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Tytuł:
Pan Tadeusz – the poem about treason
Autorzy:
Tomkowski, Jan
Powiązania:
https://bibliotekanauki.pl/articles/702964.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish romanticism
Adam Mickiewicz
Pan Tadeusz
treason
Opis:
Adam Mickiewicz’s Pan Tadeusz (in English: Sir Thaddeus, or the Last Lithuanian Foray), the national epic poem, was first published in June 1834. It was perceived as a idyllic work, full of happiness and very ideal heroes. However, one of the most problem of this poem is treason! It is very important to put a question: what is treason in the strict sense of the word? There are a lot of kinds of treason or only one? Is it possible to betray own country on account of favouriting strange fashion, customs or painting? In Pan Tadeusz Mickiewicz intended to stand up for the Polish tradition. He had a high opinion of loyalty, steadiness and the selfless sense of duty.
Źródło:
Nauka; 2017, 2
1231-8515
Pojawia się w:
Nauka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pan Tadeusz – the poem about love?
Autorzy:
Tomkowski, Jan
Powiązania:
https://bibliotekanauki.pl/articles/704538.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish romanticism
Adam Mickiewicz
Pan Tadeusz
love
Opis:
Adam Mickiewicz’s Pan Tadeusz (in English: Sir Thaddeus, or the Last Lithuanian Foray ), the national epic poem, was first published in June 1834. It was perceived as a patriotic work, full of very ideal heroes. However, one of the most problem of this poem is love! Pan Tadeusz is the poem about love. There are many kinds of love: erotic love and maritial love, also familiar love (between parents and their children), love for country and others. My article applies not just to love affairs, but the very essence of love. What is love in Mickiewicz’s poem – is it “love that moves the sun and other stars” (Dante)?
Źródło:
Nauka; 2017, 4
1231-8515
Pojawia się w:
Nauka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cultura francese e cultura polacca in Giuseppe Mazzini
French Culture and Polish Culture in Giuseppe Mazzini
Kultura Francuska I Kultura Polska U Giuseppe Mazziniego
Autorzy:
Fournier-Finocchiaro, Laura
Powiązania:
https://bibliotekanauki.pl/articles/2076615.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Giuseppe Mazzini
French literature
Polish Romanticism
Anti-French sentiment
Italy-Poland relations
Opis:
During the 19th century, Giuseppe Mazzini communicated to his contemporaries the feeling of a strong hostility against France, to defend his project of emancipation of Italy (and Europe) from French tutelage. So he decided to choose other models and other examples, in European literature, that could serve as a guide and reference point. In particular, he was influenced by Polish poets, who convinced him that poetry could animate the “Europe of the people” and guide them to achieve the major objectives of the “new epoch”. Polish literature is the origin of Mazzini’s exaltation of Risorgimento poetry and constituted a positive reference point to counter the decline and loss of influence of French culture.
Źródło:
Kwartalnik Neofilologiczny; 2016, 2; 176-186
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Il regno dei cieli in terra: ispirazioni e motivi del Paradiso dantesco nelle opere dei romantici polacchi
Autorzy:
de Carlo, Andrea F.
Powiązania:
https://bibliotekanauki.pl/articles/2120346.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Dante Alighieri
The Divine Comedy
Polish Romanticism
apocalyptic and millenarian motifs
Paradise
Boska komedia
polski romantyzm
apokaliptyczne i millenarystyczne motywy
Raj
Opis:
Despite the tormented national reality, the faith in the future redemption of Poland and the idea of change and purification gave birth in the works of the Polish romantics to the hope of salvation, of the advent of the divine kingdom on Earth. Undoubtedly an idea contributed to the birth of this optimistic vision, that was the conception of a Poland like the “Christ of the nations”, which took hold in the new mystical atmosphere of the early nineteenth century and which was combined with Christian eschatologism, revolutionary aspirations and hopes for the future redemption of history. The apocalyptic and millenarian motifs present in the Divine Comedy undeniably played a part in strengthening the messianic ideas of the romantics: the present from a fertile ground for evil and chaos, through suffering and destruction, became the privileged moment of expiation that prepared the advent of the city of God. The paper aims to analyze some motifs from Dante’s Paradise which inspired some of the most stunning pages of Polish romantic literature.
