Temat: manifest - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Polski system upadłościowy – instytucja społeczna i jej funkcjonalność
POLISH INSOLVENCY SYSTEM; SOCIAL INSTITUTION AND ITS FUNCTIONALITY
Autorzy:: Pilitowski, Bartosz
Powiązania:: https://bibliotekanauki.pl/articles/428081.pdf
Data publikacji:: 2013
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: INSOLVENCY
BANKRUPTCY
INSOLVENCY COURTS
INSTITUTIONS
MANIFEST FUNCTIONS
DYSFUNCTIONS
ECONOMIC SOCIOLOGY OF LAW
Opis:: The article addresses a problem of the extent to which manifest functions are fulfilled by Polish insolvency system. The questions it aims to answer are: What are the official goals of Polish insolvency system? What is the level of realization of these goals? How the indicators of their realization look like in comparison with other European economies? Is Polish insolvency system dysfunctional or eufunctional for Polish economy and society? Following data will be analysed: results of international surveys on insolvency regimes in Poland and all over the world, data issued by public control institutions and partial results of authors own research. Neoinstitutional perspective is engaged to analyse the data and the article accepts the perspective of economic sociology of law. The article aims to bring more attention to a social institution of crucial significance in a free-market economy and to a need of closer sociological insight into its problems.
Źródło:: Studia Socjologiczne; 2013, 1(208); 121-152
0039-3371
Pojawia się w:: Studia Socjologiczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: The History Manifesto Jo Guldi i Davida Armitage’a
Autorzy:: Wrzosek, Wojciech
Powiązania:: https://bibliotekanauki.pl/articles/2081146.pdf
Data publikacji:: 2017
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: manifest naukowy
historiografia scjentystyczna
braudelizm
historia ekspercka
historia prewidystyczna
Nauki Humanistyczne i Społeczne
Opis:: The author raises questions concerning the phenomenon of manifestos in science and specific theses advanced by the authors of The History Manifesto. The first question is whether a manifesto on the role of historiography in the contemporary world, calling for a revival of a certain seemingly bygone ideal of science, symbolised by the works of Fernand Braudel, can be the subject of scientific criticism at all. The second question is whether the diagnosis of a crisis in the role of history as an expert science is accurate, and whether its claims to this role are altogether valid in the modern world.
Źródło:: Historyka studia metodologiczne; 2017, 47; 113-120
0073-277X
Pojawia się w:: Historyka studia metodologiczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: The Cads of Young Poland according to Julian Przyboś: echoes of the early modernist apocalyptic tone
Młodopolskie chamuły według Juliana Przybosia – o apokaliptycznej tonacji przyjętej z wczesnego modernizmu
Autorzy:: Misiak, Iwona
Powiązania:: https://bibliotekanauki.pl/articles/2087995.pdf
Data publikacji:: 2020
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: Polish literature of the early 20th century
Young Poland
Modernism
literary dialogue
Quarrel between the Moderns and the Ancients
spoof
manifesto
plasticity
Julian Przyboś (1901–1970)
Jacques Derrida (1930–2004)
Catherine Malabou (b. 1959)
pamfletowy manifest
apokalipsa
plastyczność
awangarda i ariegarda
Opis:: This article presents a new reading of the spoof poetic manifesto ‘Chamuły poezji’ [‘The Cads of Poetry’] written by Julian Przyboś in 1926. His use of the apocalyptic tones of early modernist poetry to lampoon a trio of acclaimed poets associated with Young Poland (especially Jan Kasprowicz) suggests a complex nature of Przyboś’s rejection and dependence on that movement. In general, the influence of Young Poland, though quite conspicuous in is juvenilia and early publications, tends to fade away. ‘Chamuły’ is a pejorative nonce word which alludes to the Biblical Ham as well as a Polish word for a cad or ill-bred bumpkin. This article adds to it another layer of meaning, based on Derrida’s interpretation of the Apocalypse, with allusions to sexual and genital imagery. And more generally, it reframes the whole Przyboś’s poetic work (not just his early poems) using Catherine Malabou’s concept of plasticity. Seen in a broader historical perspective, Przyboś’s struggles to break with Young Poland are not unlike the predicament of many eighteenth-century writers caught in the dispute between the Moderns and the Ancients, satirized in Swift’s Battle of the Books. The overall conclusion of this study is that at all times the avant-garde and the arrière-garde remain in a continuous dialogue and the innovators never lose sight of those left behind. Poetry is, after all, metamorphic and cannot be contained within within the bounds of manifestoes and artistic programmes.
Źródło:: Ruch Literacki; 2020, 1; 48-68
0035-9602
Pojawia się w:: Ruch Literacki
Dostawca treści:: Biblioteka Nauki

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