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    Tytuł:
    Poetyka gatunku i tytułu w opowiadaniu Vladimira Nabokova Сказка
    The Poetics of Genre and Title in Vladimir Nabokov’s Short Story A Nursery Tale
    Autorzy:
    Ułanek, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/16530423.pdf
    Data publikacji:
    2022
    Wydawca:
    Polska Akademia Nauk. Czasopisma i Monografie PAN
    Tematy:
    Vladimir Nabokov
    genre transformation
    parabolic fairy tale
    imagination
    erotics
    Opis:
    The research material in this article is V. Nabokov’s short story A Nursery Tale (1926), which, by virtue of the literary genre signalled in the title, disposes us to consider the author’s communicative intention. The methodological inspiration for the research is M. Bakhtin’s genological reflection and his concept of the genre as “a representative of creative memory in the process of literature development”; W. Propp’s study and J. Derrida’s idea about fairy tales has also proved helpful. Analysis and interpretation of the short story A Fairy Tale has allowed one to distinguish particular elements and devices aimed at the short story genre transformation with special regard to the titular (fairy-tale) form of expression. The special status of the work’s protagonist is demonstrated, his creative activity understood as a kind of game, whose creator and actor is the protagonist himself, while the realisation of his erotic desire is treated as a way of regarding Femininity and of opening to “the other”, precisely connected in Nabokov’s short story with the female figure. On the parabolic/fabulous level the hero’s dream (collecting “a harem of women”) is interpreted as a literary device – an expression of romantic irony revealing the opposing forces governing human existence, a conflict between everyday reality and the world of creative fantasy/imagination. In consequence, Nabokov’s A Nursery Tale is read as an example of a narrative parabolic fairy tale.
    Źródło:
    Slavia Orientalis; 2022, LXXI, 3; 469-485
    0037-6744
    Pojawia się w:
    Slavia Orientalis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Лінгвокомунікативні чинники ідентифікації нараторів у романі В. Набокова Приглашение на казнь
    Lingual‑communicative Reasons of Identifying Narrators in Vladimir Nabokov’s Novel Invitation to a Beheading
    Autorzy:
    Бацевич, Флорій
    Powiązania:
    https://bibliotekanauki.pl/articles/16502064.pdf
    Data publikacji:
    2022
    Wydawca:
    Polska Akademia Nauk. Czasopisma i Monografie PAN
    Tematy:
    narration
    narrative “story”
    narrative “discourse”
    narrator
    story‑telling instance
    diegesis
    Opis:
    It is proved that one of V. Nabokov’s most famous novels Invitation to a Beheading is a fictional narrative with a complicated interaction of various types of story‑telling instances. There are persons of a non‑diegetic narrator, who incorporates the features of an all‑knowing and a limited teller, explicated with a different degree of definiteness; a diegetic narrator – the main hero, – who is thinking his state over, is talking to himself, is writing a letter to his wife; a non‑personalized narrator, similar to the abstract narrator in a set of traits; and a hardly definable narrator, who is telling the text story addressing the main hero in the second person and who can be identified as a non‑diegetic or a diegetic narrator talking to himself. The article defines the correlation of these indefinitely outlined story‑telling instances (convergence, binding, juxtaposition), ones identified with difficulty. Conducted is a lingual differentiation of the mentioned story‑tellers’ expression, mainly, via deictic elements (mostly, pronouns); addresses; the “historical past” and “historical present” tenses; predicates that mark the participants’ diegesis or non‑diegesis as well as various intonational and stylistic means (the expression of evaluation, diminutive or augmentative noun forms and others). It is considered perspective to attempt to classify the lingual means of expressing the types of story‑telling instances in different belles‑lettres genres, to analyze the semantic and pragmatic reasons for forming the “story” and the “discourse” of a narrative. In general, the problem of the linguistic “dimension” of narratives is a perspective direction of investigation where there can be revealed semantic and pragmatic categories of production and perception of any type of narration, firstly, belles‑lettres – fictional by dint of its deep nature.
    Źródło:
    Slavia Orientalis; 2022, LXXI, 1; 163-174
    0037-6744
    Pojawia się w:
    Slavia Orientalis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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