Mimo udręczonej rzeczywistości narodowej, wiara w przyszłe odkupienie Polski oraz idea przemiany i oczyszczenia zrodziła w dziełach polskich romantyków nadzieję zbawienia, nadejścia Bożego królestwa na ziemię. Niewątpliwie przyczyniła się do narodzin tej optymistycznej wizji, która zadomowiła się w nowej, mistycznej atmosferze początku XIX wieku, Polski jak „Chrystus narodów”, która łączyła się z chrześcijańskim eschatologizmem, rewolucyjnymi dążeniami i nadziejami na przyszłe odkupienie historii. Apokaliptyczne i millenarystyczne motywy obecne w Boskiej Komedii niewątpliwie przyczyniły się do umocnienia mesjańskich idei romantyków: teraźniejszość jako teren zła i chaosu, poprzez cierpienie i zniszczenie, stała się uprzywilejowanym momentem ekspiacji, przygotowującym nadejście miasta Boga. Artykuł ten ma na celu analizę niektórych motywów z Raju Dantego, które zainspirowały niektóre z piękniejszych stron polskiej literatury romantycznej.
Źródło:
Kwartalnik Neofilologiczny; 2022, 1; 33-44
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Was Maurycy Mochnacki a messianist? A puzzling declaration of the author of “The Uprising of the Polish Nation in 1830–1831”
Czy Maurycy Mochnacki był mesjanistą? Wokół zagadki pewnej deklaracji autora „Powstania narodu polskiego”
Autorzy:
Kihara, Makiko
Powiązania:
https://bibliotekanauki.pl/articles/2089989.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
19th-century Polish literature and history
Polish Romanticism
the November Uprising (1830–1831)
Poland’s Great Emigration
radical politics
Polish messianism
discourse analysis
Maurycy Mochnacki (1803–1834)
Maurycy Mochnacki
romantyzm polski
mesjanizm
Wielka Emigracja
dyskurs
Opis:
In this article Maurycy Mochnacki’s martyrological and messianic declarations in the Preface to the Uprising of the Polish Nation in 1830–1831 are examined in the context of the martyrological discourse in the literature of the Great Emigration. Such an affi rmation may appear puzzling given Mochnacki’s rejection of martyrological interpretations of Poland’s history or messianic readings of his political philosophy, let alone his reputation of being radically opposed to Adam Mickiewicz’s idea of the sacrifi cial victimhood of the Polish nation. In this study the ideological and rhetorical aspects of their statements are compared and analysed. There can be little doubt that in the Preface Mochnacki’s phrasing is steeped in patriotic pathos which seems to be at odds with the tone of his other writings. This article claims that it was a tactical move on his part: he chose the familiar martyrological loci merely as a means to enlist the readers’ support for his own pragmatic programme of restoring Poland’s independence. A general conclusion to be drawn from this apparent inconsistency is that already at that stage (The Uprising was published in Paris in 1834) the logosphere of the Great Emigration had become so dominated by the martyrological discourse that Mochnacki could not afford to ignore it.
