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Wyświetlanie 1-15 z 30
Tytuł:
“Cold Beads of History and Home”: Fictional Perspectives on the Northern Irish Troubles
Autorzy:
Drong, Leszek
Powiązania:
https://bibliotekanauki.pl/articles/2076069.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
the Troubles
history
fiction
perspective
Northern Ireland
Opis:
This essay explores several novels by contemporary Northern Irish writers with an eye to assessing how The Troubles are represented in their pages. Some of the more recent writings concerned with the conflict and its aftermath (i.e. those published over the last 25 years) may seem to be quite detached and even ironic or parodic but on closer inspection the use of the postmodern distancing devices in those works – paradoxically – proves to testify to a profound emotional commitment on the part of all the narrators involved in reminiscing about the Troubles.
Źródło:
Kwartalnik Neofilologiczny; 2015, 4; 523-538
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Question of Identity in Polish American Fiction of the Early 21st Century
Autorzy:
Kozaczka, Grażyna J.
Powiązania:
https://bibliotekanauki.pl/articles/579952.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
LITERATURE
POLISH
IMMIGRANTS
SOLIDARITY EMIGRATION
FICTION
IDENTITY
Opis:
Compared to other Polish emigrant cohorts, the broadly understood Solidarity emigration to the USA and Canada of the early 1980s occupies a distinctive place. Their literary output produced for the most part in English came quickly and entered the mainstream book market already at the turn of the century. Even though their fiction deployed fairly typical themes of dislocation, emigrant experience and construction of immigrant identity in the receiving country, its uniqueness rests in the two-fold vision of two very closely related generations: the first generation emigrants who left Poland as adults, as well as their children, classified as the generation 1.5, who experienced growing up in two countries. In their semi autobiographical fiction, writers representing the older generation such as Eva Stachniak and Czesław Karkowski, devote much of their work to justifying the decision to emigrate and attempt to position their successful characters within the narrative of the American dream. In contrast, younger generation authors such as Karolina Waclawiak and Dagmara Dominczyk, construct a much darker vision of the fragmented immigrant identity that leaves their fictional characters psychologically fragile. In their struggle, they identify the cause of this suffering in their parents’ choice to leave the home country.
Źródło:
Studia Migracyjne - Przegląd Polonijny; 2015, 41, 4 (158); 257-270
2081-4488
2544-4972
Pojawia się w:
Studia Migracyjne - Przegląd Polonijny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
In the Old Cinema. Stefan Grabiński and Expressionism
Autorzy:
Majewska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1916712.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Stefan Grabiński
expressionism
film
cinema
weird fiction
Lviv
Opis:
Stefan Grabiński, a famous Polish author of weird fiction, who is known especially for his collection of short stories Demon ruchu (The Motion Demon, 1919), lived and worked in a period marked by a new artistic style – expressionism. Although Grabiński came from Lviv, often regarded as a province in Poland after the Great War, he could have a contact with the latest ideas concerning art and philosophy. Indeed, both in his short stories and in his novels may be found some traits typical for the expressionist poetics as, for example, a subjective perspective, a color sensitivity or a tendency to violent and dynamic use of formal elements. Grabiński was fascinated by a German literature – he read Gustav Meyrink, E.T.A. Hoffmann and an expressionist magazine “Der Orchideengarten”. Moreover, he liked going to the cinema where he could watch, for example, a famous German expressionist film – The Cabinet of Dr. Caligari. The only text by Grabiński which was adapted into film in his life was a short story Kochanka Szamoty  (Szamota’s Mistress, 1922). Although this seemed to be a great material for an expressionist film, the director – Leon Trystan – decided to realize it in an impressionist poetics.
Źródło:
Nauka; 2020, 4
1231-8515
Pojawia się w:
Nauka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konstrukcja narracji w "Rojzmanie" Walerija Panuszkina. Beletryzacja i obiektywizacja
The Structure of the Narrative in "Roizman" by Valery Panyushkin. Novelization and Objectivization
Autorzy:
Czerwiński, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/2032484.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Valery Panyushkin
non-fiction
reportage
referential pact
Yevgeny Roizman
Źródło:
Slavia Orientalis; 2018, LXVII, 3; 489-503
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Etyka pamięci w eseistyce Piotra Wajla
Memory Ethics in Peter Vayl’s Essay Writing
Autorzy:
Sylwestrzak, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/2030938.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Peter Vayl
non‑fiction
essay
ethics
memory studies
Źródło:
Slavia Orientalis; 2021, LXX, 2; 383-400
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Die Detektive werden alt. Zum konzeptuellen „Selbstmordversuch“ des Krimis in Bernhard Schlinks Selbs Mord (2011)
Autorzy:
Brylla, Wolfgang
Powiązania:
https://bibliotekanauki.pl/articles/2081210.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
B. Schlink
crime fiction
detective
deconstruction
suicide of the genre
Opis:
The novel Selbs Mord ends up the series of Bernhard Schlink’s detective stories about the private detective Gerhard Selb. Schlink’s last detective novel, unlike the earlier ones, did not meet a warm reception among the critics. Notwithstanding, the reviewers did not take into account a one important feature of the text – both with respect to the content and the structure. Selbs Mord is namely an attempt of a deconstruction, a farewell with the detective novel as a genre. A real suicide of the genre.
