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Wyświetlanie 1-2 z 2
Tytuł:
Body Politics In Ann Radcliffe’s The Mysteries Of Udolpho And The Italian
Autorzy:
Łowczanin, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/2076061.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Ann Radcliffe
body
character
perception
death
Opis:
The purpose of this paper is to demonstrate the way in which Ann Radcliffe manages to register shifts in the ontology of the self and the other which were taking place in the late eighteenth century. Acknowledging the ambivalences of the semiotics of the body, especially in The Mysteries of Udolpho and The Italian, allows her to toy with the notion of the body as character correlate, and orchestrate the problematics of the union between a character and his or her corporeal designation and perception by others. The paper demonstrates how grappling with the dynamics informed by the Cartesian opposition of substance and essence in turn allows for subscribing to the paradigmatic gothic atmosphere, but also foreshadows the contemporary post-Cartesian phenomenological understanding of the body, and introduces a truly modern psychologised and internalised eschatology and “spectralisation of the other.”
Źródło:
Kwartalnik Neofilologiczny; 2015, 4; 691-702
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Conflict as a Literary Gothic Convention
Autorzy:
Łowczanin, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/2076251.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Horace Walpole
Ann Radcliffe
male and female Gothic
conflict
convention
Opis:
This paper examines conflict as a literary convention in the early stage of the development of Gothic fiction on the basis of two novels: Horace Walpole’s The Castle of Otranto (1764) and Ann Radcliffe’s The Mysteries of Udolpho (1794). The starting point for the analysis is the now-classic division of the genre into male and female Gothic, proposed by Ellen Moers in Literary Women (1976), to show that the focus in Walpole’s story is on the political: on the monarchic conflict of power; whereas Radcliffe concentrates on the politics of domesticity. However, as the paper aims to show, though both stories are informed by the instability of their times – an era of wars and revolutions, when political tensions and conflicts brought to light certain aspects of social injustice – both novelists place at the centre of their interest a human being, the culprit of conflict. Underneath the layers of conflict for power, dominance and property, in both texts, whether representing male or female Gothic, lies the conflicted, often tortured individual, and it is this presentation of the human side of characters that annuls all divisions, and makes Gothic stories significant voices in their contemporary political and social debate.
Źródło:
Kwartalnik Neofilologiczny; 2016, 1; 105-113
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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