizabeth I
    Chiappino Vitelli
    Federico Zuccari
    Opis:
    In the field of study on relations between Italy and Flanders in the second half of the sixteenth century, the military leader Gian Luigi, better known as Chiappino, Vitelli (1520–75) deserves special attention. Trusted man of Cosimo I de’ Medici and maestro di campo generale of the Spanish armies in Flanders since 1567, he was among the protagonists of the first ten years of the Dutch Revolt. Based on the identification of new archival documents, this essay aims both to broaden the sphere of investigation and deepen the understanding of the role of Chiappino in cultural exchanges between Florence, the Habsburg’s and Elizabeth I’s courts. At the same time, it is aimed to draw attention to the political and cultural dynamics in which Chiappino Vitelli’s action towards the English Queen is embedded. From the documents, it clearly emerges how Vitelli took advantage of his role to earn the favour of the sovereign and, in addition to his loyalty, he did not hesitate to offer her the most varied of gifts, such as animals, weapons and artists, such as the painter Federico Zuccari, who reached Flanders in 1574. Zuccari’s sending to the English court should be interpreted as an attempt by the military leader to gain the favour of Elizabeth I when the support of the courts of Florence and Madrid seemed to be lacking, especially after the death of Cosimo de’ Medici and the replacement of the Duke of Alba as governor of Flanders.
    Źródło:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies; 2020, 4; 189-207
    2545-1685
    2545-1693
    Pojawia się w:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Between Temporal and Spiritual Powers: Colonial Diplomacy Associated with the Painting France Bringing Faith to the Huron-Wendats of New France (c. 1666)
    Autorzy:
    Ouellet, Pierre-Olivier
    Powiązania:
    https://bibliotekanauki.pl/articles/2035969.pdf
    Data publikacji:
    2020-11-19
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Early modern Quebec
    New France
    gift-giving
    painting
    Canadian art history
    Opis:
    Preserved in Quebec City, the French canvas entitled France Bringing Faith to the Huron-Wendats of New France, executed around 1666, constitutes a central piece of Canadian art history painted during the French colonial period. Espousing an iconography adapted to the New World, this painting presents an Indigenous figure in its foreground. The man, with a tanned complexion and black hair, whose naked body is dissimulated by a single blue and gold piece of clothing, faces a female character having European features, adorned with noble fabrics and precious jewellery. The scene, set in nature, evokes the grandeur and wilderness of North America. A two-masted French merchant ship floating on the majestic expanse of water reinforces this impression. This painting, obviously, illustrates the Europeans’ arrival on this territory in the seventeenth century, and the encounters between the French and Indigenous peoples. However, the representation is also rich in motifs that are likely to attract attention and curiosity: the mise en abyme (the painting within the painting), the celestial figures, and the coat of arms at the bow of the vessel constitute such examples. In this regard, the research studies of our Canadian art history predecessors – to which we are indebted – have enabled us to, first, retrace the painting’s history and, second, clarify its interpretive elements in relation to the spiritual and contextual dimensions specific to New France, in order to shed light on some of its well-kept secrets.
    Źródło:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies; 2020, 4; 209-235
    2545-1685
    2545-1693
    Pojawia się w:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Diplomats as Poets, Poets as Diplomats. Poetic Gifts and Literary Reflections on the Dutch Mediations between Poland-Lithuania and Sweden in the First Half of the Seventeenth Century
    Autorzy:
    Hulsenboom, Paul
    Powiązania:
    https://bibliotekanauki.pl/articles/695699.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    diplomatic poetics
    gift exchange
    literary representation
    Dutch Republic
    Poland-Lithuania
    Sweden
    Danzig
    Opis:
    This article examines two Dutch diplomatic missions, in 1627–28 and 1635, by which the United Provinces intervened in a Polish-Swedish armed conflict in Prussia. The focus is on ‘diplomatic poetics’: the ways in which literature functioned within diplomatic practice, and how that practice (or the ‘diplomatic moment’) was in turn envisioned in literature. The Polish-Swedish conflict was of great interest to the United Provinces, and was elaborately discussed in various Dutch media, as well as in the correspondences of merchants and politicians. The Dutch embassies to Polish territories themselves, meanwhile, inspired a number of literary works, published mostly in the Republic, but also in for example Danzig and Königsberg. These sources demonstrate how early modern literary and diplomatic practices in Europe overlapped and influenced each other. Firstly, German, French and Dutch poems by Johannes Plavius, Simon van Beaumont and Joost van den Vondel illustrate the blurring of the lines between the realms of diplomacy and literature. Poems could function as diplomatic gifts, enabling both personal, intellectual communication and the widespread transmission of political messages. Moreover, Latin and German plays by Johannes Narssius and Simon Dach, and more importantly Latin poems by Simon van Beaumont and Caspar Barlaeus, as well as an illustrated Dutch account of the first mission by Abraham Booth, reveal that the Dutch envoys featured in literary narratives as both wise peace bringers and travelling poets, and their missions to Poland as both arduous ordeals and epic adventures. Much like poetic gifts, these literary reflections on ‘the diplomatic moment’ had public diplomatic agency, simultaneously voicing political opinions and crafting artistic images of the diplomats themselves.