Źródło:
Kwartalnik Neofilologiczny; 2017, 3; 380-397
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fictional threatening: the case of disjunctive conditionals
Autorzy:
Łyda, Andrzej
Zasowska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/2054306.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
threatening
speech act
corpus
fiction
crime stories
pseudo‑imperatives
disjunctive conditional
Opis:
In the present paper, we extend previous work on the speech act of threatening by including in our analysis a corpus of crime fiction based on 700 English books, a characteristic trait of which are threats. By including data derived from written narratives in prose, imaginary rather than factual, this research aims to identify potential differences between fictional and authentic threats, thus contributing to the general panorama of this speech act. Here we concentrate on a single construction, known as disjunctive conditional or pseudo‑imperative, which is analysed in terms of parameters employed in previous studies and modified to meet the purposes on the present research.
Źródło:
Linguistica Silesiana; 2021, 42; 207-237
0208-4228
Pojawia się w:
Linguistica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Erich Loests Exkurs in die Kriminalliteratur. Der DDR-Krimi zwischen Konvention und Travestie
Autorzy:
Brylla, Wolfgang
Powiązania:
https://bibliotekanauki.pl/articles/2083500.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Erich Loest
Raymond Chandler
crime fiction
GDR
narrative travesty
kryminał
NRD
trawestacja narracyjna
Opis:
After leaving a GDR prison, in the 60s, Erich Loest started to write crime stories under the pseudonym Hans Walldorf. His series of only a few novels finishes with the short story collection entitled Oakins macht Karriere. In his stories, presenting the investigations by a London detective Pat Oakins, Loest did a specific kind of travesty of a classic genre convention, going away from a socialistic-didactic character of crime stories in Eastern Germany.
Po wyjściu z enerdowskiego więzienia Erich Loest zaczął w latach 60. pisać pod pseudonimem Hans Walldorf kryminały. Jego serię zaledwie kilku powieści kończy zbiór opowiadań Oakins macht Karriere. Loest w poszczególnych historiach, opowiadających o toczących się śledztwach prowadzonych przez londyńskiego detektywa Pata Oakinsa, dokonał swoistego rodzaju trawestacji klasycznej konwencji gatunkowej, odchodząc od socjalistyczno-dydaktycznego charakteru kryminału we wschodniej części Niemiec.
Źródło:
Kwartalnik Neofilologiczny; 2019, 3; 504-517
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rosja - między pamięcią a zapomnieniem (w świetle polskich dyskursów)
Russia – Between Remembrance and Oblivion (in the Light of Polish Discourse)
Autorzy:
Pogonowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/2031489.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
polska literatura non-fiction
Rosja współczesna
terror stalinowski
polityka pamięci
niepamięć i zapomnienie
Źródło:
Slavia Orientalis; 2020, LXIX, 1; 15-31
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Des monades fictiotropes. "La Nuit des morts-vivants" de François Blais
Autorzy:
Jarosz, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/2083159.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
François Blais
addiction to fiction
postmodernism
intermediality
escapism
uzależnienie od fikcji
postmodernizm
intermedialność
eskapizm
Opis:
In his fifth novel La Nuit des morts-vivants, François Blais, a Quebec writer of the young generation, created yet another pair of kindred spirits after Iphigénie en Haute-Ville. The characters are young people addicted to all kinds of fiction, from high literature to video games, and they make reflections on the borders between fiction and reality that are worthy of a literary critic or a very conscious reader. Devoting every moment that they have at their disposal to reading books, watching films, and playing video games, Pavel and Moly are outstanding due to their erudition, even if they are simultaneously typical representatives of the generation with low-paid jobs or living on social benefits and realizing themselves only in the substitute world of fiction.
