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    Wyświetlanie 1-13 z 13
    Tytuł:
    A few centuries and a few questions (Anna Nasiłowska, "Historia literatury polskiej" [A History of Polish Literature])
    Kilka wieków i parę pytań (Anna Nasiłowska, "Historia literatury polskiej", Wydawnictwo IBL PAN, Warszawa 2019, s. 680)
    Autorzy:
    Misiak, Iwona
    Powiązania:
    https://bibliotekanauki.pl/articles/2088012.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Źródło:
    Ruch Literacki; 2019, 6; 701-704
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Franciszek Karpiński – A hallmark sentimental writer?
    Franciszek Karpiński – po czym poznać pamiętnikarza sentymentalnego?
    Autorzy:
    Zając, Grzegorz
    Powiązania:
    https://bibliotekanauki.pl/articles/2089386.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    the history of Polish literature
    the Enlightenment
    prose
    memoirs
    sentimentalism
    Franciszek Karpiński (1741–1825)
    historia literatury polskiej
    oświecenie
    proza
    pamiętnikarstwo
    sentymentalizm
    Franciszek Karpiński
    Opis:
    In the last phase of Franciszek Karpiński's life as a writer (the first quarter of the 19th century), he practically gave up poetry and concentrated instead on writing memoirs. This article tries to find out to what extent his autobiographical work, especially his Historia mego wieku i ludzi, z którymi żyłem [A History of My Century and the People with Whom I Lived], is influenced by an attitude characteristic of the sentimentalism of the previous century. As this analysis shows Karpiński's narrative exhibits both a sensitivity much indebted to Rousseau's autobiographical method and skilful shifts of tone, from satire and irony to various shades of melancholy. For sentimentalist aesthetic and poetics the continual manipulation of tone is a means of alerting the reader to the world's complexity. As in the novels of Lawrence Sterne, that complexity is experienced by way of careful observation of fragments of reality, defined by the subjectivity of the observer and the truth of his emotions.
    Źródło:
    Ruch Literacki; 2019, 5; 533-545
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Shall we insert a comma? Punctuation dilemma of Polish ancient texts publisher
    Autorzy:
    Krauze-Karpińska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/703987.pdf
    Data publikacji:
    2016
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    history of language
    editing of ancient literature
    punctuation
    old Polish literature
    Opis:
    The author discusses the problem concerning modernisation of the historical, based on intonation, rhetorical punctuation system distinguished for ancient Polish texts (up to 18-th century) but hardly comprehensible nowadays. She presents the features of the system and rules of its application, quoting examples derived from printed literary masterpieces of three best known 16-th century Polish poets: Mikołaj Rej, Jan Kochanowski and Mikołaj Sęp Szarzyński. Being convinced of inevitability of replacing old punctuation system by modern one (logical-syntactic) she also perceives necessity of description of the historical one.
    Źródło:
    Nauka; 2016, 4
    1231-8515
    Pojawia się w:
    Nauka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    On Polish structuralism
    Autorzy:
    Głowiński, Michał
    Wołowiec, Grzegorz
    Powiązania:
    https://bibliotekanauki.pl/articles/703244.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    structuralism
    semiotics
    literary theory
    history of literature
    poetics
    narratology
    Opis:
    The object of our deliberations is structuralism in literary studies, whose beginnings in Poland can be traced back to the thirties of the 20th century. It was developing at two centres at the time: at the Stefan Batory University in Vilnius, around Professor Manfred Kridl, and at the University of Warsaw. Structuralism was reborn in Poland in the sixties and it impacted all of literary studies; its main centres were: the Institute of Literary Research of the Polish Academy of Sciences and the Adam Mickiewicz University in Poznań. Focusing on the analysis of literary systems, it combined them with theory of text and interpretation of individual works, emphasizing their broadly understood linguistic, discursive and rhetorical properties. In the culmination stage of its advancement, it tackled the fundamental problems of our discipline, including those that were only starting to emerge, such as reception of literary works as intended by its structural properties, or intertextuality. Structuralism had (and still has) a strong impact on the entirety of literary studies in Poland. It also became a sphere of reference for researchers of the younger generation, who prefer newer methodological tendencies.     
