Wszystkie pola: Game Studies - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Formy tekstowości w grach wideo
Forms of Textuality in Video Games
Autorzy:: Wójcik, Tomasz
Powiązania:: https://bibliotekanauki.pl/articles/520062.pdf
Data publikacji:: 2016
Wydawca:: Ośrodek Badawczy Facta Ficta
Tematy:: video games
game studies
poetics of video games
poetics
Opis:: Reviewed book: Piotr Kubiński, Gry wideo: Zarys poetyki, Kraków: Universitas 2016, ISBN: 97883-242-2788-4
Źródło:: Creatio Fantastica; 2016, 3-4(54-55); 59-62
2300-2514
Pojawia się w:: Creatio Fantastica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Wyzwania cyfrowego rodzicielstwa. O Grach wideo w środowisku rodzinnym Damiana Gałuszki
Challenges of Digital Parenthood. On Damian Gałuszka’s „Video Games in Family Environment”
Autorzy:: Paprzycka, Anna
Powiązania:: https://bibliotekanauki.pl/articles/520020.pdf
Data publikacji:: 2018
Wydawca:: Ośrodek Badawczy Facta Ficta
Tematy:: game studies
video games
games in family environment
Damian Gałuszka
Opis:: Reviewed book: Damian Gałuszka, Gry wideo w środowisku rodzinnym. Diagnoza i rekomendacje, Kraków: Wydawnictwo Libron 2017, ISBN: 978-83-65705-37-2, pp. 253.
Źródło:: Creatio Fantastica; 2018, 2(59); 187-196
2300-2514
Pojawia się w:: Creatio Fantastica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Nomadyczność w cieniu Mordoru
Nomadicity in the Shadow of Mordor
Autorzy:: Alejski, Jakub
Powiązania:: https://bibliotekanauki.pl/articles/520028.pdf
Data publikacji:: 2017
Wydawca:: Ośrodek Badawczy Facta Ficta
Tematy:: video game culture
video game
video games
game studies
Deleuze
Deleuze and Guattari
Shadow of Mordor
role-playing games
Opis:: The article Nomadicity in the Shadow of Mordor analyzes the tools of reproducing ideologies in video games based on Tolkien’s legendarium, including Middle Earth: Shadow of Mordor (2014). Alejski tackles its mechanics using the concepts presented by Gilles Deleuze and Felix Guatttari—the nomadic thought and dynamics of relations between particular objects, such as territory, map and diagram during the gameplay. In order to identify these nomadic strategies occurring in the game, the processes of deterritorialization, the creation of maps and diagrams, and the ways of functioning in relation to these processes occurring in the game are taken under consideration. Alejski’s particular attention is dedicated to the categories of inhabitation and movement—both in the topological and ontological context. An important source of reproduction of nomadic thought described in the article is the so-called Nemesis system— a gameplay management module contained in the code of Middle Earth: Shadow of Mordor that allows new actors to join the game, enabling them to enter into relations not only with the user but also with each other. The operation of the Nemesis system brings together the potential of the agency of all actors involved in the game (including the user) and allows for decentralized and non-hierarchical production of the story.
Źródło:: Creatio Fantastica; 2017, 2(57); 93-103
2300-2514
Pojawia się w:: Creatio Fantastica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Thomas Elsaesser a studia filmoznawcze
Thomas Elsaesser and film studies
Autorzy:: Przylipiak, Mirosław
Powiązania:: https://bibliotekanauki.pl/articles/1964616.pdf
Data publikacji:: 2019
Wydawca:: Ośrodek Badawczy Facta Ficta
Tematy:: Thomas Elsaesser
film studies
media
studies
mind-game films
Opis:: Mirosław Przylipiak in his essay paints a comprehensive picture of Thomas Elsaesser’s professional development as a scholar of film and media studies. The paper also concentrates on his organizational activities, focused on promoting audiovisual culture, which unveil his broad intellectual pursuits. Przylipiak investigates Elsaesser’s academic background, drawing attention to his major areas of contribution to film studies: the history of German cinema, classical and post-classical American cinema, and film theory. With regard to the latter, the essay discusses Elsaesser’s original, multidisciplinary approach that combines various scholarly orientations in order to situate film within broader discussions in philosophy, anthropology, art history, media studies, and cultural studies. It highlights that Elsaesser creatively draws from many methods without fully subscribing to any of them, and in doing so he manages not to fall into theoretical contradictions. The article navigates the reader toward Elsaesser’s numerous organizational activities. It focuses on his institutional work which led to the establishment of several educational programmes and the creation of a book series dedicated to film and media at the University of Amsterdam. The paper then outlines Elsaesser’s contribution to the ongoing discussion on contemporary complex film narratives, which he called mind-game films. In this context, Przylipiak focuses on the issue of agency, as one of the dominant and recurring issues explored by Elsaesser in his large body of work on films, particularly with regard to his studies on mind-game films. The essay ends with reflections on Elsaesser’s philosophical understanding of film’s ontological status and his reflections on film studies as academic discipline.
Źródło:: Facta Ficta. Journal of Theory, Narrative & Media; 2019, 3, 1; 149-171
2719-8278
Pojawia się w:: Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:: Biblioteka Nauki

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