W swojej piątej powieści pt. La nuit des morts-vivants z 2011 roku quebecki pisarz młodego pokolenia François Blais tworzy kolejną (po Iphigénie en Haute-Ville) parę siostrzanych dusz, młodych ludzi uzależnionych od wszelkiego rodzaju fikcji – od literatury wysokiej po gry wideo – snujących godne teoretyka lub świadomego odbiorcy literatury rozważania o granicach między fikcją a rzeczywistością. Poświęcając każdą wolną chwilę na czytanie książek, oglądanie filmów i gry komputerowe, Pavel i Molly są wyjątkowymi ze względu na swoją erudycję, a przecież typowymi przedstawicielami swojego pokolenia wykonującymi źle opłacane zajęcia albo żyjącymi z opieki społecznej i realizującymi się wyłącznie w zastępczym świecie fikcji.
Źródło:
Kwartalnik Neofilologiczny; 2018, 3
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La transfiction fantastique, le fantastique transgénérique: Quelques remarques sur Une lumière entre les arbres de Jean-Pierre Andrevon
Autorzy:
Gadomska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/2081179.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Fantastic literature
Jean-Pierre Andrevon
transgeneric novel
hybrid genre
Science fiction
gore
techno thriller
horror
fear
Opis:
The French fantastic literature of the first half of the 19 century is a hybrid genre (theoretical works of Charles Nodier, Didier de Hauranne, Jean-Jacques Ampère, Walter Scott). Toward the second half and the end of the 19th century the pure fantastic appears and dominates over other genres. However, in the 20th century some French writers revive the fantastic hybrid mode of writing. This is the case of Jean-Pierre Andrevon and her transgeneric novel Une lumière entre les arbres. The presence and the constant mix of many genres (like the fantastic, the gore, the Science fiction, the techno thriller, the horror) within the same novel enriches this text and does not destroy the effect of the pure fantastic because the hesitation, the ambiguity and the playing with fear are clearly visible in the contents and the writing technique. The future of the fantastic is paradoxically related to the return of its past.
Źródło:
Kwartalnik Neofilologiczny; 2017, 1; 13-22
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Exponent of intellect products of good taste. Obituary for Professor Jerzy Pelc (30.09.1924, Warsaw – 2.06.2017, therein)
Autorzy:
Jadacki, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/704490.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Jerzy Pelc
assertion
fiction
form
functional semiotics
ideology
logical semiotics
Lvov-Warsaw School
metaphor
motive
Opis:
Professor Jerzy Pelc was the creator and long-time manager of the Department of Logical Semiotics, University of Warsaw. He also founded the Polish Society of Semiotics. He published six own books, among others Studies in Functional Logical Semiotics of Natural Language (1971; in English); he edited also dozens of volumes of Semiotic Studies and Library of Semiotic Thought.  As Kotarbiński, his master, and Twardowski, the master of his master, Professor Pelc was a radical rationalist. This radical rationalism has linked him to atheism, anti-communism, a distance to politics, and a frown on the falsehood of public life. He was a great patriot – in his life and in his work. He considered himself a successor of the Lvov-Warsaw School tradition. In the field of metaphysics, Professor Pelc combined theoretical minimalism with anti-rationalist attitudes, including the postulate of precision and the requirement of criticism. The main field of his interest was logical – and broader: theoretical – semiotics. He advocated and largely developed the functional concept of signs. To traditional paradigms of research: historical, teleological, causal and prognostic ones – Professor Pelc has added a semiotic paradigm, determined by the question “What does it mean that p?”. Referring to the interdisciplinary fashion for interdisciplinary research, he conducted an analysis of the notion of interdisciplinarity. In ontology, he analyzed the notions of object and causality. In his approach, aesthetics was treated form a semiotic point of view: he sought mainly ways to logically rewrite its terminology. In particular, he reconstructed the main aesthetic notions: form and ideology (of literary works), theme, motive, metaphor and (literary) fiction – as well as semiotic notions essential to the description of literary arts, namely the notions of assertion and intensionality. In the field of ethics, Professor Pelc declared himself as an advocate of the ideal of trustworthy guardian, which he took over from his teacher, Kotarbiński. In metaethics, he analyzed the notions of norm, evaluation and humanity. A master of Polish: beautiful Polish – he was certainly a true humanist.