Źródło:
Ruch Literacki; 2018, 4; 355-371
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The body – action – communication: Juliusz Słowackis “Samuel Zborowski”
Ciało — akcja — komunikacja. O „Samuelu Zborowskim” Juliusza Słowackiego
Autorzy:
Żaglewska, Agata
Powiązania:
https://bibliotekanauki.pl/articles/2088195.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Literature of Polish Romanticism
Romantic drama
performativity
the body and body language
communication
eroticism
spiritual memory
Juliusz Słowacki (1809– 1849)
„Samuel Zborowski”
Juliusz Słowacki (1809–1849)
performatywność
cielesność
komunikacja
erotyka
pamięć
Źródło:
Ruch Literacki; 2019, 6; 589-612
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lesya Ukrainka as а Critic of Polish Literature
Łesia Ukrainka jako krytyk literatury polskiej
Autorzy:
Radyszewśkyi, Rostysław
Powiązania:
https://bibliotekanauki.pl/articles/2030932.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Lesya Ukrainka
Polish literature
romanticism
populism‑positivism
modernism
Stanisław Przybyszewski
Źródło:
Slavia Orientalis; 2021, LXX, 2; 317-330
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Teofil Lenartowicz – the Mazovian lyre player, and heir of Italian Renaissance Artists. The case of ‘The Holy Workers’: the bas-relief and the poem
Teofil Lenartowicz – „lirnik mazowiecki” i spadkobierca renesansowych mistrzów włoskich. Na przykładzie płaskorzeźby i wiersza „Święci robotnicy”
Autorzy:
Bartnikowska-Biernat, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/2088390.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
19th-century Polish literature and art
Polish-Italian literary and cultural relations
Polish Romantic poetry
Romanticism and Italian Renaissance art
literature and sculpture
Florence
Teofil Lenartowicz (1822–1893)
Lorenzo Ghiberti (1378–1455)
Giovanni Dupré (1817–1882)
Enrico Pazzi (1818–1899)
literatura
rzeźba
romantyzm
renesans
interdyscyplinarność
Opis:
After moving to Italy in 1856, Teofi l Lenartowicz, inspired by the great Italian art and supported by the best Florentine artists of the time Giovanni Dupré and Enrico Pazzi, began studying sculpture. Lenartowicz’s sculptures were always connected with literature: his work shows how one infl uenced the other. It is no accident that his style as a sculptor has been called ‘poetic’ by the critics. The Polish immigrant was fascinated by the Italian Renaissance, and especially by the art of Lorenzo Ghiberti. At the same time, he never forgot about Polish folklore, which played a signifi cant role in his artistic vision. One of the most impressive examples of this intersection of infl uences is the bas-relief The Holy Workers, complemented by a poem bearing the same name.
Źródło:
Ruch Literacki; 2019, 1; 77-86
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Adam Mickiewicz’s „Pan Tadeusz” and the culture of remembrance
Kultura pamięci: Pan Tadeusz Adama Mickiewicza
Autorzy:
Speičytė, Brigita
Powiązania:
https://bibliotekanauki.pl/articles/2087171.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Lithuania
epic poetry and Romanticism
historical narrative
the culture of remembrance
Adam Mickiewicz (1798–1855)
kultura pamięci
epopeja
nowoczesność
tożsamość
recepcja
Opis:
Adam Mickiewicz's epic poem Pan Tadeusz, published in Paris in 1834, can be seen as an expression of a romantic culture of remembrance which emerged in Poland and Lithuania in the aftermath of a traumatic political event, the January Uprising of 1830–1831. This article discusses the poet's transformation of the devices and generic model of heroic epic for the double purpose of expressing a notion of historical time which holds out an open future for both the individual and the national community, and of promoting the acceptance of a complicated past through the resolution of its conflicts. Both in Poland and in Lithuania, Pan Tadeusz was regarded as a monumental tribute to the culture of the Polish-Lithuanian Commonwealth and a major influence on the modern national literatures in Lithuanian, Belarusian and Yiddish, sprouting on the territory of the former Grand Duchy of Lithuania.
