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Tytuł:
Pismo "Formiści" i początki międzynarodowych kontaktów polskiej awangardy (1919-1921)
The Periodical "Formiści" and the beginnings of the Polish avant-gardes international relations (1919-1921)
Autorzy:
Strożek, Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/707087.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Formisci
avant-garde
Polska
20th century
Formiści
awangarda
Polska
XX wiek
Opis:
This paper emphasises the importance of the periodical Formisci, published in 1919-1921, within the context of the early Polish avant-garde. The journal was the publishing body of a group of Kraków artists who in 1919 declared themselves Formists; its profile was established mainly by its editor, Tytus Czyewski. Over two years, only six issues were published, featuring theoretical statements by group members, Formist and futuristic poetry, and reproductions of Formist works. This is where the future publishers of futuristic fl yers, Czyewski, Bruno Jasienski, Stanisław Młodoeniec, and also the publishers of subsequent avant-garde periodicals Nowa Sztuka and Zwrotnica, Anatol Stern and Tadeusz Peiper, met. Formisci was also one of the fi rst cues for promoting new Polish art abroad and for establishing contacts with other avant-garde circles. Its pages also featured articles on the latest happenings in foreign art and literature, as well as the translations and works of artists belonging to the foreign avant-garde. One of the periodical’s priorities was accessing the international network of progressive ideas represented by European avant-garde magazines. As a result, the Formists were discussed by the Munich magazine Der Ararat, Madrid’s Ultra, and Belgrade’s Misao. Formisci became a platform for the exchange of progressive ideas developed in parallel across Europe, a vehicle facilitating the fl ow of information on the latest developments in the arts on an international scale, arguing the need for a revolution in Polish culture, and adapting it to the chan ges taking place after the First World War.
Źródło:
Rocznik Historii Sztuki; 2013, 38; 71-86
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gest etyczny Katarzyny Kobro
Katarzyna Kobros ethical gesture
Autorzy:
Skalska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/706985.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Kobro
avant-garde
sculpture
20th century
Polska
awangarda
rzeźba
XX wiek
Polska
Opis:
A conversation that took place in 1945 between Katarzyna Kobro (1898–1951) and the Director of the Museum of Art in Łódz, Marian Mi-nich, provides the inspiration for this text and also the axis of its narrative. At that time, the artist had donated several of her pre-war sculptures to the Museum’s collection. The concise remarks made during the meeting referred to the functionalist theory of sculpture and to refl ections on its exposition and reception. Each of these themes will be developed in the text. The purpose of the discussion is to arrive at an understanding of what the term „ethical moment”, which Kobro used at the end of her meeting with Minich, actually means. The question of ethics relates to the shape of human relationships, the latter infl uencing not just the artist’s biography, but also the fate of her sculptures, their display in the Neoplastic Room organized by Władysław Strzeminski. The issue of the maker’s intention, following Mieke Bal, abandoned in studies of artistic output, exists however in pronouncements regarding artistic theory and its ethics, related in Kobro’s case to the idea of functionalism, social utility and the human form of sculpture. Our analysis of Kobro’s nudes and abstract sculptures is thus an attempt to discover the essence of this art’s ethical dimension. The instruments of description are terms taken from Kobro’s theoretical writings and philosophical concepts. An important reference is Martin Heidegger’s lecture “Art and Space”, in which he introduces the concept of sculpture as a body occupying a place in space, spreading itself out in the world. The theory of the relationship between truth and art, sculpture and space, that is fundamental to the Heideggerian triad of building, dwelling, thinking, becomes an important reference in the analysis of Kobro’s concept, the opening of her sculptures to space, the creating of functionalist projects. It also allows us to come closer to understanding the essence of her work’s “ethical moment”, which she called for in her conversation with Minich.
