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    Tytuł:
    Między nadzieją a paranoją. O post-człowieku w filmach science fiction (na kilku przykładach)
    Between Hope and Paranoia. On the Post-human in Science Fiction Movies (A Couple of Examples)
    Autorzy:
    Gorliński-Kucik, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/520018.pdf
    Data publikacji:
    2018
    Wydawca:
    Ośrodek Badawczy Facta Ficta
    Tematy:
    science fiction
    science fiction cinema
    the post-human
    transhumanism
    evolution
    creationism
    artificial intelligence
    Opis:
    In the article, Gorliński-Kucik describes the determinants of science fiction conventions which aim at investigatiing the future of man and civilization. In doing so, the author reflects on movies released in recent years (2013–2019), which, in his opinion, best exemplify the problem in question, i.e. the construal of transhumanism. Analysed films include: Her (2013), Under the Skin (2013), Lucy (2014), Transcendence (2014), Chappie (2015), Arrival (2016), Blade Runner 2049 (2017), Ghost in the Shell (2017), Alita: Battle Angel (2019), and Netflix animated anthology Love, Death & Robots (2019). Gorliński-Kucik concludes that vast majority of interpreted movies addressess the post-human and predicts its appearance in the near future―without, however, fully escaping the eponymoys dichotomy of hope and paranoia.
    Źródło:
    Creatio Fantastica; 2018, 2(59); 109-122
    2300-2514
    Pojawia się w:
    Creatio Fantastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pseudomorfy, światotwórstwo i roboty. O książce Kultury wizualne science fiction Pawła Frelika i różnych perspektywach badania fantastyki naukowej
    Pseudomorphs, World-building, and Robots. On Paweł Frelik’s „Visual Cultures of Science Fiction” and Different Ways of Studying Science Fiction
    Autorzy:
    Alejski, Jakub
    Powiązania:
    https://bibliotekanauki.pl/articles/520091.pdf
    Data publikacji:
    2018
    Wydawca:
    Ośrodek Badawczy Facta Ficta
    Tematy:
    science fiction studies
    visual culture
    Pawel Frelik
    Opis:
    Reviewed book: Paweł Frelik, Kultury wizualne science fiction, Kraków: Wydawnictwo Universitas 2017, ISBN: 978-83-24227-00-6, pp. 216.
    Źródło:
    Creatio Fantastica; 2018, 2(59); 171-178
    2300-2514
    Pojawia się w:
    Creatio Fantastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wyznaczniki gatunkowe fantastyki naukowej w Teodora Tripplina „Lunatyka podróży po Księżycu”
    Science Fiction Genre Determinants in Teodor Tripplin’s „A Sleepwalker’s Journey around the Moon”
    Autorzy:
    Mikołajczuk, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/520012.pdf
    Data publikacji:
    2018
    Wydawca:
    Ośrodek Badawczy Facta Ficta
    Tematy:
    science fiction
    Polish science fiction
    journey to the Moon
    Teodor Tripplin
    A Sleepwalker’s Journey around the Moon;
    Opis:
    The article aims to analyse the dilogy Lunatyka podróż po Księżycu (A Sleepwalker’s Journey around the Moon) in terms of science fiction genre determinants present therein. Mikołajczuk verifies whether the stories about Serafin Boliński, considered as one of the very first Polish science fiction text, are legitimately treated as such. In this aspect a so-called embryonic stage of a foundational piece of work plays a crucial role as this novel is not a typical representative of science fiction. Many fictional and nonfictional elements of Lunatyka podróż po Księżycu may disqualify it from this genre. Presenting the origins of science fiction in the worldwide literature and its definition allows to indicate a moment when this genre appeared in the Polish history of literatury and how it evolved in due course. The second part of the article discusses crucial science fiction genre features that can be found in Tripplin’s dylogy. Based on them, Mikołajczuk strives to prove that Tripplin’s work ought to be included in Polish science fiction canon as it employs a number of distinguishable science fiction tropes.
    Źródło:
    Creatio Fantastica; 2018, 2(59); 69-94
    2300-2514
    Pojawia się w:
    Creatio Fantastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Brzmienie „Blade Runnera 2049”. O przenikaniu się muzyki i obrazu w filmie science fiction
    The Sound of „Blade Runner 2049”. On the Interfusion of Image and Music in a Science Fiction Movie
    Autorzy:
    Brodowska, Julia
    Powiązania:
    https://bibliotekanauki.pl/articles/520007.pdf
    Data publikacji:
    2018
    Wydawca:
    Ośrodek Badawczy Facta Ficta
    Tematy:
    science fiction
    science fiction cinema
    Blade Runner 2049
    Vangelis
    Hans Zimmer
    Benjamin Wallfisch
    Blade Runner
    film music
    diegetic music
    Opis:
    The article addresses the subject of coexistence of music and image in a movie with particular emphasis on science fiction aesthetics. It points out the important form-generating role of music in the visions of the future created within this genre. The key issue here is the use of electronic music, considered to be the most adequate for illustrating futuristic worlds. Based on the research of musicologists, the most representative examples of a combination of electronic and avant-garde music with a picture in science fiction cinema are chronologically discussed. The starting point for these considerations is the characteristic universe and ambient sounds of Blade Runner. However, the analysis focuses mainly on the music from the sequel, Blade Runner 2049, in which the style initiated by Vangelis is continued by Hans Zimmer and Benjamin Wallfisch. The main part of the article is a discussion of non-diegetic and diegetic music in Blade Runner 2049. It emphasizes its unique correlation with the visual layer of the film and an its important role in shaping the Bladerunner’s world. This example raises a broader subject of the importance of electronic music for future-oriented science fiction movies.
