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Tytuł:
Saving national heirlooms for posterity… On social activism directed towards monument restoration in Kraków in the 19th century
Autorzy:
Ziejka, Franciszek
Powiązania:
https://bibliotekanauki.pl/articles/704271.pdf
Data publikacji:
2008
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
restoration of monuments
history of Kraków
Polish cultural associations
Opis:
At the beginning of the 17th century the capital of Poland was moved from Kraków to Warsaw causing the former capital of the Kingdom of Poland to fall into ruin. At the end of the 18th century Kraków, a small town of approximately 11 000 people, was in a severely deteriorated state. The author of the paper recalls the history of activities undertaken by so-called “burzymurkowie” (demolition men, literally “wall-destroyers”) who at the turn of the 18th century took charge of the process of demolishing the walls of the City of Kraków and who devastated many historic temples and secular buildings. However, in the first years of the 19th century, such defenders of historic monuments as Feliks Radwański and Florian Straszewski started to act in Kraków. Their contribution was to save the remaining walls of the town and many of its historic edifices. Very soon a host of other “old Kraków” lovers joined the aforementioned group. In the second part of the 19th century defenders of the monuments began to be active in a number of organizations. At the beginning of the 20th century these  organizations, as well as some cultural and artistic associations, entered into “The Union of Eleven Cultural Associations” which became spectacularly successful, for example saving the ‘Pod Krzysztofory’ Palace and two historic houses near the Saint Giles church. In this way the organization, which was concerned with the protection of city heirlooms, was created in Kraków before World War I. The organization was unique in Europe at the time, bringing together scholars, artists, and publicists.
Źródło:
Nauka; 2008, 2
1231-8515
Pojawia się w:
Nauka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wątki znaczeniowe i symbolika architektury XIX wieku
Threads of significance and symbolism in the architecture of the 19th century
Autorzy:
Gała-Walczowska, M.
Powiązania:
https://bibliotekanauki.pl/articles/145926.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
architektura XIX w.
historyzm
eklektyzm
forma i kompozycja architektoniczna
treść
wątki znaczeniowe i symbolika w architekturze
architecture of 19th c.
historicism
eclecticism
architectural form and composition content
threads of significance and symbolism in architecture
Opis:
Architektura XIX wieku była odzwierciedleniem epoki mistycyzmu, a zarazem sekularyzacji sztuki, dążenia do ideału jedności sztuk, a jednocześnie relatywizmu i indywidualizmu. Wyrosła na podłożu romantyzmu, może być ona postrzegana, jako wypadkowa postawy duchowej, światopoglądu i ruchu naukowego określanego mianem historyzmu. Rozwój historii sztuki i fascynacja przeszłością, wraz z bogactwem i różnorodnością stylów wpływały na polifonię ówczesnej architektury, w przestrzeni której istniał przede wszystkim historyzm, a także eklektyzm. Architekci historyzmu tworzyli dzieła inspirowane jednym stylem. Eklektyzm posiłkuje się stylami historycznymi w ówczesnym pojęciu romantycznymi, mieszając ich formy i motywy w jednej budowli. Wątki znaczeniowe architektury XIX wieku wiążą się z symboliką i wartościami niesionymi przez style minionych epok, reinterpretując ich formy i znaczenia.
The architecture of the 19th century was a reflection of both the era of mysticism and the era of secularization in art. It was a pursuit of the ideal of unity of the arts, and at the same time of relativity and individualism. Grounded in Romanticism, it might be seen as a product of a certain spiritual attitude, world view and scientific movement called historicism. Development of the history of art, a fascination with the past, together with the richness and diversity of styles, influenced the polyphony of the architecture of the time, in which historicism, and then eclecticism took precedence. Architects of historicism were creating works inspired by a single style. Eclecticism used historic styles perceived as romantic at the time, mixing their forms and motives in a single building. In 19th century architecture, threads of significance are interwoven with symbolism and values represented by the styles of previous historic periods, reinterpreting their forms and meanings.
Źródło:
Kwartalnik Architektury i Urbanistyki; 2017, 62, 4; 55-82
0023-5865
Pojawia się w:
Kwartalnik Architektury i Urbanistyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
An unknown Polish-Albanian glossary from the beginning of the 19th century
Nieznany polsko-albański słowniczek z początku XIX wieku
Autorzy:
Sawicka, Irena
Powiązania:
https://bibliotekanauki.pl/articles/2084681.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish glossary
Albanian dialect
original alphabet
Robert Elsie
Opis:
The article contains basic information about the recently identifi ed Polish-Albanian glossary, and presents its content in an accessible form.