Źródło:
Ruch Literacki; 2020, 6; 585-602
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“The Song of Our Land” Revisited: The poems of Wawrzyniec Engeström
Śladem „Pieśni o ziemi naszej”. Poematy Wawrzyńca Engeströma
Autorzy:
Budrewicz, Tadeusz
Powiązania:
https://bibliotekanauki.pl/articles/2087787.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Polish-Swedish literary connections
Romanticism
nationalism
patriotic poetry
Wincenty Pol (1807–1872)
Józef Ignacy Kraszewski (1812–1887)
Wawrzyniec (Lars) Engeström (1829–1910)
Engeström
Kraszewski
Pol
poemat
parafraza
Nauki Humanistyczne i Społeczne
Opis:
Wawrzyniec Engeström (altern. Lars Benzelstierna von Engeström) was a 19th-century Polish aristocrat with Swedish roots, a historian, writer and political activist who made it his life's mission to build bridges between Polish and Swedish culture. The rapprochement he sought was based on anti-German and anti-Russian sentiments. In his poems A Song about Our Stars (Pieśń o gwiazdach naszych, 1874, 1883) and The Vistula: A National Fantasy (Wisła – Fantazja narodowa, 1883) he drew on Wincenty Pol's Songs of Our Land (Pieśni o ziemi naszej). They all celebrated the idea of national unity based on historical memory, religion and custom. His inspiration came from Swedish Romantic literature, whose main works he translated into Polish.
Źródło:
Ruch Literacki; 2020, 3; 229-245
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Genesis from the Spirit, or subjectivity and nature in Juliusz Słowacki
Genezis z Ducha, czyli o podmiotowości i naturze u Juliusza Słowackiego
Autorzy:
Kutrzeba, Kacper
Powiązania:
https://bibliotekanauki.pl/articles/2087688.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Romanticism
literature and philosophy
discourse of modernity
German Idealism
critique of ideology
Juliusz Słowacki (1809–1849)
romantyzm
nowoczesność
mistycyzm
krytyka ideologii
rewizja romantyczna
Opis:
This article presents a new approach to the interpretation of Juliusz Słowacki's Genesis from the Spirit (1844) from the perspective of the groundbreaking philosophical discourse of modernity. What it actually suggests is that the mystical Form of Słowacki's cosmic vision, believed to be an emanation of the Absolute or a vestige of Creation, has a historical and materialist core. This claim is based on a series of comparisons with passages from Hegel and the premises of the philosophy of Friedrich Schlegel. By following closely the spontaneous movement of inner tensions in Słowacki's poetic discourse this study demonstrates that it is driven his own philosophical project and less so by the discourse of mysticism.
Źródło:
Ruch Literacki; 2021, 5; 631-656
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Adam Mickiewiczs ‘Forty and Four’: A conjecture
„Czterdzieści i cztery”. Hipoteza
Autorzy:
Szargot, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/2087762.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Romanticism
prophetic symbolism
number 44
tyrannicide
Brutus
Reign of Terror
Adam Mickiewicz (1798‑1855)
'Dziady' (Forefathers' Eve)
Mickiewicz
"Dziady"
44
tyranobójstwo
antyczny Rzym
Wielka Rewolucja Francuska
Opis:
This article attempts to formulate a new interpretation of the mysterious messianic character marked "Forty and Four" from the Vision of Priest Piotr in Adam Mickiewicz's poetic drama Dziady (Forefathers' Eve), Part III. After a review of earlier readings of this crux and its symbolism, the author of the article presents his own proposal, which contextualizes the enigmatic number in three historical frameworks. The first of them is ancient history, and, more specifically, 'Forty four' is seen as a reference to the Ides of March in 44 B.C., the date on which Julius Caesar was assassinated by a group of conspirators led by Brutus. The other two relevant contexts are the Reign of Terror during the French Revolution, and the high tides of modern history culminating in tyrannicide. In effect, the 'Forty four' passage is seen as an affirmation or even a sacralization of tyrannicide, symbolized by not only by inexplicit references to Brutus and the Israelite heroine Judith. It is a theme which reverberates not only in Dziady but also throughout Adam Mickiewicz's work.
