Wszystkie pola: Orzeszkowa, Eliza (1841-1910) - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Moving out of the dolls house: Henrik Ibsen, Kate Chopin and Eliza Orzeszkowa
Wyprowadzka z domu lalek. Henrik Ibsen, Kate Chopin, Eliza Orzeszkowa
Autorzy:: Sokalska, Małgorzata
Powiązania:: https://bibliotekanauki.pl/articles/2087765.pdf
Data publikacji:: 2020
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: 19th century fiction and drama
women's emancipation
growth of self‑awareness
the doll's house metaphor
Henrik Ibsen (1828–1906)
Eliza Orzeszkowa (1841–1910)
Kate Chopin (1850-1904)
Henrik Ibsen
Eliza Orzeszkowa
Kate Chopin
emancypacja
postać kobiety w literaturze XIX wieku
Nauki Humanistyczne i Społeczne
Opis:: This is a comparative study of three literary works of the 19th century, Eliza Orzeszkowa's novel Marta, Kate Chopin's novel The Awakening, and Henrik Ibsen's drama Nora. The common analytical frame is the metaphor of the doll's house, which seems to provide an apt description (diagnosis) of the condition of each heroine, the space they inhabit, and their attitude to the economy of their everyday lives and their husbands. It also defines the situation in which each of them decides, or is compelled by circumstances, to move out of their sheltered place. In each of the three fictional cases the attention is focused on the growing self‑awareness of women, who would not have gained a mature knowledge of the world and of themselves if they had not been forced to abandon their doll's house existence.
Źródło:: Ruch Literacki; 2020, 4; 397-415
0035-9602
Pojawia się w:: Ruch Literacki
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: The poetic reception of Rimbaud on the interface of Young Poland and the literature of the interwar period
Recepcja poetycka Rimbauda jako synapsa Młodej Polski i międzywojnia
Autorzy:: Kuczyńska-Koschany, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/2087997.pdf
Data publikacji:: 2020
Wydawca:: Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:: Polish literature of the late 19th and early 20th century
Polish-French literary relations
Arthur Rimbaud (1854–1891)
Eliza Orzeszkowa (1841–1910)
Józef Weyssenhof (1860–1932)
Zenon Przesmycki (1861–1944)
Julian Tuwim (1894–1953)
Jarosław Iwaszkiewicz (1894–1980)
synapsa
Jean Arthur Rimbaud
Młoda Polska
XX-lecie międzywojenne
recepcja poetycka
Opis:: This article deals with the reception of Arthur Rimbaud’s poetry and his biographic legend by the poets of the last decades of 19th and the first decades of the 20th century, though, in fact, its earliest phase belongs to the literary period of pre-Modernist, anti-Romantic reaction (which described itself by the name Positivism, epitomized by the novels of Bolesław Prus). The process of Rimbaud’s reception proceeded in two dimensions, on the intergenerational level and in dialogue between poets and translators. Interestingly, it acted as a veritable catalyst of changes in the poetics of writers across the spectrum, from the old school (Józef Weyssenhof and Eliza Orzeszkowa) to the modernist avant-garde. The influence of Rimbaud was by no means uniform and went beyond the usual names like Zenon Przesmycki (Miriam), Julian Tuwim or Jarosław Iwaszkiewicz. This article casts its net widely to include representatives of three generations, among them some of the less acclaimed authors.
Źródło:: Ruch Literacki; 2020, 1; 17-32
0035-9602
Pojawia się w:: Ruch Literacki
Dostawca treści:: Biblioteka Nauki

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