Źródło:
Rocznik Slawistyczny; 2019, 68; 103-124
0080-3588
Pojawia się w:
Rocznik Slawistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Illustrating Polish Coins, Medals, and Seals in the Graphic Arts Techniques in the Second Half of the 19th Century. The Period of the Outstanding Numismatic Publications
Autorzy:
Podniesińska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/2089988.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
illustrations of coins
medals and seals
numismatic iconography (in graphic art)
graphic art XIX c.
engravers and illustrators XIX c.
graphic techniques
Źródło:
Wiadomości Numizmatyczne; 2020, 64; 157-186
0043-5155
Pojawia się w:
Wiadomości Numizmatyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Monety rzymskie w zbiorach XIX-wiecznych gimnazjów Górnego Śląska
Roman coins in the collections of the 19th century secondary higher schools in Upper Silesia
Autorzy:
Chojecki, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/2117733.pdf
Data publikacji:
2006
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Opis:
At the beginning of the 19th century in the Upper Silesia there was no museum yet. Higher secondary schools were the most appropriate public places to deposit the relics of material culture, including Roman coins; lecturers would have used coins as aids in their work with students. This article discussed the collections of Roman coins in three secondary higher schools in Upper Silesia: in Cieszyn (Teschen), Glubczyce (Leobschutz) and Raciborz (Ratibor).
Źródło:
Wiadomości Numizmatyczne; 2006, 50, 2(182); 159-171
0043-5155
Pojawia się w:
Wiadomości Numizmatyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Women journalists: Women with careers in journalism in the first half of the 19th century
Gazeciarki. O dziennikarskich karierach kobiet w I połowie XIX wieku
Autorzy:
Żyrek-Horodyska, Edyta
Powiązania:
https://bibliotekanauki.pl/articles/2074974.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Women’s press in the first half of the 19th century
Romanticism and the Enlightenment
women journalists in France
Poland and the USA
Delphinede Girardin
Wanda Malecka
Margaret Fuller
prasa kobieca
Delphine de Girardin
romantyzm
Opis:
This article takes a look at the development women’s press in the first half of the 19th century. A comparison of the press market in the Romantic Age in France, Poland and the United States shows that usually women were eager to take up journalism as a sideline to their literary careers. The article discusses the journalistic work of three women writers — Delphine de Girardin, Wanda Malecka and Margaret Fuller. While each of them was inspired by Romantic and Preromantic writers, their journalism was for the most part a continuation of the Enlightenment models of journalism.
Artykuł ma na celu omówienie rozwoju prasy kobiecej, tworzonej w pierwszej połowie XIX wieku. Komparatystyczne badania pozwalają zauważyć, że w epoce romantyzmu we Francji, w Polsce oraz w Stanach Zjednoczonych kobiety chętnie włączały się w pracę redakcyjną, łącząc ją najczęściej z działalnością literacką. W szkicu omówiona została działalność publicystyczna trzech autorek: Delphine de Girardin, Wandy Maleckiej oraz Margaret Fuller. Nakreślone badania wykazały, że choć dziennikarki chętnie drukowały prace romantycznych i preromantycznych twórców, w swej publicystyce często czerpały jeszcze z oświeceniowych wzorców.
Źródło:
Rocznik Historii Prasy Polskiej; 2019, 22, 3; 19-40
1509-1074
Pojawia się w:
Rocznik Historii Prasy Polskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“I remains your ever wisher & so forth”: on the two types of formulaic closings in 19th-century private letters
Autorzy:
Dylewski, Radosław
Powiązania:
https://bibliotekanauki.pl/articles/2050909.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
formulaic expressions
the 19th century
private letters
vernacular English
vernacularity
Opis:
Although formulaic expressions found in earlier correspondence have drawn scholarly attention, their (un)grammaticality has not been thoroughly researched. The present paper thus focuses on the two types of formulae with the verb remain found in private correspondence: one headed by 1st person pronoun (as in: we remain(s) your daughters), the other one starting with but/so/also/and/only (as in: but remain(s) your affectionate child until death). For the purpose of the study a corpus of 19th-century correspondence has been compiled and analyzed; additionally, the data from Dylewski (2013) have been taken into account. Next to the corpus scrutiny, an Internet search has been carried out to verify whether the use of the formulae at issue goes beyond the 19th century. An analysis from both a qualitative and quantitative angles allowed for putting forth a number of hypotheses concerning the origin of variation between -s-marked and unmarked forms as well as their distribution across letter-types and different geographical locations. The results of the analysis also corroborate the claim that -s on remain in the structures under discussion is neither a “part of the authentic local vernacular nor of authentic contemporary standard English, but part of a specific, localized practice of letter writing, which had its own linguistic rules” (Pietsch 2015: 226).
