Temat: Ricoeur Paul - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: L’expressivité Dans Le Discours Philosophique – L’image Linguistique Des Interlocuteurs Sur L’exemple D’un Entretien Avec Paul Ricoeur
Autorzy:: Bobowska-Nastarzewska, Patrycja
Powiązania:: https://bibliotekanauki.pl/articles/2076139.pdf
Data publikacji:: 2015
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: expressiveness
philosophical discourse
interview
linguistic image of interlocutors
Paul Ricœur
Opis:: The objective of this paper is to present the issue of expressiveness in a philosophical discourse and indicate the linguistic image of interlocutors based on an interview conducted in 2001 by a journalist Jean-Marc Gaté with an eminent French philosopher Paul Ricœur. Analisying the words of both the journalist and the philospoher, the author focuses primarily on the indicators of modality and grammatical construction of an utterance.
Źródło:: Kwartalnik Neofilologiczny; 2015, 4; 649-656
0023-5911
Pojawia się w:: Kwartalnik Neofilologiczny
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: „Homo capax” – a romantic subject with a past: Adam Mickiewicz’s anthropology
„Homo capax” – podmiot romantyczny po przejściach. Antropologia Adama Mickiewicza
Autorzy:: Bednarek-Bohdziewicz, Agnieszka
Powiązania:: https://bibliotekanauki.pl/articles/2088325.pdf
Data publikacji:: 2018
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: 19th-century Polish literature
Romanticism
philosophy of the self
duality of character
Adam Mickiewicz (1798–1855)
Paul Ricoeur (1913–2005)
homo capax (homme capable)
Adam Mickiewicz
romantyzm
homo capax
podmiot otwarty
Opis:: The article attempts to outline Adam Mickiewicz’s concept of subjectivity. He introduces it in his visionary poetic drama Dziady (Forefathers’ Eve) where a radically ambivalent situation is presented through the duality of the main character Gustaw/Konrad. The article describes this duality in terms of Paul Ricoeur’s distinction between cogito exalté and cogito brisé. In Dziady Mickiewicz dramatizes the transition from exaltation to dejection, the condition of cogito brisé (living with a wound). His romantic subject cannot throw away his past, but because he is acutely aware of his failings and his inadequacy he is able to free himself from delusions of grandeur and self-centered pride. The condition of uncertainty, inadequacy and chronic insatiability is like a gaping wound or a lack which may lead the ‘I’ to open up and seek the Other. It is a vision of man who knows he is deeply fl awed but capable of pursuing a noble desire; vulnerable and fallible, beset by ‘endless error’ and yet able to act and get his act together; self-centered and yet, because of the relational nature of the human identity, capable of redirecting his emancipatory energy to Others. It can be summed up the concept of homo capax (homme capable) which, as this article argues, provides the key to Mickiewicz’s anthropology.
Źródło:: Ruch Literacki; 2018, 6; 667-682
0035-9602
Pojawia się w:: Ruch Literacki
Dostawca treści:: Biblioteka Nauki

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