    Źródło:
    Nauka; 2018, 3
    1231-8515
    Pojawia się w:
    Nauka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Brunon Schulz’s ‘Spring’: History and myth
    „Wiosna” Brunona Schulza: historia i mit
    Autorzy:
    Bill, Stanley
    Powiązania:
    https://bibliotekanauki.pl/articles/2087211.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 20th century
    literature, history and myth
    the Austro-Hungarian Empire
    Bruno Schulz (1892–1942)
    Joseph Roth (1894–1939)
    Bruno Schulz
    historia
    polityka
    imperium Habsburgów
    mit
    Joseph Roth
    Nauki Humanistyczne i Społeczne
    Opis:
    The most prevalent popular and critical images of Bruno Schulz present a Polish-Jewish writer and artist who turned away from politics and history in his creative work only to be devoured by the most violent political and historical forces in his life. This article attempts to reinsert Schulz’s writings into the social and political history of his day and age, focusing on an interpretation of his novella Spring (Wiosna). It argues that Schulz viewed the meaning and progression of history and politics in mythical terms. Accordingly, his stories contain ironic mythologizations of social, political and historical events. In Spring, Schulz captures, or rather constructs, the mythological essence of the disintegration of the Habsburg Empire, producing his own imaginative and contradictory commentary on the history of his native region during his own lifetime.
    Źródło:
    Ruch Literacki; 2020, 6; 619-633
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The relevance of history: Dramatic history poems by Stanisław Wyspiański and Tytus Czyżewski
    Czym jest historia dla życia. Rapsody historyczne: Wyspiański i Czyżewski
    Autorzy:
    Sienkiewicz, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/2088292.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the late 19th and Interwar period
    philosophy of history
    historical epic poems
    emancipation and progress
    modernity
    the French Revolution
    Stanisław Wyspiański (1869–1907)
    Tytus Czyżewski (1880–1945)
    Wyspiański
    Czyżewski
    rapsody
    historia
    rewolucja
    teodycea
    nowoczesność
    Opis:
    This article examines the analogies, and more specifically the historical 'theatre of the imagination', between Tytus Czyżewski's Robespierre/Rhapsody (1927) and Stanisław Wyspiańs-ki's poetic dramas Rhapsodies (Kazimierz the Great and Bolesław the Bold). Each of those poems foregrounds its principal historical character. Wyspiański's dramatic poems, commonly known as Rhapsodies, focus on Kazimierz the Great, Bolesław the Bold, and Piast. kings of pivotal significance in his vision of Poland's historical destiny. Twenty years later Tytus Czyżewski, an acclaimed avant-garde painter and poet, composed a poetic-essayistic salmagundi, in which he sought to render in a similarly elevated style and condensed dialogue the drama of the leaders of the French Revolution, Robespierre and Danton. While Robespierre has to face, apart from some common people, God, the Spirit and Judges that sit in judgment on him, the final section of Rhapsody evokes Juliusz Słowacki. A monologue, mimicking his lofty verse, establishes a metaphorical common thread in Polish history – from the days of mail-clad knights to the wretched everyday life in the trenches – set against a broad background of wars, destruction and the French Revolution. For Czyżewski the French Revolution was a ground-breaking event, the first act of a great historical process that ushered in the Modern Age with its ideas of progress, reason, freedom, social justice, the elimination of poverty. It continues to inspire mankind with the hope that even a most ambitious change is possible. For Wyspiański, on the other hand, the grand project of human emancipation does give rise to doubts whether a wholesale obliteration of the Old is justified and to questions about God, free will, theodicy and destiny, and the 'tyranny of reason'. The differences between the two philosophies of history – Wyspiański's, from the turn of the 19th century, and Czyżewski's, representative of the artistic and intellectual climate of the late 1920s – are no doubt profound, and yet, what both of them seem to share is a deep concern with the relevance of history for the present and for designing the future.
    Źródło:
    Ruch Literacki; 2019, 6; 613-630
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Retelling myths and legends in Slavic fantasy
    Retelling mitów i legend w słowiańskiej fantastyce
    Autorzy:
    Mikinka, Aleksandra Ewelina
    Powiązania:
    https://bibliotekanauki.pl/articles/2087701.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 21st century
    Poland's early history
    Slavic fantasy
    mythic history
    Slavic mythology and religion
    Young Adult Fiction
    Maria Janion (1926–2020)
    fantastyka
    slavic books
    retelling
    rodzimowierstwo słowiańskie
    mitologia słowiańska
    Opis:
    In 2006 Maria Janion wrote in The Uncanny Slavdom that “the new narrative of the humanities can tell the story of our culture differentlyˮ. Since that time such 'new narratives' have multiplied literally right in front of our eyes. While in the late 2000s the existence of a distinct Slavic fantasy subgenre was a matter of controversy, hotly debated by both authors and academics, today its presence and popularity is too conspicuous to leave any room for doubt. Each year the market is flooded with dozens of new Slavic fantasy books, which are then discussed in countless blogs, vlogs, discussion groups, and podcasts. The growth of interest in Slavic fantasy is phenomenal and seems to be part of a larger trend gaining ground not just in Poland but also in other Slavic nations. This gives rise to a number of questions which this article tries to address: What is Slavic fantasy? What place does it occupy in modern popular culture? What effects, beneficial or less so, will it have?