Źródło:
Linguistica Silesiana; 2018, 39; 63-94
0208-4228
Pojawia się w:
Linguistica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Portfolio: British columnists, Polish émigrés and Russian classified diplomatic correspondence
Autorzy:
Żurawski vel Grajewski, Radosław
Powiązania:
https://bibliotekanauki.pl/articles/421520.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
The press in the 19th century
Poland’s Great Emigration
Great Britain in the 19th century
Poland in the 19th century
Russia in the 19th century
Anglo-Russian rivalry in the 19th century
The Eastern Question
Adam Jerzy Czartoryski (1770–1861)
David
prasa XIX w.
Wielka Emigracja
Wielka Brytania XIX w.
Polska XIX w.
Rosja XIX w.
rywalizacja brytyjsko-rosyjska w XIX w.
kwestia wschodnia w XIX w.
Adam Jerzy Czartoryski
David Urquhart
Opis:
The Portfolio; or a Collection of State Papers,etc. Illustrative of the History of our Times was a joint publishing venture of Polish émigrés gathered round Prince Adam Jerzy Czartoryski and his British sympathizers led by David Urquhart. Its core content were classified Russian diplomatic documents seized by Polish insurgents during the November 1830 Rising. Published as a series of volumes in 1835–1837 and 1843–1844 (New Series), The Portfolio principal aim was to discredit Russia; and more practically to rally the European public opinion to contain Russia’s advance in the East and to support the cause of Poland’s independence.
Źródło:
Rocznik Historii Prasy Polskiej; 2014, 17, 1
1509-1074
Pojawia się w:
Rocznik Historii Prasy Polskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
‘Not just simply Chopin’: Polish poets and critics of the 19th-century on the guitarist Stanisław Szczepanowski
Nie tylko o Chopinie. Polscy poeci i krytycy XIX wieku o gitarzyście Stanisławie Szczepanowskim
Autorzy:
Bartnikowska-Biernat, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/2087773.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Writing about music in the 19th century
Romanticism
poets and reviewers
correspondance des arts
Stanisław Szczepanowski (1814–1875?)
Władysław Syrokomla (1823–1862)
Teofil Lenartowicz (1822–1893)
Teofil Lenartowicz
Władysław Syrokomla
krytyka muzyczna
XIX wiek
korespondencja sztuk
Opis:
Polish musical criticism of 19th century is a fascinating research field for musicologists, music theorists, as well as literary scholars. They can find there a wealth of texts whose expressive style tries to emulate the homage paid to the great virtuosos of the time in poetry. While Frederick Chopin and the violinist Karol Lipiński held sway over captive audiences, there was yet another musician whose name featured prominently in reviews and poems. It was Stanisław Szczepanowski, the great guitarist, whose concerts gave rise to numerous reviews representing the romantic school of musical criticism. This paper examines some of those reviews as well as two poems dedicated to Szczepanowski, one by Teofil Lenartowicz and the other by Władysław Syrokomla.
