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Wyszukujesz frazę ""Karykatury"" wg kryterium: Wszystkie pola


Wyświetlanie 1-2 z 2
Tytuł:
Kogóż tam nie było? Karykatury Kazimierza Sichulskiego z restauracji Stanisława Karpowicza w Zakopanem
Who wasn’t there? Caricatures by Kazimierz Sichulski in Stanisław Karpowicz’s restaurant in Zakopane
Autorzy:
Kozakowska-Zaucha, Urszula
Powiązania:
https://bibliotekanauki.pl/articles/2082153.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Opis:
The special atmosphere of Zakopane was created by successive generations of notable visitors. Each generation became the heir of the previous one, building on its history and tradition. In 1914, the terrors of war arrived in Zakopane with refugees from Krakow and other partitioned parts of Poland, while the statesman Józef Piłsudski, who lived there sporadically between 1901 and 1914, left town. People descended under the Tatra Mountains as if to a “free town of Zakopane”. At that time, the Pronaszko brothers Andrzej and Zbigniew arrived, as well as the artists Leon Chwistek and Leopold Gottlieb, whereas Tymon Niesiołowski, Władysław Skoczylas and Jan Rembow- ski already lived there. Only Stanisław Ignacy Witkiewicz was absent, wandering through Russia. Also authors such as Stefan Żeromski, Andrzej Strug, Kazimierz Przerwa-Tetmajer and Jan Kasprowicz found their own pied-à-terre under the Tatra Mountains. Moreover, Zako- pane became a convenient place for politicians, initially the National Democratic Party, and later socialists, when they came to the fore. The meeting point in Zakopane was the famous restaurant Na Przełęczy (On the Pass), owned by the kind-hearted Leopolitan, Stanisław Karpowicz, nicknamed Karp (‘the carp’). Karpowicz arrived in Zakopane in 1902 from Lvov, and three year later took over Franciszek Muchowicz’s boarding-house and restaurant located at 40, Krupówki Street. The painter Kazimierz Sichulski, who also fled Lvov because of the war, was a regular guest at Karpowicz’s establishment. Although impoverished, he lived in the so-called ‘Tower’ on the premises. At that time, Ludwik Solski suggested to Karpowicz and Sichulski a new joint venture – making caricatures of Zakopane’s regular visitors. The prelude to the impressive gallery of cartoons by Kazimierz Sichulski was the portrait of the writer Kornel Makuszyński, dated 1909. The signature ‘Sich/09: KAWAL ORD. POLONIA / ASTORIA / RESTAURATA’, suggests that the portrait was executed in Lvov, in the famous restaurant of the Hotel Astoria. The remaining caricatures – in total 49 (not counting the portrait of Makuszynski) appeared in the restaurant On the Pass over a period of three years (1914–1917), creating an orderly and densely hung portrait gallery of various characters, all linked by Zakopane and history. After caricatures of writers – poets, novelists and art critics, and then actors, musicians, artists and architects – the caricatures of Galician politicians and legionaries became increasingly numerous.
Źródło:
Rocznik Historii Sztuki; 2018, 43; 123-141
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Famous cartoon characters in Polish satirical magazines of the interwar period (1918–1939): A statistical analysis
Autorzy:
Bergmann, Olaf
Powiązania:
https://bibliotekanauki.pl/articles/421758.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish press in the 20th century (the interwar period)
satire and humour magazines
cartoon characters
people depicted in cartoons
statistical studies
karykatura
czasopisma
satyryczne
bohaterowie karykatury spersonifikowanej
Druga Rzeczypospolita
statystyka
prasoznawstwo
Opis:
This article looks at the popularity of famous cartoon characters in Polish satirical magazines of the interwar period from the point of view of statistics. The source material consists of twenty annual volumes of seven very different periodicals dedicated to satire and humour. They are Szczutka (A Fillip), Muchy (Flies), Cyrulik Warszawski (The Warsaw Barber), Wróble na dachu (Sparrows on the Roof), Szpilki (Pins), Pręgierz Poznański (The Poznań Pillory) and Pokrzywy (Nettles). The analysis, ie. a statistical count, has produced a ranking list of famous personalities most popular with the cartoonists.
Źródło:
Rocznik Historii Prasy Polskiej; 2016, 19, 2
1509-1074
Pojawia się w:
Rocznik Historii Prasy Polskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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