Źródło:
Rocznik Historii Sztuki; 2013, 38; 89-102
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metoda jako gra. Mieczysława Porębskiego metodologia badań nad sztuką
Method as game. Mieczysław Porębskis methodology of art research
Autorzy:
Kasperowicz, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/707045.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Porębski
art history
art theory
art criticism
20th century
Polska
historia sztuki
teoria sztuki
krytyka artystyczna
XX wiek
Polska
Opis:
Mieczysław Porebski was one of the most important Polish art historians of the twentieth century. An outstanding interpreter of nineteenth and twentieth-century art, he also practiced art criticism in a creative way, and was an organiser of cultural activities – a sympathetic observer of many developments in modern art. The methodology of art history occupies a special place in his scholarzy accomplishments. In contrast to many researchers, who dealt with history and its methods as a humanistic discipline, Porebski developer his own methodology of art research, which he formed under the strong infl uence of methods borrowed from information theory, semiotics, anthropology and structural sociology. As the author of numerous methodological studies, later collected in a large volume entitled Art and Information, he tried to construct a systematic approach to art, beginning with a semiotic (iconic) understanding of the work, incorporated in the system of semiotic and social communication. One of Porebski’s main objectives was to discover a koncept of art as communication, which would allow for a comprehensive view of the story of art, with room for the particular role of moments of structural breakthrough (the crises – the transgressions), modelled on the basis of the achievements of structural anthropology and modern interpretations of myth and times of festivity, operating at different levels in societies characterised by different attitudes to painting, which can nonetheless be encompassed in repetitive patterns and formulas. In giving the work a three-layered structure, centred on the original idea of “morphisms”, Porebski tried to capture the changing functions of art within the framework of the variants of specifi c stylistic codes and communication systems. At the same time, as a methodologist, Porebski was well aware of the restrictions faced by information and semiotic theories when applied to artistic (more generally, visual) images, which build symbolic systems by expressing something and pointing at themselves. Porebski continued to develop his methodology of art research, on the one hand fascinated by the possibilities of adding the rigours of accuracy to it, as is the case with linguistic and semiotic studies, and on the other shaping his decisions under the strong spell of modernity, both on an ideological as well as artistic level.
Źródło:
Rocznik Historii Sztuki; 2013, 38; 41-48
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obecność prac humanisty. O Mieczysławie Porębskim w 2013
Mieczysław Porębski in 2013, or the presence of the humanists work
Autorzy:
Olszewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/707075.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Porębski
art history
art theory
art criticism
20th century
Polska
historia sztuki
teoria sztuki
krytyka artystyczna
XX wiek
Polska
Opis:
Mieczysław Porebski is considered to be one of the greatest Polish humanists. The history of his undertakings makes us reflect on the permanence and appraisal of intellectual work in Central European culture in the second half of the twentieth century. That is why in this essay I pose questions regarding whether Porebski’s studies still have a presence in contemporary academic circles, the reception of his art criticism, and the lasting effects of his selected curatorial activities. Methods of dissemination and potential continuations of his key projects were taken as the starting point. Comparing the publishing history of Mieczysław Porebski’s major texts and their presence in contemporary reading lists indicates that art studies are not the only areas drawing on the author’s legacy. For his writings are used equally often by literary scholars and representatives of humanism, which are reintegrated under the banner of cultural studies. Comparing their publishing history (the order of editions, the re-editions, the print runs), with their contemporary functioning in academic circulation, shows that the lifespan of works published as books ranges from about 30 to 40 years from the date of the last edition. From more or less the 1990s, Porebski’s scattered texts in the fi eld of art criticism have mainly been referred to in the context of research on the cultural life of the period. Among the mentioned publications, the most important in terms of the author’s reception today seems to be his