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Wyszukujesz frazę "Anamorfoza" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Teoria tworzenia anamorfoz stożkowych według Jana Ziarnki
The Theory of creation of conical anomorphoses according to Jan Ziarnko
Autorzy:
Biłozór-Salwa, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/706976.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Ziarnko
Le Grain
anamorphosis
geometry
theory of art
anamorfoza
geometria
teoria sztuki
Opis:
Hailing from Lvov, the artist Jan Ziarnko is widely known as one of the first Polish engravers active abroad. Among the works executed by him in Paris and acknowledged in literature, there is a most interesting etching showing a Pair of Lovers. To create it, the artist skilfully used perspective deformation. A thorough discussion of this work prompts the introduction of a so far completely unknown Latin treatise written by Ziarnko in 1619. Perspectivae stereo graphice pars specialis is a short essay dedicated entirely to the technical problems of creating conical anamorphoses. This text, fitting perfectly into the tradition of seventeenth-century European literature dedicated to the question of perspective, is perhaps the first essay to explain how to create conical anamorphoses. Not recorded in the literature on anamorphosis, it seems well worth discussing, the more so that it precedes by almost two decades the most important treatise by Jean-François Niceron La Perspective curieuse ... dated 1638. The present text discussing Ziarnko’s interest in the problems of perspective, particularly those that are anamorphic, is accompanied by a Polish translation of the whole dissertation. It consists of an elaborate dedication, the proper treatise written in the form of thirteen statements, and the epilogue. The translation bears comments relating only to the content of the work itself. Thus, the present article can be considered as an introduction to the Polish edition of the treatise.
Źródło:
Rocznik Historii Sztuki; 2014, 39; 43-54
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hypotypoza – zapoznana figura na mapie relacji werbalno-wizualnych
Autorzy:
Słodczyk, Rozalia
Powiązania:
https://bibliotekanauki.pl/articles/2090072.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
hypotypoza
ekfraza
opis dzieła sztuki
trompe l’oeil
anamorfoza
mise en abyme
Opis:
The article explores the problem of literary pictorialism, i.e. literary representation of the visual arts, with respect to the term hypotyposis. It appears to have sunk in oblivion, although it can boast of no less respectable origin as ekphrasis, and is by no means synonymous with the latter. In this article the precise meaning of hypotyposis is made out by means of comparisons with terms like trompe-l’oeil, anamorphosis, mise-en-abîme, and palimpsest. On the whole, hypotyposis does not describe a work of art but constitutes its verbal variant, or a structural and thematic equivalent in which the plot brings forth animated allegory of the image. We should distinguish, the article argues, two types of hypotyposis, the mimetic and the diegetic. The mimetic hypotyposis animates the content (the what) of the work of art, i.e. what is presented, or, in other words, the components of the fi ctional world. The diegetic hypotyposis dynamizes the manner (the how) of the presentation, i.e. it activates the manner in which the fi ctional world is constituted and the philosophical or formal problems raised by the work’s representation. Finally, the article examines the differences between hypotyposis and the generally accepted meaning of ekphrasis.
Źródło:
Ruch Literacki; 2018, 2; 143-159
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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