Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "Ortega y Gasset" wg kryterium: Temat


Wyświetlanie 1-1 z 1
Tytuł:
Miłość jako ruch. Fenomen uwagi w analizie miłości Jose’ego Ortegi y Gasseta
Love as motion. The phenomenon of attention in the analysis of love by Jose Ortega y Gasset
Autorzy:
Ostasz, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/1986391.pdf
Data publikacji:
2020
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
love
motion
change
attention
Jose
Ortega y Gasset
metaphor
Opis:
One word "love" encompasses a wide amalgamation of feelings. Their common denominator is emotional activity, which can be directed at women, things, science, etc. Love is an action most often celebrated by the poets who usually embellish and improve it, or in other words falsify it. Krzysztof Ostasz in the article Love as motion. The phenomenon of attention in the analysis of love by Jose Ortega y Gasset proposes to look at the metaphors approximating the concept of love, which use scientific terminology (power, force, light), as well as directly or indirectly connect love with the concept of motion. The author bases his considerations primarily on On love: aspects of a single theme of Jose Ortega y Gasset, who, taking into account the peculiar dynamics of feelings, attempted to sort out the conceptual mess in this domain. In particular, despite the similarity of symptoms, he clearly distinguishes between love as an activity and essentially passive desire. Falling in love was defined as an abnormal, manic state of attention. Love, understood as an emotional movement towards an object that focuses our attention, narrows the field of consciousness and at the same time increases its intensity. The proposed concept of attention flux density is helpful in understanding this phenomenon. What we pay attention to best determines our character, so who we fall in love with exposes ourselves. This leads to the conclusion that no one falls in love without a reason, therefore love is not blind and resembles reasoning. According to the Spanish philosopher, it is wrong to associate love with beauty, as initiated by Plato. The definition of love referring to motion allows us to better understand the mechanism of falling in love and more clearly juxtaposes love against the background of other feelings it is often confused with. Ortega's analysis shows an explanatory potential of the concept of motion, which in itself is not as clear as it may seem.
Źródło:
Facta Ficta. Journal of Theory, Narrative & Media; 2020, 6, 2; 71-83
2719-8278
Pojawia się w:
Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-1 z 1

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies