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    Wyświetlanie 1-2 z 2
    Tytuł:
    Zygmunt Haupt: An ambivalent presence
    Zygmunt Haupt. Figura ambiwalentnej obecności
    Autorzy:
    Zając, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/2088404.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    20th-century Polish literature
    Zygmunt Haupt (1907–1975)
    short stories
    presence / absence
    memory
    desire
    horror
    identity
    melancholy
    psychoanalytic criticism
    Jacques Lacan
    Julia Kristeva
    Jacques Derrida
    Haupt
    Lacan
    Kristeva
    Derrida
    literatura
    obecność
    pamięć
    pragnienie
    trwoga
    tożsamość
    melancholia
    Opis:
    This article is an attempt to identify the main themes in the literary work of Zygmunt Haupt, a Polish writer, journalist and painter, who emigrated to the United States in the aftermath of World War II. His writings show a keen awareness of the issue of absence/presence and the related problems of memory traits, identity and literary representation. Drawing on the psychoanalytical criticism of Jacques Lacan and Julia Kristeva and the philosophy of Jacques Derrida, this reading of Haupt’s fi ction, especially his short stories (whose collected edition was published in 2007 under the title The Basque Devil), is a critical reassessment of his work. As a storyteller he excels in the depiction of scenes of terror, desire and the uncanny. The article argues Haupt’s work represents not only a remarkable literary achievement but also offers an interesting study case for critics whose approach is founded on literary theory, psychoanalysis and anthropology.
    Źródło:
    Ruch Literacki; 2019, 1; 15-25
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Contingency, the body and disgust: The case of ‘Margot’ by Michał Witkowski
    Przygodność, ciało i wstręt. Przypadek „Margot” Michała Witkowskiego
    Autorzy:
    Wróblewski, Łukasz
    Powiązania:
    https://bibliotekanauki.pl/articles/2088397.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Contemporary Polish literature
    the post-modern novel
    contingency
    the body
    disgust
    ironism
    Michał Witkowski (b. 1975)
    Julia Kristeva (b. 1941)
    Richard Rorty (1931–2007)
    anger
    Michał Witkowski
    „Margot”
    przygodność
    ciało
    wstręt
    afekt
    świętość
    gniew
    Opis:
    This article, focused principally on the exploration of contingency, the body and disgust in Michał Witkowski’s novel Margot, is also a polemic and a vindication of the book against the barrage of criticism it received from its reviewers. Most of them decided that Margot was a novel about nothing, a haphazard mix of sundry discourses devoid of any linear structure. In fact, several critics blamed the author of giving away both the narrative structure and the plot to capricious contingency. The article takes a fi rm stance against such charges and argues that contingency does not need to be seen as a fault at all. It lies at the heart of the novel and determines the actions of characters, but it plays as important a role in people’s lives outside fi ction. Analysing the ups and down of the main characters (Margot and Wadek Mandarynka), the article explains the function of emotions, the body, the characters’ language and their ideas of sacrum in the legitimization of contingency. A special role in this mechanism is played by disgust. Reactions of disgust are always contingent, or, as Julia Kristeva puts it the abject has the power to terrorize the subject to such extent that he can do nothing but to succumb to contingency. In working out the idea of the contingency of selfhood, the article also draws on Richard Rorty’s approach, and in particular his concept of ironism. The latter is used to classify the main character of Witkowski’s book as a consummate ironist, i.e. a person who tests different languages in which the world can be described in order to pursue his carnal desires. Finally, the article argues that in his novel Witkowski not only brings to light the fortuitous character of the postmodern identity but also creates a heterogeneous language to express it.
    Źródło:
    Ruch Literacki; 2019, 1; 61-76
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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