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Wyświetlanie 1-7 z 7
Tytuł:
Detection and Recognition of Environmental Sounds by Musicians and Non-Musicians
Autorzy:
Miśkiewicz, A.
Rościszewska, T.
Żera, J.
Majer, J.
Okoń-Makowska, B.
Powiązania:
https://bibliotekanauki.pl/articles/176313.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
environmental sounds
detection threshold
recognition threshold
Opis:
The article reports three experiments conducted to determine whether musicians possess better ability of recognising the sources of natural sounds than non-musicians. The study was inspired by reports which indicate that musical training develops not only musical hearing, but also enhances various non-musical auditory capabilities. Recognition and detection thresholds were measured for recordings of environment al sounds presented in quiet (Experiment 1) and in the background of a noise masker (Experiment 2). The listener’s ability of sound source recognition was inferred from the recognition-detection threshold gap (RDTG) defined as the difference in signal level between the thresholds of sound recognition and sound detection. Contrary to what was expected from reports of enhanced auditory abilities of musicians, the RDTGs were not smaller for musicians than for non-musicians. In Experiment 3, detection thresholds were measured with an adaptive procedure comprising three interleaved stimulus tracks with different sounds. It was found that the threshold elevation caused by stimulus interleaving was similar for musicians and non-musicians. The lack of superiority of musicians over non-musicians in the auditory tasks Explorer in this study is explained in terms of a listening strategy known as casual listening mode, which is a basis for auditory orientation in the environment.
Źródło:
Archives of Acoustics; 2018, 43, 4; 581-592
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pitch Strength of Residual Sounds Estimated Through Chroma Recognition by Absolute-Pitch Possessors
Autorzy:
Rogowski, P.
Rakowski, A.
Powiązania:
https://bibliotekanauki.pl/articles/177930.pdf
Data publikacji:
2010
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
absolute pitch
residual sounds
virtual pitch
Opis:
Absolute pitch is a unique feature of the auditory memory which makes it possible for its possessors to recognize the musical name (chroma) of a tone. Six musicians with absolute pitch, selected from a group of 250 music students as best scoring in musical pitch-naming tests, identified the chroma of residue pitch produced by harmonic complex tones with several lower partials removed (residual sounds). The data show that the percentage of correct chroma recognitions decreases as the lowest physically existent harmonic in the spectrum is moved higher. According to our underlying hypothesis the percentage of correct chroma recognitions corresponds to the pitch strength of the investigated tones. The present results are compared with pitch strength values derived in an experiment reported by Houtsma and Smurzynski (1990) for tones same as those used in this study but investigated with the use of a different method which consisted in identification of musical intervals between two successive tones. For sounds comprising only harmonics of very high order the new method yields a very low pitch recognition level of about 20% while identification of musical intervals remains stable at a level of about 60%.
Źródło:
Archives of Acoustics; 2010, 35, 3; 331-347
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Acoustic Influence of Vehicles on a Protected Natural Area in the Southwest of the Iberian Peninsula
Autorzy:
Sánchez-Sánchez, R.
Fortes-Garrido, J. C.
Bolívar, J. P.
Powiązania:
https://bibliotekanauki.pl/articles/176775.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
natural sounds
soundscapes
noise
protected natural area
Opis:
Natural sounds are essential elements for ecosystems, and therefore necessary for many ecological functions, forming what is called “natural soundscapes”. The Natural Reserve Laguna del Portil (NRLP), located in the southwest of the Iberian Peninsula, is an ecosystem which was declared by Spanish authorities as Protected Natural Reserve. In the south area of the NRLP, there is a regional road with high traffic intensity, which affects the soundscapes of this natural reserve. In this study, the road potential noise impact on the natural sounds of the NLRP is analysed. This analysis was done both in winter and summer, and also using two independent methods: 1) spatial sampling measures in 43 different points of the NRL; and 2) noise mapping using noise levels prediction software. From the comparison of the results of both methods and seasons the following conclusions were reached: 1) an approach to the natural soundscape of NRLP both in winter and summer, 2) the acoustic impact of the road on the NRLP, and 3) the variation of the traffic noise depending on the distance to the road, and its seasonal variation. This study could be to improve the management of the NRLP and to help to preserve the natural soundscape of the reserve.
Źródło:
Archives of Acoustics; 2018, 43, 2; 177-185
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Virtual Sound Localization by Blind People
Autorzy:
Dunai, L.