Iconosphere (Warsaw, 1972, Belgrade 1978; translated by Peter Vujicic, afterword by Rodoslav Doluc). It is a work in which Porebski, in response to the reflections of semiologists of the time, attempting to get to the basics of visual communication, analysed the latter through the category of space and described the differences between the structure of language and the structure of the world of images. Thanks to Porebski, the term “iconosphere” became widely accepted in contemporary Polish humanities. I believe that the author was one of the fi rst to use it in the fi eld of art history, as early as the mid-1960s (the term was probably coined by the philosopher/existentialist Jean Wahl). The publication of the work evidently gave the “iconosphere” durability, at least in the realms of Slavic linguistics. From these observations, we can also draw valuable conclusions as to the lifespan and importance of the museologist’s work in contemporary Polish culture. The effect of Mieczysław Porebski’s curatorial activities, related to the creation of permanent exhibitions of Polish art at the National Museum in Kraków, faded away only recently. In the mid-1970s, his version of the Gallery of Nineteenth-Century Painting and Sculpture in the Cloth Hall took shape. Porebski also realized the Gallery of Twentieth Century Polish Art in the early 1990s. In both exhibitions, he juxtaposed works according to problems, assuming that they are linked by the room space. He thus created sophisticated structures, confronted masters, and willingly referred to places – events from the history of artistic life, grouping works in accordance with major exhibitions. These exhibitions played an important role in their time in defi ning the canon of Polish art of the past two centuries. Their duration was essentially restricted by external factors: the need for restoring the museum interior and stricter standards of copyright law. In the years 2005-2010, both expositions were remodelled by introducing new narratives and, to a varying degree, redefi ning the vision of history earlier proposed by Porebski. On the other hand, a good example of the continuation of his exhibiting concepts was a reconstruction of his private studio, completed in 2011 in the Museum of Contemporary Art in Kraków, under the name Mieczysław Porebski’s Library. Its creation marks a new chapter in the dissemination of the scholar’s work.
Źródło:
Rocznik Historii Sztuki; 2013, 38; 7-25
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Widzieć i rozumieć malarstwo - o poglądach Mieczysława Porębskiego
To see and to understand painting - on Mieczysław Porębskis ideas
Autorzy:
Sosnowska, Joanna M.
Powiązania:
https://bibliotekanauki.pl/articles/707106.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Porębski
art history
art theory
art criticism
20th century
Polska
historia sztuki
teoria sztuki
krytyka sztuki
XX wiek
Polska
Opis:
This article argues that the academic works of Professor Mieczysław Porebski and therefore his views on art and artistic choices constitute a closed set, the framework of which was outlined at the beginning of his work as a critic and art historian. Texts written in his youth were reprinted many years later, the scholar constantly returned to research problems undertaken earlier, and he wrote about artists whom ideologically he had been associated with as early as during the war and immediately after. As he got older new problems and new artists appeared, but they always fi tted into an order established at the beginning of his career. As a scholar, Mieczysław Porebski had indeed a predilection for organizing – for setting boundaries (The Boundary of the Contemporary), defining the rhythms of history (Interregnum), and referring to scientifi c theories (Art and Information). Another characteristic feature of Porebski’s achievements was his very personal approach to the subject of research and to criticism of works of art. He repeatedly stressed that he only studied paintings that he had direct access to and therefore the possibility of contemplation and refl ection. This produced visible and outstanding results during his work at the National Museum in Kraków. Porebski was not so much an excellent curator – in the sense that we now think of this function – but rather the author of carefully planned content-based programmes; he also had an impact on the way exhibitions were displayed. Some went down in the history of Polish twentieth century art, in particular the exhibition Seeing and Understanding (1975). The third element that dominates Professor Porebski’s scholarly and critical legacy was his attitude to Polishness and his thesis on the indelible, Sarmatian quality of our culture and an undeniable weak spot for the work of Jan Matejko. All this meant that the scholar’s attitude towards painting, both that of the old masters and modern, was constant.