    Źródło:
    Creatio Fantastica; 2018, 2(59); 123-142
    2300-2514
    Pojawia się w:
    Creatio Fantastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Inny Zagrzeb. Transformacje obrazu miasta w chorwackiej prozie fantastycznej po 1991 roku
    The Other Zagreb. Transformation of the City’s Image in Croatian Fantastic Fiction After 1991
    Autorzy:
    Wojtaszek, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/520016.pdf
    Data publikacji:
    2018
    Wydawca:
    Ośrodek Badawczy Facta Ficta
    Tematy:
    urban fantasy
    Croatian literature
    science fiction
    utopian studies
    Opis:
    Croatian speculative fiction in the last quarter of the century has been dominated by the city of Zagreb. There are three anthologies depicting the capital of Croatia and visions of its future: Zagreb 2004 (1995), Zagreb 2014 (1998) and Zagreb 2094 (2004). Also, in Croatian dystopian fiction, the popularity of which has grown rapidly since 2010, the city becomes a metaphor for the problem of exclusion and deep inequalities between the centre and the periphery. The changes in the literary image of Zagreb over the last twenty-five years illustrate not only the changing perception of an urban space and different ways of experiencing the city by writers, but also depict the evolution of speculative fiction in Croatia by distinguishing its most important elements: the growth of the importance of local motifs and places, as well as blurring the rigid genre boundaries and the evolution towards the so-called slipstream fiction. Thanks to the analysis of literary images of Zagreb, questions about the attitude of fantasy literature of that time towards the main contemporary issues can be raised. The article finally offers a possibility to define either the subversive or conciliatory character of fantasy works in the context of the most dominant ideologies of that time.
    Źródło:
    Creatio Fantastica; 2018, 1(58); 109-119
    2300-2514
    Pojawia się w:
    Creatio Fantastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Temponautyka dla bystrzaków. O książce „Fantastycznonaukowe podróże w czasie” Mariusza M. Lesia
    Temponautics for Brainiacs. On „Fantastic Time Travels” by Mariusz M. Leś
    Autorzy:
    Bugajska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/520014.pdf
    Data publikacji:
    2018
    Wydawca:
    Ośrodek Badawczy Facta Ficta
    Tematy:
    science fiction studies
    time travel
    temponutics
    Mariusz M. Leś
    Opis:
    Reviewed book: Mariusz M. Leś, Fantastycznonaukowe podróże w czasie. Między logiką a emocjami, Białystok Wydawnictwo Temida2 2019, ISBN: 978-83-65696-23-6, pp. 317
    Źródło:
    Creatio Fantastica; 2018, 2(59); 179-186
    2300-2514
    Pojawia się w:
    Creatio Fantastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O poetyce gatunku science fiction
    On the Poetics of Science Fiction Genre
    Autorzy:
    Suvin, Darko
    Maj, Krzysztof M.
    Powiązania:
    https://bibliotekanauki.pl/articles/520068.pdf
    Data publikacji:
    2018
    Wydawca:
    Ośrodek Badawczy Facta Ficta
    Tematy:
    science fiction
    cognitive estrangement
    extrapolation
    extrapolative model
    analogic model
    Opis:
    The first Polish translation of one of the best-known articles on the poetics of science fiction, considered nowadays a must-read reference in the field. In this classical piece, Darko Suvin famously argues in favour of introducing the concept of cognitive estrangement modelled after Viktor Shklovsky’s ostranenie (often questionably rendered as defamiliarisation) as well as Bertolt Brecht’s Verfremdungseffekt (as defined in his Kleines Organon für das Theater). Arguing, in due course, for acknowledging the cognitive and epistemological potential of thus defined estrangement, Suvin proceeds to introduce and analyse two distinct models for studying science fiction from both historical and formalist perspective—the extrapolative model and analogic model—which altogether help at outlining features of the most prototypal science fiction. This translation is also supplemented with an addendum from 2014 wherein the author revisits his thoughts from Marxist perspective and ponders on their relevance in reference to a more politically inclined debate in science fiction studies.
    Źródło:
    Creatio Fantastica; 2018, 2(59); 9-24
    2300-2514
    Pojawia się w:
    Creatio Fantastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Science fiction: źródła i kontynucje
    Science fiction: Sources and Contemporary Renditions
    Autorzy:
    Frelik, Paweł
    Kincaid, Paul
    Swanstrom, Lisa
    Vint, Sherryl
    Tokarski, Mateusz
    Maj, Krzysztof M.