    Źródło:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies; 2019, 3
    2545-1685
    2545-1693
    Pojawia się w:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Language of Papal Gift-Giving in the Seventeenth and Eighteenth Centuries: An Example of Soft Power?
    Autorzy:
    Chauvin, Maëlig
    Powiązania:
    https://bibliotekanauki.pl/articles/2035957.pdf
    Data publikacji:
    2020-11-19
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Early modern diplomacy
    Papacy
    Western Europe
    gifts
    clothes
    Golden Roses
    gift-giving
    Opis:
    In the seventeenth century, the practice of handing diplomatic gifts was on the rise among European sovereigns. A certain number of treatises intended for ambassadors specifically refer to this practice. These gifts, brought by the nuncios, his ambassadors, were selected, not only by the pope, but also by great figures in the papal court, like cardinals’ nephews or relatives. They were able to recognize which works would be the most appreciated by the Stuart King, the emperor or the kings of France or Spain. The letters sent by the nuncios or the newspapers which tackle events that had occurred in foreign courts constitute precious sources to identify and review such presents. Moreover, papal gifts were dual. The Supreme Pontiff was a religious sovereign and, as such, he offered reliquaries, blessed swaddling clothes and Golden Roses which were holy objects able to sustain Catholicism and maintain the faith. If these types of offerings were conventional, the pope also sent secular objects such as paintings, which represented profane themes, antique statues and small galanteries such as fans, gloves and perfumes, which is more surprising. As a matter of fact, the pope played a political role as a peacemaker between the other great European powers and defenders of the territories over which he had full jurisdiction: the Supreme Pontiff exercised both spiritual and temporal power. This dual nature can be seen in the different objects given. How did presents become instruments of power which served the pope’s interests? How did gift-giving rituals help him persuade the other sovereigns to follow his will and to maintain him as the greatest sovereign in Western Europe?
    Źródło:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies; 2020, 4; 167-188
    2545-1685
    2545-1693
    Pojawia się w:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Imitation Games. Some Notes on the Envoys Sent by Borso d’Este to Uthman, Ruler of Tunis
    Autorzy:
    Saletti, Beatrice
    Powiązania:
    https://bibliotekanauki.pl/articles/2035961.pdf
    Data publikacji:
    2020-11-19
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Italian Renaissance diplomacy
    Borso d’Este
    Caliph Uthman
    gift-giving
    Abbasid
    Tunisia
    Opis:
    In April 1464 Borso d’Este, Lord of Ferrara, sent two of his servants to Tunis in order to purchase prized horses, giving precise instructions for offering his regards and presenting his gifts to the ruler of Tunis. The letter that the Marquis entrusts to his two servants is a mine of information, because Borso leaves nothing to chance. His instructions cover every aspect of the ambassadorial visit: when to show the gifts, how and in what order to show them, the speech to be given. Many of the instructions given to ambassadors by their governments are yet to be investigated: how much room for manoeuvre did they leave in achieving the objectives of the mission, for example? In the case of the Marquis of Ferrara, Borso intends to exhibit his kingship through the staging of the presentation of his gifts, and through the posture, the gestures and the words of his representatives. The analysis of his letter can offer an interpretative guide for examining the appearances and public celebrations organized by Borso during his rule, which took place in an age of great experimentation.