Źródło:
Ruch Literacki; 2020, 4; 417-428
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nagrobki osobistości z końca XVIII i 1. połowy XIX stulecia na Cmentarzu Ewangelicko-Augsburskim w Warszawie
Tombstones of important people in the Evangelical-Augsburg cemetery in Warsaw at the turn of the 19th century
Autorzy:
Skrodzka, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/2082185.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Opis:
The Evangelical-Augsburg Cemetery was established in 1792 in the village of Wielka Wola near Warsaw on Młynarska Street. It was probably designed by the architect Szymon Bogumił Zug. From the mid-19th century the cemetery aroused much admiration for its appearance. The site was carefully maintained and covered with lush vegetation. It contained many fine tombstones executed by the most outstanding sculptors from Warsaw. Among those was Paweł Maliński, Professor of the Sculpture Department at the Faculty of Fine Arts at the University of Warsaw and his pupil Jakub Tatarkiewicz. Both studied under Bertel Thorvaldsen in Rome. Another talented sculptor whose works could be found in the cemetery was Konstanty Hegel, a former pupil of the Academy of St. Luke and the French Academy in Rome. The necropolis also contained funeral monuments made by the stone-carving workshops of Warsaw. This article aims to introduce about 30 of the most interesting funeral monuments executed in the first 60 years of the history of the Warsaw cemetery. The oldest tombstones preserved in the churchyard are eclectic works drawing from Baroque art. An interesting tombstone is that of Anna Regina Kilemann (d. 1793), modelled on Johann Augustus Nahl’s funeral monument for Mary Magdalene Langhans, and dated 1753. The cenotaphs in this group show some elements traditionally used in the early modern sepulchral sculpture – the carved figure of the deceased; the shape of the sarcophagus; the motif of the gate; or the obelisk on a pedestal. The fantasy form is often adorned with neoclassical decoration. The Evangelical-Augsburg Cemetery was established in 1792 in the village of Wielka Wola near Warsaw on Młynarska Street. It was probably designed by the architect Szymon Bogumił Zug. From the mid-19th century the cemetery aroused much admiration for its appearance. The site was carefully maintained and covered with lush vegetation. It contained many fine tombstones executed by the most outstanding sculptors from Warsaw. Among those was Paweł Maliński, Professor of the Sculpture Department at the Faculty of Fine Arts at the University of Warsaw and his pupil Jakub Tatarkiewicz. Both studied under Bertel Thorvaldsen in Rome. Another talented sculptor whose works could be found in the cemetery was Konstanty Hegel, a former pupil of the Academy of St. Luke and the French Academy in Rome. The necropolis also contained funeral monuments made by the stone-carving workshops of Warsaw. This article aims to introduce about 30 of the most interesting funeral monuments executed in the first 60 years of the history of the Warsaw cemetery. The oldest tombstones preserved in the churchyard are eclectic works drawing from Baroque art. An interesting tombstone is that of Anna Regina Kilemann (d. 1793), modelled on Johann Augustus Nahl’s funeral monument for Mary Magdalene Langhans, and dated 1753. The cenotaphs in this group show some elements traditionally used in the early modern sepulchral sculpture – the carved figure of the deceased; the shape of the sarcophagus; the motif of the gate; or the obelisk on a pedestal. The fantasy form is often adorned with neoclassical decoration.The Evangelical-Augsburg Cemetery was established in 1792 in the village of Wielka Wola near Warsaw on Młynarska Street. It was probably designed by the architect Szymon Bogumił Zug. From the mid-19th century the cemetery aroused much admiration for its appearance. The site was carefully maintained and covered with lush vegetation. It contained many fine tombstones executed by the most outstanding sculptors from Warsaw. Among those was Paweł Maliński, Professor of the Sculpture Department at the Faculty of Fine Arts at the University of Warsaw and his pupil Jakub Tatarkiewicz. Both studied under Bertel Thorvaldsen in Rome. Another talented sculptor whose works could be found in the cemetery was Konstanty Hegel, a former pupil of the Academy of St. Luke and the French Academy in Rome. The necropolis also contained funeral monuments made by the stone-carving workshops of Warsaw. This article aims to introduce about 30 of the most interesting funeral monuments executed in the first 60 years of the history of the Warsaw cemetery. The oldest tombstones preserved in the churchyard are eclectic works drawing from Baroque art. An interesting tombstone is that of Anna Regina Kilemann (d. 1793), modelled on Johann Augustus Nahl’s funeral monument for Mary Magdalene Langhans, and dated 1753. The cenotaphs in this group show some elements traditionally used in the early modern sepulchral sculpture – the carved figure of the deceased; the shape of the sarcophagus; the motif of the gate; or the obelisk on a pedestal. The fantasy form is often adorned with neoclassical decoration. The types of tombstones widely used in the Evangelical-Augsburg Cemetery in Warsaw show a mourner (a weeper), a genius angel or an allegorical figure holding an upside-down burning torch. One of the finest is the headstone executed for Krystian Gotthilf Helbing’s grave (d. 1845), decorated with the sculpted personification of Death executed by Paweł Maliński. Konstanty Hegel, on the other hand, displays the sculpted personification of the Evangelical community on the gravestone of Samuel Leopold Neumann (d. 1844), shown there as a Mourner. Whereas Jakub Tatarkiewicz made several sculpted busts for family mausoleums, including that of the lexicographer Samuel Linde (d. 1847), and the physicians Wilhelm Malcz (d. 1852) and Karol Henryk Kühnel (d. 1836). In addition to the classicist gravestones inspired by Greek and Roman antiquity, there are also neo-Gothic monuments and those inspired by ancient Egypt in the cemetery, for instance the pyramid-shaped tomb commemorating Jan Riedel (d. 1808). Moreover, there are many burial chapels (mausoleums) on Młynarska Street, and four of these deserve a special mention. The first one is the monumental Halpert Chapel dated 1834, representing templum in antis in the Doric order of the Roman variety. The second one is the Skwarcov Chapel dated 1851, distinguished by its oriental decoration in the Old Russian-Arabic style. The third one is a cast-iron openwork mausoleum of the Braeunig family (1821), considered one of the most elegant mausoleums in the cemetery, probably from Germany. Another chapel worth mentioning is the Dückert mausoleum (1828), a Polish example of the Greek Revival style. The funeral monuments in the Evangelical-Augsburg Cemetery in Warsaw commemorate well-known scholars, doctors, military people, merchants, bankers, industrialists, and owners of important real estates. Many of these people were deserving figures not only in the borough, but in the whole of Warsaw. Their place of burial in the Evangelical-Augsburg cemetery can be seen as an important point on the map of the city. It testifies to the multiculturalism of the capital of Poland and the Lutheran inhabitants, and is a gallery of sculpture reflecting all the styles and trends in art.