    Źródło:
    Ruch Literacki; 2020, 5; 545-558
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A transcultural mosaic: Stanisław Jaworski’s theory of the avant-garde
    Transkulturowa mozaika. Teoria awangardy Stanisława Jaworskiego
    Autorzy:
    Kmiecik, Michalina
    Powiązania:
    https://bibliotekanauki.pl/articles/2089551.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literary criticism of the late 20th century
    theory of literature
    modernism
    history of the avant-garde
    Stanisław Jaworski (1934–2018)
    awangarda
    Stanisław Jaworski
    teoria tekstu
    teoria literatury
    Opis:
    This article presents a profi le of Stanisław Jaworski as a literary scholar with a life-long involvement in avant-garde literature. He defi nes the avant-garde as a mosaic of diverse trends with no common aesthetic or ideological denominator and, at the same time, as a transcultural network of artists apparently unrelated artists. Focusing on his major studies (Foundations of the Avant-garde, Tadeusz Peiper: Writer and Theoretician, Between the Avant-garde and Surrealism, and The Avant-garde) the article reconstructs Jaworski’s insights and theoretical constructs in the context of contemporary network studies and reassesses his commitment to both history and theory of literature.
    Źródło:
    Ruch Literacki; 2018, 5; 497-504
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Was Maurycy Mochnacki a messianist? A puzzling declaration of the author of “The Uprising of the Polish Nation in 1830–1831”
    Czy Maurycy Mochnacki był mesjanistą? Wokół zagadki pewnej deklaracji autora „Powstania narodu polskiego”
    Autorzy:
    Kihara, Makiko
    Powiązania:
    https://bibliotekanauki.pl/articles/2089989.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    19th-century Polish literature and history
    Polish Romanticism
    the November Uprising (1830–1831)
    Poland’s Great Emigration
    radical politics
    Polish messianism
    discourse analysis
    Maurycy Mochnacki (1803–1834)
    Maurycy Mochnacki
    romantyzm polski
    mesjanizm
    Wielka Emigracja
    dyskurs
    Opis:
    In this article Maurycy Mochnacki’s martyrological and messianic declarations in the Preface to the Uprising of the Polish Nation in 1830–1831 are examined in the context of the martyrological discourse in the literature of the Great Emigration. Such an affi rmation may appear puzzling given Mochnacki’s rejection of martyrological interpretations of Poland’s history or messianic readings of his political philosophy, let alone his reputation of being radically opposed to Adam Mickiewicz’s idea of the sacrifi cial victimhood of the Polish nation. In this study the ideological and rhetorical aspects of their statements are compared and analysed. There can be little doubt that in the Preface Mochnacki’s phrasing is steeped in patriotic pathos which seems to be at odds with the tone of his other writings. This article claims that it was a tactical move on his part: he chose the familiar martyrological loci merely as a means to enlist the readers’ support for his own pragmatic programme of restoring Poland’s independence. A general conclusion to be drawn from this apparent inconsistency is that already at that stage (The Uprising was published in Paris in 1834) the logosphere of the Great Emigration had become so dominated by the martyrological discourse that Mochnacki could not afford to ignore it.
    Źródło:
    Ruch Literacki; 2018, 4; 355-371
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Janusz Makarczyk’s “Jafar of Baghdad” – an important source of information about the history and literature of the Abbasid Golden Age
    „Dżafar z Bagdadu” Janusza Makarczyka jako cenne źródło wiedzy o historii i literaturze arabskiej epoki Abbasydów
    Autorzy:
    Olkusz, Wiesław
    Powiązania:
    https://bibliotekanauki.pl/articles/2089441.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 20th century
    historical romance
    the Orient and Islam in popular fiction
    Abbasid Empire
    Harun al-Rashid
    Jafar ibn Yahya
    intertextuality
    Janusz Makarczyk (1901–1960)
    Opis:
    This article deals with Janusz Makarczyk’s bestselling historical romance Jafar of Baghdad, fi rst published in 1950. Makarczyk had a varied career as a journalist, travel writer of the ‘globtrotter school’, military offi cer, diplomat and academic; his deep involvement with the Middle East and Arab history began in the 1926 when he was sent to the Polish consulate in Jerusalem. The life of Jafar ibn Yahya provided him not only with enough material for a gripping story of love and romance but also a pretext for painting a broad canvas of historical events and personages. Addressed to younger readers, the book is didactic in the sense that it offers them basic information about Islam (e.g. the division between the sunni and the shia) as well as lots of facts about the Arab world at the peak of the Abbasid Age (e.g. Harun al-Rashid and the struggle for his succession; rise and fall of the powerful Barmakid family, Harun al-Rashid’s half-sister Abassa; the great Islamic jurists Malik ibn Anas, Muhammad al-Shaybani and Al-Shafi ‘i; an assortment of poets and scholars, including the translator Ibn al-Muqaffa). In addition to countless allusions to the Book of the Thousand Nights and One Night, the narrative is encrusted with explicit and covert quotes from the Qur’an, Arabic adages and proverbs (32), the poems of Abu-l-’Atahiya and Abu Nuwas. The writer is aware that the allusions and learned references need to be contextualized in a way that is functional and that their incorporation into the main text must be handled with maximum fl exibility. The great popularity of Jafar of Baghdad in its time can be taken as proof that Makarczyk did succeed in bringing the two functions of his novel, the cognitive and the aesthetic – to instruct and to please – into a harmonious whole.