    Źródło:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies; 2020, 4; 75-93
    2545-1685
    2545-1693
    Pojawia się w:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Por Ser Hombre Platico: Francisco Gasparo and the 1568 Spanish Negotiations with the Ottoman Governors of Algiers
    Autorzy:
    Caprioli, Francesco
    Powiązania:
    https://bibliotekanauki.pl/articles/2035958.pdf
    Data publikacji:
    2020-11-19
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Cross-cultural diplomacy
    Ottoman Empire
    Algiers
    Spanish Monarchy
    Phillip II
    gift-giving
    conversion
    memory
    experience
    familiarity
    Opis:
    In the spring of 1568, Uluç Ali Pasha, a Christian convert to Islam born in the Spanish viceroyalty of Naples, became the new Ottoman governor of Algiers. Subsequently, Phillip II of Spain tried to establish a dialogue with him. To conquer the city without having to resort to a military expedition, the king of Spain sent Francesco Gasparo, a Corsican merchant, to Algiers. This article aims to shed light on the Spanish diplomatic practice used in the dialogue with the Ottoman Governors of Algiers during the sixteenth century. To do so, we have had to move away from the traditional focus on the study of agreements and opt for a more holistic approach of the diplomatic event. Diplomacy is no longer seen as a simple political relationship capable of establishing an agreement between two parties during a specific time, but as a permanent practice defined by a complex structure. Thus, the article focuses on the agents and practices used during the Spanish negotiation with Uluç Ali to assess the tenets underpinning this type of diplomatic interaction. Gasparo’s mission enables us to reflect on the structure of Spanish diplomacy in the Early Modern Mediterranean. The Corsican merchant’s experience in Algiers reveals the presence of a specific dialogic pattern between the Iberian and Maghreb coasts and how it was consolidated during the sixteenth century. This article endeavours thus to analyse the characteristic elements and principles of what seems to be a specific diplomatic model.
    Źródło:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies; 2020, 4; 143-166
    2545-1685
    2545-1693
    Pojawia się w:
    Legatio: The Journal for Renaissance and Early Modern Diplomatic Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kalwińska z Chrystusem wojna i odnaleziona Kolęda paniom saskim – domniemany autor i edycja wierszy antyprotestanckich
    Calvinist War with Christ and Found Gift to the Saxon Ladies: Their Presumed Author and the Edition of Anti-Protestant Poems
    Autorzy:
    Nowakowski, Michał E.
    Powiązania:
    https://bibliotekanauki.pl/articles/31020756.pdf
    Data publikacji:
    2023
    Wydawca:
    Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
    Tematy:
    Gift to the Saxon Ladies
    Calvinist War with Christ
    Jan Chądzyński
    anti-Protestant epigrams
    confessional polemic
    Jesuits
    Kolęda paniom saskim
    Kalwińska z Chrystusem wojna
    antyprotestanckie epigramaty
    polemika wyznaniowa
    jezuici
    Opis:
    Celem artykułu jest próba ustalenia autorstwa dwóch siedemnastowiecznych, antyprotestanckich cyklów epigramatycznych – Kolędy paniom saskim oraz Kalwińskiej z Chrystusem wojny – oraz ich pierwsze krytyczne wydanie, uwzględniające utwory dotychczas nieznane oraz uważane za zaginione. Wywód atrybucyjny obejmuje ustalenia dotyczące czasu i okoliczności powstania obu cyklów, omówienie ich cech wspólnych oraz istniejących przekazów, a także skorygowanie i uzupełnienie stanu wiedzy na temat życia i twórczości jezuity Jana Chądzyńskiego, prawdopodobnego autora epigramatów.
    The article seeks to establish the authorship of two seventeenth-century, anti-Protestant epigrammatic cycles – Kolęda paniom saskim [Gift to the Saxon Ladies] and Kalwińska z Chrystusem wojna [Calvinist War with Christ] – and to provide their first critical edition, which includes the pieces hitherto unknown and believed to be lost. The attribution discussion consists of determining the time and the circumstances of the composition of the two cycles, discussing their mutual qualities and their existing textual witnesses, as well as revising and supplementing our knowledge of the life and works of the Jesuit Jan Chądzyński, the probable author of the epigrams.
    Źródło:
    Odrodzenie i Reformacja w Polsce; 2023, 67; 151-197
    0029-8514
    Pojawia się w:
    Odrodzenie i Reformacja w Polsce
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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