Źródło:
Rocznik Historii Sztuki; 2013, 38; 27-40
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Powrót do innej przyszłości. Zmiana koncepcji obrazu w myśli Mieczysława Porębskiego (1948, 1957)
Return to another future. The change in conception of picture in Mieczysław Porębskis thougth (1948, 1957)
Autorzy:
Juszkiewicz, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/707114.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Porębski
art history
art theory
art criticism
20th century
Polska
historia sztuki
teoria sztuki
krytyka artystyczna
XX wiek
Polska
Opis:
In Przeglad Artystyczny which in 1957 distanced itself openly from socialist realism, Mieczysław Porebski (until then the editor in- chief of the magazine) published an article entitled Iluzja, przypadek, struktura (Illusion, accident, structure), a kind of manifesto of the new, abstract painting. In announcing it, Porebski used a lot of ideas and fragments drawn almost directly from his text of nine years’ earlier, written for the catalogue of the First Modern Art Exhibition in the Palace of Fine Arts in Kraków. It might seem that years later the author simply returned to his refl ection on modern art that had been interrupted by socialist realism, and continued it without further hindrance, according to its natural dynamics. But such a way of thinking would not refl ect the truth apparent upon comparing the two texts by Porebski, and would simultaneously be a metaphor for the most common view of socialist realism in Polish art history, as a kind of break in the natural development of artistic creativity, leaving at best an aversion for socially engaged art. An analysis of the changes made by Porebski in the newly adapted parts of the earlier text shows how the socialist realist pressure changed the concept of modern painting formulated in 1957, its spatial structure, and the status of meaning of the work of art.
Źródło:
Rocznik Historii Sztuki; 2013, 38; 51-58
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The birth of young people’s political press in Poland (1899–1918)
Narodziny młodzieżowej prasy politycznej w Polsce (1899–1918)
Autorzy:
Kolasa, Władysław Marek
Powiązania:
https://bibliotekanauki.pl/articles/2058228.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish press in the early 20th century
political press targeting the young generation
prasa polityczna
prasa młodzieżowa
historia
Polska
XIX–XX wiek
Opis:
Artykuł zawiera syntetyczną prezentację rozwoju młodzieżowej prasy politycznej w Polsce w latach 1899–1918. Przedstawiono jej genezę, uwarunkowania, geografię oraz typologiczne zróżnicowanie. Badania ujawniły, że na początku XX wieku dominowały dwa wyrównane systemy prasowe (młodych narodowców oraz socjalistów). Prasa innych młodzieżowych nurtów ideowych (ludowców, chadeków i konserwatystów) była wyraźnie słabsza.
This article presents an outline history of the Polish political press addressed to the younger generation of readers in the years 1899–1918. It contains a summary account of its origins, socio-political contexts, geographical distribution as well as its typological differentiation. The data show that at the beginning of the 20th century that market was dominated by two contenders, the nationalists and the socialists, while titles espousing other ideological and party-political options (the agrarian, the Christian Democrat, or the conservative) were trailing far behind.
Źródło:
Rocznik Historii Prasy Polskiej; 2021, 24, 2; 25-48
1509-1074
Pojawia się w:
Rocznik Historii Prasy Polskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Historia społeczna w teorii i praktyce badawczej Jerzego Topolskiego
Social History in Theory and Research Practice by Jerzy Topolski
Autorzy:
Kuklo, Cezary
Powiązania:
https://bibliotekanauki.pl/articles/2080816.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
social history
theory
research practice
Jerzy Topolski
historiography
20th century
historia społeczna
teoria
praktyka badawcza
historiografia
XX wiek
Nauki Humanistyczne i Społeczne
Opis:
The aim of this article is to present the understanding of social history of Jerzy Topolski, from the theoretical side and as it was used in practical research work. The source basis, aside from the few direct quotes from the historian from Poznan on social history, are mainly analyses of his selected original works and works edited by him. The article also takes note of the discussion surrounding the term ‘social history’ itself and the research scope of social history as a historic discipline or sub-discipline which took place in the second half of the 20th century, which is the period in which Topolski published his works.
Źródło:
Historyka studia metodologiczne; 2020, 50; 111-129
0073-277X
Pojawia się w:
Historyka studia metodologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Religious Themes in Polish Press for Children and Adolescents in the Years 1863–1918
Tematyka religijna na łamach polskich czasopism dla dzieci i młodzieży w latach 1863–1918
Autorzy:
Rogoż, Michał
Powiązania:
https://bibliotekanauki.pl/articles/421869.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Religion
Catholicism
children’s magazines
youth magazines
19th–20th centuries
Religia
katolicyzm
czasopisma dla dzieci
czasopisma dla młodzieży
XIX–XX wiek
Opis:
The subject of discussion are religious themes present in the Polish-language general profile press for children and young people published on the area of the former Commonwealth in the years 1863–1918 by editors not directly connected with churches or religious associations. The considerations include the contents of several hundred magazines, nevertheless, detailed qualitative analysis was carried out on the following representative representations from the three partitions: “Przyjaciel Dzieci” (1863–1915), “Wieczory Rodzinne” (1880–1914), “Towarzysz Pilnych Dzieci” (1876–1883), “Mały Światek” (1888–1918), “Jutrzenka Polska” (1904–1914), “Anioł Stróż” (1895–1909) and “Przyjaciel Dziatwy” (1898–1914). The religious content played a significant role in these periodicals, ranging from 3.4% to 11.1% of the printed area.