Źródło:
Nauka; 2017, 4
1231-8515
Pojawia się w:
Nauka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Life after the end of the world: Post-apocalypse in Marek Baraniecki's “Cassandra's Head” and Jacek Dukaj's “The Old Axolotl”
Życie po śmierci świata. Postapokalipsa w „Głowie Kasandry” Marka Baranieckiego i „Starości aksolotla” Jacka Dukaja
Autorzy:
Błaszkowska, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2087807.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the late 20th century
science fiction and fantasy
dystopia
post-Apocalypse
Lacanian orders of perception
Jacques Lacan (1901–1981)
Jacek Dukaj (b. 1974)
Marek Baraniecki (b. 1954)
Jacek Dukaj
Marek Baraniecki
science fiction
katastrofizm
fantastyka
apokalipsa
Opis:
This is a critical reading of two Polish science-fiction novels of the post-Apocalypse subgenre, Cassandra’s Head by Marek Baraniecki and The Old Axolotl by Jacek Dukaj, with the help of concepts borrowed from the philosophical toolkit of Jacques Lacan. Each of the two books envisages an apocalyptic catastrophe and its consequences as well as the subsequent attempts to rebuild human civilization. The action in either novel is shaped by tensions between the Symbolic and the Real. The latter, though suppressed and shut out, keeps resurfacing, usually when it is least expected, leaving an indelible marks in the life of the survivors. An analysis of the handling of this conflict in the two novels offers a number of insights into the way these two fundamental modes (or, Lacanian orders) of human perception are integrated into the worlds of post-Apocalyptic fiction.
Źródło:
Ruch Literacki; 2020, 2; 149-163
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Representations of the nuclear holocaust and the problem of testimony: Japanese accounts of the nuclear attack on Hiroshima and the Nuclear Age in the fiction of Stanisław Lem
Reprezentacje zagłady atomowej i problem świadka. Świadectwa japońskie z zagłady Hiroszimy i epoka atomowa u Stanisława Lema
Autorzy:
Skowroński, Rafał Jakub
Powiązania:
https://bibliotekanauki.pl/articles/2087270.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Nuclear holocaust in literature
representations of Hiroshima
Apocalyptic fiction
witness
testimony
Dori Laub (1937–2018)
Hiroszima
Holokaust
reprezentacja
świadectwo
krytyka nuklearna
Opis:
This article deals with the problem of representation of the nuclear holocaust in literary theory (in the context of deconstruction theory) and in some literary works (usually dubbed Apocalyptic and Post-Apocalyptic fiction), i.e. John Hersey's Hiroshima, Hara Tamiki's Summer Flowers, Ibuse Masuji's The Crazy Iris, and Stanisław Lem's novel His Master's Voice and his short story Man from Hiroshima. The problem of representing a calamitous event is discussed here in connection with recent debates on the nature and status of testimony (especially Dori Laub's witness and testimony studies).
Źródło:
Ruch Literacki; 2021, 1; 89-105
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Four catastrophes and two evolutions: The place of „The Invincible” in Stanisław Lem’s work
Cztery katastrofy i dwie ewolucje. O miejscu „Niezwyciężonego” w twórczości Stanisława Lema
Autorzy:
Kukulak, Szymon Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2090032.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
science fiction
space exploration
Stanisław Lem (1921–2006)
Stanisław Lem
"Niezwyciężony"
fantastyka naukowa
ewolucja
astronomia
astrofizyka
Opis:
This article questions the consensus view of The Invincible (Niezwyciężony) as one of Lem’s classical sci-fi fi ctions. The author contends that in this novel the familiar conventions (later rejected in His Master’s Voice) coexist with a structural design characteristic of his late novels. An analysis of two pieces of the world of The Invincible, usually disregarded by the critics because of their sketchiness, i.e. the story of the extinct Lyrans and the account of the ancient biosphere of Regis III, reveals that in either case Lem no longer cares for the realist credentials of his fi ction and does not put the two planets on the astronomical map (which is no doubt deliberate choice). Moreover, in contrast to his earlier novels, his outline histories of the two biospheres contain hidden (but nonetheless unmistakable) parallels to the prehistory of the biosphere of the Earth (though he was no believer in evolutionary repeatability). As this article tries to demonstrate the two peripheral facets of the world depicted in the novel are clearly related and subordinated to the central story line (concerned with the ‘necrosphere’ and humanity). This structural dependence as well as the way in which key aspects of the world depicted in the novel seem to illustrate the theses articulated in Lem’s essays justifi es the conclusion that The Invincible should be treated as the fi rst novel of his late phase, represented – on account of its form – by His Master’s Voice.
Źródło:
Ruch Literacki; 2018, 3; 281-304
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
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