Źródło:
Ruch Literacki; 2020, 4; 359-379
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Homo capax” – a romantic subject with a past: Adam Mickiewicz’s anthropology
„Homo capax” – podmiot romantyczny po przejściach. Antropologia Adama Mickiewicza
Autorzy:
Bednarek-Bohdziewicz, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/2088325.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
19th-century Polish literature
Romanticism
philosophy of the self
duality of character
Adam Mickiewicz (1798–1855)
Paul Ricoeur (1913–2005)
homo capax (homme capable)
Adam Mickiewicz
romantyzm
homo capax
podmiot otwarty
Opis:
The article attempts to outline Adam Mickiewicz’s concept of subjectivity. He introduces it in his visionary poetic drama Dziady (Forefathers’ Eve) where a radically ambivalent situation is presented through the duality of the main character Gustaw/Konrad. The article describes this duality in terms of Paul Ricoeur’s distinction between cogito exalté and cogito brisé. In Dziady Mickiewicz dramatizes the transition from exaltation to dejection, the condition of cogito brisé (living with a wound). His romantic subject cannot throw away his past, but because he is acutely aware of his failings and his inadequacy he is able to free himself from delusions of grandeur and self-centered pride. The condition of uncertainty, inadequacy and chronic insatiability is like a gaping wound or a lack which may lead the ‘I’ to open up and seek the Other. It is a vision of man who knows he is deeply fl awed but capable of pursuing a noble desire; vulnerable and fallible, beset by ‘endless error’ and yet able to act and get his act together; self-centered and yet, because of the relational nature of the human identity, capable of redirecting his emancipatory energy to Others. It can be summed up the concept of homo capax (homme capable) which, as this article argues, provides the key to Mickiewicz’s anthropology.
Źródło:
Ruch Literacki; 2018, 6; 667-682
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Juliusz Słowacki’s problems with eroticism
Juliusza Słowackiego kłopoty z erotyzmem
Autorzy:
Ciechańska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/2088453.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Romanticism
sexuality and eroticism
the French language and the articulation of intimate desire
Leonard Niedźwiecki (1810–1892)
Juliusz Słowacki (1809–1849)
Leonard Niedźwiecki
romantyzm
erotyzm
seksualność
Opis:
This article examines Słowacki’s preoccupation with eroticism in some of his works and in his correspondence. The first part focuses on his poem ‘In Switzerland’ in which the relationship between the characters is shrouded in ambiguity and the sexual theme is treated in an elliptical manner. Beatrix Cenci, a Romantic drama showing the fi lthy, predatory aspects of sexuality and eroticism, is analysed in the second part of the article. It is followed by a discussion of Słowacki’s correspondence with Leonard Niedźwiecki, conducted in French. The article examines the ways in which the choice of the French language appears to have infl uenced the poet’s articulation of his intimate experiences and desires.
Źródło:
Ruch Literacki; 2019, 3; 315-331
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sacrum i błoto. Uświęcenie materii w wierszu [ Snycerz był zatrudniony Dyjanny lepieniem…] Juliusza Słowackiego
The sacred and mud: Sacralization of matter in Juliusz Słowacki's poem ‘The carver was busy shaping Diana's statue’
Autorzy:
Rzepniewska-Kosińska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2170188.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 19th century
Romanticism
philosophy of art
spirit and matter
Genesis from the Spirit
Juliusz Słowacki (1809–1849)
Snycerz był zatrudniony Dyjanny lepieniem…
sakralizacja
materia
materia sztuki
myśl genezyjska
Opis:
In this interpretation of Juliusz Słowacki's ‘Snycerz był zatrudniony Dyjanny lepieniem…’ [The carver was busy shaping Diana's statue] the discussion focuses on his attitude to matter, especially as the material of art. The article argues that Słowacki elevates and even sacralises mud, the most lowly of raw materials, and thus exposes the falseness of the popular view that he despises matter, the base opposite of the spirit. However, it would be more accurate to say that in his vision, which is part of his Genesis from the Spirit philosophy, the path to salvation leads through the reconciliation of spirit and matter rather than a triumph of one over the other.
Źródło:
Ruch Literacki; 2021, 6; 787-801
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
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