Przedmiot rozważań stanowi tematyka religijna obecna na łamach polskojęzycznej prasy dla dzieci i młodzieży o profilu ogólnym wydawanej na ziemiach dawnej Rzeczypospolitej w latach 1863–1918 przez redakcje nie związane bezpośrednio z kościołami czy związkami wyznaniowymi. W przeprowadzonych rozważaniach uwzględniono treść kilkuset czasopism, niemniej jednak szczegółowej analizie ilościowej i jakościowej poddano następujące, reprezentatywne tytuły z 3 zaborów: „Przyjaciel Dzieci” (1863–1915), „Wieczory Rodzinne” (1880–1914), „Towarzysz Pilnych Dzieci” (1876–1883), „Mały Światek” (1888–1918), „Wiek Młody” (1893–1904), „Jutrzenka Polska” (1904–1914), „Anioł Stróż” (1895–1909) oraz „Przyjaciel Dziatwy” (1898–1914). Treści religijne odgrywały w poszczególnych pismach niebagatelną rolę zajmując od 3,4% do 11,1% zadrukowanej powierzchni
Źródło:
Rocznik Historii Prasy Polskiej; 2017, 20, 3; 39-52
1509-1074
Pojawia się w:
Rocznik Historii Prasy Polskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“All that glitters is not gold” - Polish journalists in West Prussia: A critical glance
„Nie wszystko złoto…”. Polscy redaktorzy Prus Zachodnich inaczej
Autorzy:
Gzella, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/2075431.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish Press in West Prussia in the19th and early 20th century
journalists and editors’ biographies
Prusy Zachodnie
redaktorzy
dziennikarze
XIX–XX wiek
Opis:
The biographies of the journalists of Polish press published in West Prussia in the 19th and early 20th century usually highlight their patriotic commitment and admirable perseverance in launching and running various newspapers and journals. However, we can also find in their lives episodes that did them little credit, or even were downright disgraceful.
W życiorysach redaktorów polskiej prasy wydawanej w XIX i początkach XX wieku w Prusach Zachodnich zauważamy prowadzone przez nich działania narodowościowe, wkład w tworzenie, wydawanie i redagowanie poszczególnych gazet i czasopism. Jednak w ich życiu doszukać się można zachowań niezbyt chwalebnych, a niekiedy nawet godnych potępienia.
