Wszystkie pola: digital film - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Film History as Media Archaeology: Tracking Digital Cinema. Esej recenzyjny
Thomas Elsaesser Film History as Media Archaeology: Tracking Digital Cinema
Autorzy:: Kwiatkowski, Fryderyk
Powiązania:: https://bibliotekanauki.pl/articles/1964626.pdf
Data publikacji:: 2019
Wydawca:: Ośrodek Badawczy Facta Ficta
Tematy:: recenzja
Film History as Media Archaeology
Thomas Elsaesser
Źródło:: Facta Ficta. Journal of Theory, Narrative & Media; 2019, 3, 1; 199-208
2719-8278
Pojawia się w:: Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Film History as Media Archaeology: Tracking Digital Cinema. By Thomas Elsaesser
Autorzy:: Kwiatkowski, Fryderyk
Powiązania:: https://bibliotekanauki.pl/articles/1964558.pdf
Data publikacji:: 2018
Wydawca:: Ośrodek Badawczy Facta Ficta
Tematy:: Film History
Media Archaeology
Thomas Elsaesser
Elsaesser
Źródło:: Facta Ficta. Journal of Theory, Narrative & Media; 2018, 2, 2; 205-211
2719-8278
Pojawia się w:: Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Interview: Film History as Media Archaeology
Autorzy:: Elsaesser, Thomas
Kwiatkowki, Fryderyk
Szymczak-Maciejczyk, Barbara
Powiązania:: https://bibliotekanauki.pl/articles/1964492.pdf
Data publikacji:: 2018
Wydawca:: Ośrodek Badawczy Facta Ficta
Tematy:: Media archaeology
early cinema
digital media
film
historiography
Opis:: The interview centres around Thomas Elsaesser’s book Film History as Media Archaeology and is divided into three thematic blocks. Focusing on the origins of the book and its composition in the first part, the discussion uncovers Elsaesser’s engagement in numerous research initiatives, teaching at the University of Amsterdam, and his contribution to the emerging area of early cinema studies. Further exploration of the latter gives an insight into his views on the development of the discipline and outlines his distinct position in the field of media history. The second part concentrates on Elsaesser’s approach to the study of cinema and its interaction with other media. With the discussion of study cases presented in the book, speakers explore the ways in which non-teleological models can enhance our knowledge of forgotten or obsolete technologies and their origins. Clarifying his position, Elsaesser shows how these approaches also transform our perception of contemporary media and their history, and how digital technology shapes our understanding and the use of past inventions. The conversation within this group of subjects also touches upon hazards and limitations of applying archaeological perspective to studying media history and moves to the speculations on the future of the archaeological approach in the humanities. In the third part, the interview shifts towards broader issues, in particular: the technological transformations in cinema over the last decade, the significance of digital devices in reconfiguring our relationship with the past, and the potential contribution of media archaeology to the development of non-linear historiographical models in scholarship.
Źródło:: Facta Ficta. Journal of Theory, Narrative & Media; 2018, 2, 2; 177-200
2719-8278
Pojawia się w:: Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:: Biblioteka Nauki

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