Źródło:
Rocznik Historii Sztuki; 2017, 42; 173-190
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Układ graficzny polskich czasopism popularnonaukowych XIX wieku
Graphic layout of 19th-century popular science magazines
Autorzy:
Kamisińska, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/421952.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
grafika prasowa XIX wieku
polskie czasopisma popularnonaukowe XIX wieku
Polish press in the 19th century
popular science magazines
illustrations
Opis:
W artykule zaprezentowano wyniki badań układu graficznego dziewiętnastu polskich czasopism popularnonaukowych ukazujących się w XIX wieku w Warszawie, Puławach, Poznaniu, Lesznie, Lwowie, Krakowie i Tarnowie. Omówiono charakterystyczne cechy składu drukarskiego, format, rodzaj papieru i farb drukarskich. Wskazano prototypy europejskie tego typu czasopism oraz źródła pozyskiwania tekstów i ozdobnych elementów typograficznych
This article examines the graphic layout of nineteen Polish popular science magazines that were published in Warsaw, Puławy, Poznań, Leszno, Lwów, Cracow and Tarnów. After identifying the most popular themes of the visual material and the authors of most of the pictures and drawings, the article considers the importance of graphics in popular science magazines.
Źródło:
Rocznik Historii Prasy Polskiej; 2017, 20, 3; 5-37
1509-1074
Pojawia się w:
Rocznik Historii Prasy Polskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The festive and the every day in Cracow’s cultural life: Occasional verse in the daily Czas in the aftermath of January Rising, 1864–1879
Odświętność i codzienność życia kulturalnego Krakowa. Poezja okolicznościowa w dzienniku „Czas” w pierwszym piętnastoleciu po powstaniu styczniowym
Autorzy:
Samborska-Kukuć, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/2075497.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish press in Galicia in the 19th century
Polish occasional verse in the 19th century
occasional verse as public record
content and conventions of occasional verse
Cracow daily Czas
prasa polska XIX w.
Kraków
Galicja,„Czas”
pozytywizm
poezja polska XIX w.
poezja okolicznościowa
grafomania
Opis:
This article examines the occasional verse published by the daily Czas [Time] in 1864–1879, i.e. over a decade and a half after the suppression of the January Rising. These texts, which feature both solemn occasions and local ephemera, present us with a unique chronicle of life of Cracow and its environs. In addition to listing all the relevant texts, the article attempts to identify their authors, i.e. unlock their initials or pseudonyms, to outline the conventions and genological peculiarities of that verse, and to gauge the attitudes of the Cracovians towards the question of Poland’s independence, Romanticism, patriotism as well as some well-known authority figures.
W artykule zaprezentowano okazjonalne teksty, publikowane w latach 1864–1879 na łamach dziennika „Czas”. Odsłaniają one specyfikę utrwalania codzienności Krakowa i okolic zarówno w perspektywie uroczystych celebracji, jak i społecznościowych marginaliów. Sporządzono wykaz tych tekstów, ustalono ich autorów, dokonano deszyfracji pseudonimów, wskazano konwencje i osobliwości genologiczne, a także podjęto próbę nakreślenia stosunku krakowian do kwestii niepodległościowych, romantyzmu i patriotyzmu oraz uznanych autorytetów.
Źródło:
Rocznik Historii Prasy Polskiej; 2018, 21, 3; 39-55
1509-1074
Pojawia się w:
Rocznik Historii Prasy Polskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
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