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    Wyświetlanie 1-4 z 4
    Tytuł:
    Upublicznienie niewidzialnego: archiwum wizualne i intelektualista-praktyk
    Bringing the Invisible to Public Light: The Visual Archive and the Practice-Oriented Intellectual
    Autorzy:
    Chajbos, Katarzyna
    Rapior, Waldemar
    Powiązania:
    https://bibliotekanauki.pl/articles/1373513.pdf
    Data publikacji:
    2015-08-11
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    visual archive
    intellectuals
    practice-oriented intellectual
    social knowledge
    culture research
    quality research practice
    visual research
    archiwum wizualne
    intelektualiści
    intelektualista-praktyk
    wiedza społeczna
    badania kultury
    praktyka badań jakościowych
    badania wizualne
    Opis:
    This article was written on the basis of the project ‘See Culture: The Archive of Visual Materials from Research into Culture in Poland’ conducted in 2014. It speaks of the internet creation of a social database using visual materials—the Visual Archive (archiwumwizualne.pl). The authors present their findings from interviews with members of the research teams and directors of the projects that were included in the internet archive. These primarily concern the various approaches and research practices of the interlocutors and their definitions of visual material’s potential as a tool in social research. The profiles of the researchers presented earlier is then compared to the category of the practice-oriented intellectual, which broadens the classical understanding of the intellectual and points to an emerging manner of thinking about research practice in contemporary social sciences. The usefulness of the Visual Archive for the practice-oriented intellectual is indicated.
    Źródło:
    Kultura i Społeczeństwo; 2015, 59, 3; 223-239
    2300-195X
    Pojawia się w:
    Kultura i Społeczeństwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Łódzka szkoła socjologii kultury: Od badań odbioru sztuk werbalnych do sztuk wizualnych
    The Łódź School of the Sociology of Culture: From Studying the Reception of Verbal Art to Studying the Reception of Visual Art
    Autorzy:
    Wejbert-Wąsiewicz, Ewelina
    Powiązania:
    https://bibliotekanauki.pl/articles/781539.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Opis:
    For several decades of the last century, semiotic arrangements enriched the sociology of culture. The aim of the article is to show the achievements of the empirical school of sociology of culture in the perspective of the significant semiotic issues on the example of selectively selected works of the eminent scientist Antonina Kłoskowska and the “Łódź school” which she created. Thanks to Antonina Kłoskowska, the empirical way of the “Łódź school” sociology of culture led from literature reception research to visual arts research. Her students made a significant contribution to Polish sociology of art, sociology of literature, sociology of film, sociology of theater, and visual sociology. The text attempts to sketch semiotic theoretical inspirations, a characteristic theoretical and methodological approach to the study of symbolic culture. The problems of research on the reception of works were described in the context of selected studies on film reception. The starting point was the empirical research of Antonina Kłoskowska regarding the reception of the screening of the Wedding (dir. A. Wajda, 1973).
    Źródło:
    Kultura i Społeczeństwo; 2019, 63, 3; 75-92
    2300-195X
    Pojawia się w:
    Kultura i Społeczeństwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Cyfrowe Archiwum im. Józefa Burszty, czyli otwarta etnografia
    The Józef Burszta Digital Archive - Open Ethnography
    Autorzy:
    Stanisz, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/781959.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    social archive
    archival anthropology
    Creative Commons license
    digitalization
    visual ethnography
    traditional culture
    Józef Burszta
    archiwum społeczne
    antropologia archiwalna
    licencja Creative Commons
    cyfryzacja
    etnografia wizualna
    kultura tradycyjna
    IEiAK UAM w Poznaniu
    Opis:
    The Józef Burszta Digital Archive [Cyfrowe Archiwum im. Józefa Burszty; http://cyfrowearchiwum.amu.edu.pl] is an online platform established in 2014 for publication of audiovisual materials collected since the 1950s by the Institute of Ethnology and Cultural Anthropology of the Adam Mickiewicz University in Poznań.The Józef Burszta Digital Archive functions on the basis of Creative Commons licenses and has the status of a social archive. There are broad applications for its resources both in academe and beyond. The author discusses the bases for founding the archive, the specifics of its accessible materials, and plans for its future activities.
    Źródło:
    Kultura i Społeczeństwo; 2019, 63, 1; 133-141
    2300-195X
    Pojawia się w:
    Kultura i Społeczeństwo
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O wizualizacji konfliktu politycznego z połowy XVIII wieku. Sprawa podziału ordynacji ostrogskiej w dekoracjach okazjonalnych
    On the visualization of political conflict in the mid-18th century. The division of the Entail of Ostrog in occasional decorations
    Autorzy:
    Gombin, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/2082101.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    18th Century occasional decorations
    18th Century political history
    state ceremony
    political iconography
    18th Century Polish culture
    visual strategies
    Opis:
    One of the most important functions of 18th-century occasional decorations was to communicate current political issues. The artistic setting of ceremonies related to political events can of course be analyzed as an independent entity but may also be studied as a fragment of a larger message that encompasses prints, literature and political ceremony. The present article will adopt the latter approach, and analyze the political message of the 1750s on the subject of the division of the Entail of Ostrog, resulting from the so-called “Transaction of Kolbuszowa” in 1753. This event, which had a huge impact on political rela- tions of the time, was also of key importance to the chief players of the period as well as their artistic initiatives (for example J. K. Branicki, who became the Great Crown Hetman after Józef Potocki’s death). The theme of the Entail of Ostrog can be seen in the artistic settings of ceremonies related to the activities of the Senatorial Commission, as well as in those related to two terms of the Crown Tribunal, which in 1754 and 1755 was overshadowed by the consequences of the Kolbuszowa transaction. The above-mentioned bodies acted on behalf of the entire Polish-Lithuanian Commonwealth; therefore, ideas of political unity and total consensus were emphasized in the decorations. In this way, specific decisions were legitimized. Occasional decorations made reference to the Gigantomachy, understood as an internal conflict, and stressed the importance of overcoming internal enemies for the sake of state unity. Banquets were also of great importance in conveying this message, not only because participation alone was seen as a manifestation of belonging to a certain community, but also because the ideological content of the table decorations presented the political values of the guests and served as a commentary on current political issues.
    Źródło:
    Rocznik Historii Sztuki; 2020, 45; 139-147
    0080-3472
    Pojawia się w:
    Rocznik Historii Sztuki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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