Lengua, I.
Peris-Fajarnés, G.
Brusola, F.
Powiązania:
https://bibliotekanauki.pl/articles/178022.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
virtual sounds
localization
distance
azimuth
blind people
Opis:
The paper demonstrates that blind people localize sounds more accurately than sighted people by using monaural and/or binaural cues. In the experiment, blind people participated in two tests; the first one took place in the laboratory and the second one in the real environment under different noise conditions. A simple click sound was employed and processed with non-individual head related transfer functions. The sounds were delivered by a system with a maximum azimuth of 32° to the left side and 32° to the right side of the participant’s head at a distance ranging from 0.3 m up to 5 m. The present paper describes the experimental methods and results of virtual sound localization by blind people through the use of a simple electronic travel aid based on an infrared laser pulse and the time of flight distance measurement principle. The lack of vision is often compensated by other perceptual abilities, such as the tactile or hearing ability. The results show that blind people easily perceive and localize binaural sounds and assimilate them with sounds from the environment.
Źródło:
Archives of Acoustics; 2015, 40, 4; 561-567
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Loudness Assessment of Musical Tones Equalized in A-weighted Level
Autorzy:
Klonari, D.
Pastiadis, K.
Papadelis, G.
Papanikolaou, G.
Powiązania:
https://bibliotekanauki.pl/articles/177354.pdf
Data publikacji:
2011
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
loudness perception
A-weighted level equalization
wind instrument sounds
Opis:
The present study was carried out to determine whether recorded musical tones played at various pitches on a clarinet, a flute, an oboe, and a trumpet are perceived as being equal in loudness when presented to listeners at the same A-weighted level. This psychophysical investigation showed systematic effects of both instrument type and pitch that could be related to spectral properties of the sounds under consideration. Level adjustments that were needed to equalize loudness well exceeded typical values of JNDs for signal level, thus confirming the insufficiency of A-weighting as a loudness predictor for musical sounds. Consequently, the use of elaborate computational prediction is stressed, in view of the necessity for thorough investigation of factors affecting the perception of loudness of musical sounds.
Źródło:
Archives of Acoustics; 2011, 36, 2; 239-250
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Una lingua silenziosa: immaginare il dialetto negli scritti di Elena Ferrante
Autorzy:
Librandi, Rita
Powiązania:
https://bibliotekanauki.pl/articles/2083448.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Ferrante’s novels
Italian and Dialect
Women writings
Metalinguistic gloss
Naples sounds
Opis:
A silent language: imagining the dialect in Ferrante’s novels – Elena Ferrante’s novels are not examples of plurilingual literature; in fact they do not mix diatopic varieties of Italian and dialect, even if, above all in the stories in My Brilliant Friend, Italian readers can perceive the sounds of the Neapolitan dialect. To achieve this effect, Elena Ferrante uses metalinguistic glosses, which alert the reader when the characters pass from one language to another. The essay examines the features of the glosses, which are cleverly inserted, do not hinder reading, and manage to transport the reader to among the houses and the sounds of Naples.
Źródło:
Kwartalnik Neofilologiczny; 2019, 2; 385-398
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reproduction of Phantom Sources Improves with Separation of Direct and Reflected Sounds
Autorzy:
Kleczkowski, P.
Król, A.
Małecki, P.
Powiązania:
https://bibliotekanauki.pl/articles/177770.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
spatial audio
multichannel sound reproduction
phantom sources
auralization
ambisonics abbreviations
IR (impulse response)
SIR (spatial impulse response)
RT (reverberation time)
ANOVA (analysis of variance)
DS – direct sound
RSs – reflected sounds
Opis:
In virtual acoustics or artificial reverberation, impulse responses can be split so that direct and reflected components of the sound field are reproduced via separate loudspeakers. The authors had investigated the perceptual effect of angular separation of those components in commonly used 5.0 and 7.0 multichannel systems, with one and three sound sources respectively (Kleczkowski et al. (2015b). In that work, each of the front channels of the 7.0 system was fed with only one sound source. In this work a similar experiment is reported, but with phantom sound sources between the front loudspeakers. The perceptual advantage of separation was found to be more consistent than in the condition of discrete sound sources. The results were analysed both for pooled listeners and in three groups, according to experience. The advantage of separation was the highest in the group of experienced listeners.
Źródło:
Archives of Acoustics; 2015, 40, 4; 575-584
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-7 z 7

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