    Szymczak-Maciejczyk, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/520032.pdf
    Data publikacji:
    2018
    Wydawca:
    Ośrodek Badawczy Facta Ficta
    Tematy:
    science fiction studies
    Pawel Frelik
    Paul Kincaid
    Lisa Swanstrom
    Sherryl Vint
    Opis:
    A discussion addresses general problems associated with studying science fiction narratives today. What does it take to make a believable illusion of the scientific out of literary fiction? What are the most contemporary views on the genre and its multiple iterations? Is it still a genre? These and many more questions have been tackled below by the leading experts in science fiction studies: Paweł Frelik (University of Warsaw), the most prominent Polish theorist in the field, editor of the „Journal of Gaming and Virtual Worlds”, and author of Visual Cultures of Science Fiction (2017, reviewed in this issue), as well as the first Polish president of Science Fiction Research Association (2013-2014); Paul Kincaid, renowned science fiction critic, author of A Very British Genre: A Short History of British Fantasy and Science Fiction (1995) and What It Is We Do When We Read Science Fiction (2000); Lisa Swanstrom (University of Utah), co-editor of „Science Fiction Studies”, and author of Animal, Vegetable, Digital: Experiments in New Media Aesthetics and Environmental Poetics (2016); Sherryl Vint (University of Alberta), also co-editor of „Science Fiction Studies”, director of Science Fiction and Technoculture Studies at University of California, Riverside, and co-editor of The Routlege Companion to Science Fiction (2009); and, finally, „Creatio Fantastica” editors—Krzysztof M. Maj, Mateusz Tokarski, and Barbara Szymczak-Maciejczyk.
    Źródło:
    Creatio Fantastica; 2018, 2(59); 145-168
    2300-2514
    Pojawia się w:
    Creatio Fantastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O trzech zegarach. Relatywistyczne fabuły w polskiej fantastyce naukowej (Lem — Huberath — Snerg)
    Of Three Clocks. Relativist Plots in Polish Science Fiction (Lem — Huberath — Snerg)
    Autorzy:
    Kukulak, Szymon Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/520030.pdf
    Data publikacji:
    2018
    Wydawca:
    Ośrodek Badawczy Facta Ficta
    Tematy:
    Stanislaw Lem
    Adam Wisniewski-Snerg
    Marek S. Huberath
    science fiction
    social fiction
    dystopian fiction
    time dilatation
    Opis:
    The article compares three science-fiction novels written by Polish writers representing three successive generations — Stanisław Lem’s Return from the Stars (1959), Adam Wiśniewski-Snerg’s Robot (1973), and Marek S. Huberath’s Nest of Worlds (1998)—that utilize the time dilation phenomenon as a basis for the plot. In each novel, time dilation serves also as a building block for a higher layer of meaning. In Lem’s—as a grim prediction about the fate of real-world astronautics at its birth; in Snerg’s—as association with his ‘theory of superbeings’; and in Huberath’s—as a part of solipsistic construction of the author’s own multiverse permeated with Christian themes to which the author often refers to in his other texts. This proves not only the unwavering popularity of the motif itself but also its flexibility which allows to adapt it to different needs and aesthetics that the evolution of the genre imposes.
    Źródło:
    Creatio Fantastica; 2018, 2(59); 39-56
    2300-2514
    Pojawia się w:
    Creatio Fantastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Stanisław Lem i biologiczna wzniosłość. Biologia, technologia, fantastyka naukowa
    Stanislaw Lem and the Biological Sublime. Biology, Technology, Science Fiction
    Autorzy:
    Gomel, Elana
    Tokarski, Mateusz
    Powiązania:
    https://bibliotekanauki.pl/articles/520078.pdf
    Data publikacji:
    2018
    Wydawca:
    Ośrodek Badawczy Facta Ficta
    Tematy:
    Stanislaw Lem
    science fiction
    Solaris
    Eden
    Fiasco
    Darkness and Mildew
    Ijon Tichy
    the sublime
    the biological sublime
    Opis:
    This article introduces the concept of the biological sublime and argues that it is central to Stanislaw Lem’s science-fictional poetics. The biological sublime is an aesthetic reaction to the monstrous body conceptualized in terms derived from the aesthetic theories of Burke, Kant, Lyotard, and Barthes. This reaction fuses attraction and repulsion, awe and horror. It transcends the moral calculus of good and evil but has profound ethical implications as it grapples with the concept of the “totally Other” beyond human understanding. The article discusses the visual poetics of Lem’s major novels Solaris, Eden, and Fiasco, alongside lesser-known works such as the story Darkness and Mildew and the Twenty-second Voyage of Ijon Tichy. It suggests that Lem’s deployment of the biological sublime offers important clues to understanding our ambivalent relationship with biotechnology and our perennial fascination with monster movies.
    Źródło:
    Creatio Fantastica; 2018, 2(59); 57-68
    2300-2514
    Pojawia się w:
    Creatio Fantastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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