Źródło:
Rocznik Historii Prasy Polskiej; 2018, 21, 3; 5-19
1509-1074
Pojawia się w:
Rocznik Historii Prasy Polskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Burzyć, mieszkać, produkować. Ideowe podstawy urbanistycznej teorii awangardy rosyjskiej lat 20. i 30. XX wieku w projekcie Socgorodu Nikołaja Milutina
Demolishing, dwelling, producing. Ideological foundations of Russian avant -garde urban planning theories in the 1920s and 1930s in Nikolay Milyutin’s project of Socgorod
Autorzy:
Juszkiewicz, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/707073.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Milyutin
Sotsgorod
theory of architecture
theory of city planning
avant-garde
Russia
20th century
Milutin
Socgorod
teoria architektury
teoria urbanistyki
awangarda
Rosja
XX wiek
Opis:
The project of the socialist city devised by Nikolay Milyutin is presented in this article as the end point of Russian avant-garde urban planning in the 1920s and 1930s. Milyutin’s book Sotsgorod: The Problem of Building Socialist Cities, published in 1930, contains the main topics which the discussions and design practices of Russian urban planners centred on in those years. At the same time it was an attempt at a comprehensive formulation of the principles of designing contemporary forms of habitation, which according to Milyutin were to answer the needs and potential of a new revolutionary society. The essential demands that Milyutin formulated regarding required design practices that were in accordance with avant-garde ideas derived from ideological premises, related to a kind of structural formation of a settlement that effaced the differences between urban and rural areas and maximized its functionality. This meant having recourse to the concept of a linear city, with a functionally diverse system of building bands spaced along the main communication line. Like the avant-garde architects and planners, Milyutin argued that this would improve transport between the home and workplace, or areas with services or of recreation. The linear structure would also improve the condition of the dwellings, making them healthier to live in, and provide residents with equal access to all points of the settlement structure. Albeit less rigorously than members of the avant-garde, Milyutin also associated the nature of the linear socialist city with the project of anthropological revolution, on the strength of which, through dismantling of the family, the fundamental reconstruction of the social system was to take place. The functions fulfilled by the family were to be subjected to a strenuous process of socialization. However, Milyutin was more radical in terms of functionalization of the urban layout, choosing the process of continuous-flow manufacturing as a model of efficiency for the organization of the settlement, as well as emphasizing the need to recognize the temporary nature of new urban systems – both due to financial constraints (he advised putting up light wooden structures) and macroeconomic factors – related, for example, to the necessity of dismantling a city due to economic requirements (for example, the depletion of existing mineral deposits, or changes in the methods of production of certain goods).
Źródło:
Rocznik Historii Sztuki; 2014, 39; 143-155
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Itineraria i gawędy podróżnicze w lwowskim „Wieku Młodym” (1893–1904)
Itineraries and travel tales in the Lwów weekly Wiek Młody (1893–1904)
Autorzy:
Rogoż, Michał
Kolasa, Władysław Marek
Powiązania:
https://bibliotekanauki.pl/articles/421406.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish press in the late 19th century and early 20th century
children’s and juvenile magazines
geography and travel
itineraries
Wiek Młody
„Wiek Młody”
geografia
podróże
itineraria
czasopisma dla dzieci i młodzieży
XIX–XX wiek
Opis:
This article examines the geography and travel segment of the weekly Wiek Młody [Young Age], published in Lwów in 1893–1904. The material covered includes the itinerary, a specific subgenre that could often be found in magazines for children and teenagers at the turn of the 19th century. Apart from a series of quantitative and qualitative analyses of 54 texts, i.e. over 284 pages, this study also surveys the magazine’s themes and narrative formats.
Przedmiot rozważań stanowi tematyka geograficzno-podróżnicza, w tym itineraria, specyficzny rodzaj wypowiedzi obecny na łamach czasopism dla dzieci i młodzieży na przełomie XIX i XX wieku. Badania wykonano na przykładzie lwowskiego tygodnika „Wiek Młody”, wydawanego w latach 1893–1904. Uwzględniono aspekty ilościowe i jakościowe, w tym także tematykę i formy wypowiedzi. Łącznie szczegółowej analizie poddano 54 teksty o objętości przeszło 284 stron.
Źródło:
Rocznik Historii Prasy Polskiej; 2017, 20, 2; 61-72
1509-1074
Pojawia się w:
Rocznik Historii Prasy Polskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The press in the Diaries of Michał Römer (Mykolas Romeris), 1911–1945. Part I: January 1911 – April 1920
Zagadnienia prasowe w dziennikach Michała Römera z lat 1911–1945. Część 1: styczeń 1911 – kwiecień 1920
Autorzy:
Woźniakowski, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/2058191.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish press in the early 20th century
political press targeting the young generation
prasa polityczna
prasa młodzieżowa
historia
Polska
XIX–XX wiek
Nauki Humanistyczne i Społeczne
Opis:
Judging by his private diaries, which he kept for 34 years, the press as such was hardly a major concern for Michał Römer (1880–1945), a Polish-Lithuanian aca-demic and politician who occasionally took on the role of editor and journalist. Nonetheless the diaries are an important contemporary source and a veritable mine of information about the multilingual press published in Wilno between 1911 and 1915. In the second part of that decade Römer ceased to be an active player in that scene, but he kept a watchful eye over it and continued to analyze and comment on the dramatic shifts in Poland's and Lithuania's multilingual press market, a process driven by the changing fortunes of war and its political consequences.
