Temat: spectator / widz - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Pomiędzy teatrologią a antropologią teatru
Autorzy:: Kowalewicz, Kazimierz
Powiązania:: https://bibliotekanauki.pl/articles/973937.pdf
Data publikacji:: 2012-06-01
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: Eugenio Barba
Wsiewołod Meyerhold
theatre antropology / antropologia teatru
theatrology / teatrologia
theatrical fact / fakt teatralny
montage / montaż
rhythm / rytm
performance / przedstawienie
spectator / widz
Opis:: The author addresses Marco De Marinis’ recent proposal for theatrology. Using the proposal as a point of departure he loosely traces the presence, and often rather the absence, of two important concepts, rhythm and montage, in research analyses. His findings indicate a need for theatrology to draw closer to analyses in the field of theatre anthropology, as understood by Eugenio Barba. One of the possible paths for proceeding requires rethinking the position of the spectator/theatrologist within the theatrical fact and widening the perspective of theatre anthropology.
Źródło:: Kultura i Społeczeństwo; 2012, 56, 2; 5-19
2300-195X
Pojawia się w:: Kultura i Społeczeństwo
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Chorea – próba odwrotu czy… powrót?
Autorzy:: Bartosiak, Mariusz
Powiązania:: https://bibliotekanauki.pl/articles/973930.pdf
Data publikacji:: 2012-06-01
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: theatre anthropology / antropologia teatru
‘theatre of an attempt’ / „teatr proby”
theatrical experience / doświadczenie teatralne
actor / aktor
performer
spectator-participant / widz-uczestnik
processual montage principle / procesualna zasada montażowa
Opis:: The article presents an analysis of selected elements of the Chorea Theatre Association play entitled Grotowski - An Attempt to Retreat. The discussion starts with the mutual relations between a series of ideas in contemporary theatrological discourse: the performance, the actor-performer and the actor-character. In the course of the argument, the categories ‘theatre of an attempt’ and ‘processual montage principle’ are introduced and used in the context of the issues involved in theatrical events and experiences. The first term refers to the contemporary theatrical practice of treating a theatre event as a sort of anthropological experiment, and the second refers to the compositional technique characteristic of this approach. The ‘theatre of an attempt’ formula, as a situation of confrontation in the tripartite structure of actor, viewer and stage-action reality, allows the anthropological dynamic of the theatre event, whose integral component is the mental activity of the spectator, to be captured. The ‘processual montage principle’ relates not only to the construction of the spectacle and the actor’s actions, but also to the attitudes and actions of the cognitive spectator, who, in participating in the theatrical process of becoming must himself attempt an imaginative reflection of this process. In conclusion, an interpretation of the play in the context of the ‘Everyman’ morality tradition is suggested.
Źródło:: Kultura i Społeczeństwo; 2012, 56, 2; 53-69
2300-195X
Pojawia się w:: Kultura i Społeczeństwo
Dostawca treści:: Biblioteka Nauki

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