    Źródło:
    Ruch Literacki; 2018, 5; 545-569
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Translating memory: The reception of Miron Białoszewski’s „A Memoir of the Warsaw Uprising” in the English-speaking world
    Tłumaczenie pamięci. Recepcja „Pamiętnika z powstania warszawskiego” w Ameryce Północnej
    Autorzy:
    Niżyńska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/2087215.pdf
    Data publikacji:
    2020
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 20th century
    autobiography
    trauma
    memoir and history
    Miron Białoszewski (1922–1983)
    Miron Białoszewski
    poezja
    literatura współczesna
    pamiętnik
    Opis:
    While presenting a wide range of cultural, historical and political factors which have influen- ced the Polish and the American reception of Miron Białoszewski’s A Memoir of the Warsaw Uprising, this article tries to assess the role played in its reception abroad by the fact that the original text existed in several versions (censored and uncensored) and, on its way to print, got fitted out with multiple paratexts (introductions, prefaces and afterwords). Interestingly, there seems to be a connection between these fringe texts, the shaping of the translation as shown by choices made by the translators and editors, the evolving model of what is believed to be the right and proper handling of historical traumas, and the politics of remembrance in diverse historical settings and cultural imaginaries. An in-depth analysis of the details of translation and editorship opens up a series of broader questions about the status of a literary text functioning as evidence of traumatic historic events and the mechanisms of its reception by those directly affected (the family circle) and the people outside (with special attention being paid to the tension between the private and the public, and the normative versus the non-normative).
    Źródło:
    Ruch Literacki; 2020, 6; 635-651
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The agony of striving: A Profile of Jakub Frank in Andrzej Żuławski’s “Moliwda”
    „Męka dociekania”. Obraz Jakuba Franka w „Moliwdzie” Andrzeja Żuławskiego
    Autorzy:
    Misztela, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/2089407.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Polish literature of the 20th century
    historical essay
    18-century sectarianism and modernity
    Jewish Messianism
    radical visions of history
    Antoni Kossakowski „Moliwda”(1718–1786)
    Jakub Frank (1726–1791)
    Andrzej Żuławski (1940–2016)
    „Moliwda”
    Antoni Kossakowski (1718–1786)
    frankizm
    wiek XVIII
    wiek XX
    komunizm
    tyran
    Opis:
    This article looks at a character of Jakub Frank, the 18th-century Jewish Messianic leader, in Andrzej Żuławski’s book of idiosyncratic essays Moliwda (published in 1994). Żuławski, a controversial fi lm-maker and writer, whose historic musings are usually focused on an individual who embodies the spirit of the age in this case turns his attention to Jakub Frank. Moliwda is typical of the early phase of Żuławski’s writing career characterized by a radically revisionist explorations of the Age of the Enlightenment in search for parallels with the modern age and his own life. Jakub Frank is presented as a trickster, religious charlatan, political fraudster and fateful ancestor of 20th-century tyrants, but at the same time as a rebel against the idea of God and history enshrined in the Judaic tradition. The article views Żuławski’s interpretation as an attempt to appropriate certain elements of the history of religion to create an authoritarian vision of modernity and its historical roots, based on mechanisms of self-aggrandizement, sexualization of power and subversion of all hierarchies.
    Źródło:
    Ruch Literacki; 2018, 5; 589-596
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Modern Biblical philology in Poland [David A. Frick, Polish Sacred Philology in the Reformation and the Counter-Reformation: Chapters in the History of Controversies (1551-1632), transl. Kaja Szymańska, in: „Studia o Literaturze Dawnej” [„Studies in Old Literature”, Vol.7])
    O nowożytnej filologii biblijnej w Polsce (David A. Frick, "Polska „philologia sacra” w czasach reformacji i kontrreformacji. Kilka kart z historii sporów wyznaniowych (1551–1632)", przeł. Kaja Szymańska, Warszawa 2018, Wydawnictwo Wydziału Polonistyki Uniwersytetu Warszawskiego, ss. 293. „Studia o Literaturze Dawnej”, red. nauk. R. Krzywy, t. 7.)
    Autorzy:
    Kordyzon, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/2088048.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Źródło:
    Ruch Literacki; 2019, 6; 693-699
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-13 z 13

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