W spisywanych przez 34 lata prywatnych dziennikach Michała Römera problematyka prasowa nigdy nie dominowała, zapiski diarysty (okresowo także redaktora i publicysty) mogą wszakże stanowić istotne uzupełnienie przede wszystkim wiedzy o różnojęzycznej prasie wileńskiej lat 1911–1915, czynnie przez autora współtworzonej. W latach późniejszych stanowią świadectwo bardzo rozległych lektur prasowych piszącego, starającego się krytycznie śledzić i subiektywnie komentować burzliwe przeobrażenia wielojęzycznych gazet i czasopism Polski i Litwy okresu 1915–1920 na tle ówczesnych przeobrażeń politycznych, ustrojowych i wojennych.
Źródło:
Rocznik Historii Prasy Polskiej; 2021, 24, 3; 21-46
1509-1074
Pojawia się w:
Rocznik Historii Prasy Polskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
An Outline of the Statistics of the Polish Press 1864–1918
Autorzy:
Kolasa, Władysław Marek
Powiązania:
https://bibliotekanauki.pl/articles/421811.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
History of Polish press, Statistics of Polish press, Geography of Polish press, the 19th and 20th centuries
Historia prasy polskiej, statystyka prasy polskiej, geografia prasy polskiej, XIX–XX wiek
Opis:
This article presents a concise description of the development of the Polish press in the years 1864–1918. The main focus of the work is on the quantitative growth and territorial distribution of the press. The study shows that over 5,886 Polish titles were being published in the years 1864–1918. The largest number of newspapers appeared in Galicia (2,323), a slightly lower number in the Russian Partition (2,018), and the lowest amount in the Prussian Partition (613); what’s more, around 371 titles were being issued on the territories belonging to the partitioning powers, and 561 titles by émigrés.Zarys statystyki prasy polskiej 1864–1918Artykuł zawiera zwięzłą charakterystykę rozwoju oraz prasy polskiej w latach 1864–1918. Celem opracowania jest określenie jej ilościowego wzrostu oraz terytorialnego rozmieszczenia. W wyniku badań ustalono, że w latach 1864–1918 ukazało się aż 5886 tytułów drukowanych w języku polskim. Najwięcej pism ukazywało się w Galicji (2323), nieco mniej w zaborze rosyjskim (2018), zaś najmniej w prowincji pruskiej (613); ponadto 371 tytułów drukowano w głębi państw zaborczych oraz 561 na emigracji
Źródło:
Rocznik Historii Prasy Polskiej; 2016, 19, 1
1509-1074
Pojawia się w:
Rocznik Historii Prasy Polskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
In the headquarters of the Cracow daily Czas (1848–1934)
Autorzy:
Bańdo, Adam
Powiązania:
https://bibliotekanauki.pl/articles/421455.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish press in the 19th and early 20th century
Cracow – Galicia
the Cracow daily Czas
the Cracow boheme
the cabaret The Green Balloon
prasa polska
czasopiśmiennictwo
Galicja
Kraków
XIX wiek
XX wiek
krakowski „Czas”
redakcja „Czasu”
krakowska bohema
„Zielony Balonik”
Opis:
The article recounts that phase (1848–1934) of the history of the renowned Cracow newspaper Czas [Time], when its editors had their headquarters at a former abbot’s palace at a corner of the Planty Gardens (in 1935, after they moved to Warsaw, the old mansion was torn down). The article deals in some detail with the life of editorial staff and freelancers, their contacts with the Cracow boheme, and especially their involvement in the activities of the literary cabaret The Green Balloon
Źródło:
Rocznik Historii Prasy Polskiej; 2014, 17, 2
1509-1074
Pojawia się w:
Rocznik Historii Prasy Polskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 19

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