Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "krakowskie" wg kryterium: Temat


Wyświetlanie 1-7 z 7
Tytuł:
Mieczysław Ludwik Potocki - konserwator zabytków Galicji i historyk Zamościa
MIECZYSŁAW LUDWIK POTOCKI — MONUMENTS CONSERVATOR IN GALICIA AND HISTORIAN OF ZAMOŚĆ
Autorzy:
Sawa-Sroczyńska, Bogumiła
Powiązania:
https://bibliotekanauki.pl/articles/535666.pdf
Data publikacji:
1981
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Mieczysław Ludwik Potocki
konserwator zabytków Galicji
historyk Zamościa
Towarzystwo Naukowe Krakowskie
posąg Światowida
wieś Kociubińczyki
Opis:
Mieczysław Ludwik Potodci of Lubicz crest came from Bracław voivodship. Born in 1810 in Lwów he studied in Warsaw University and later fought in the November Uprising. For many years he ran Kociubińczyki, his Galician estate near Husiatyn. It was only by accident that he became member — correspondent of the Cracow Scientific Society. After handing over a statute of Światowid (a pagan deity) found in the waters of the Zbruch, M. L. Potocki started collecting coins and archaeological objects for his private „Museum of Antiques” . As a member of the Cracow Scientific Society he travelled a lot for scientific purposes in Lubelska Gubernyia and in Galicia. In 1864 M. L. Potocki was appoited monuments conservator in East Galicia and published several reports on conservation activities. He spent his last years in Lwów where he worked in the National Archaeological Museum. A year before his death M. L. Potocki was elected chairman of the section of archaeology and antropology. During his stay in Lubelska Gubemyia he decided to write a comprehensive monography (in two volumes) of the town and fortress of Zamość. The work was written finally in 1858—1862 and he wrote it together with Priest-Mikołaj Kulaszynski. Józef Friedlein, a Cracow book dealer, bought the manuscript from the author and wanted to have it printed but never fulfilled the task due to the shortage of funds. In 1926 Henryk Rosiński, a bibliophile from Zamość, bought the manuscript from Firedlein’s successor, Józef Munnich. After World War II and the aeath of Henryk Rosiński in Auschwitz, his sister passed on his collections including the manuscript to the Museum in Zamość, where it is still now.
Źródło:
Ochrona Zabytków; 1981, 3-4; 161-166
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zagadnienie dzielnic zabytkowych Krakowa
Autorzy:
Dziewoński, Kazimierz
Powiązania:
https://bibliotekanauki.pl/articles/535914.pdf
Data publikacji:
1955
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
zabytkowe dzielnice Krakowa
Kraków
krakowskie zabytki
dzielnice zabytkowe
zabytek urbanistyczny
badania nad zabytkami Krakowa
typy dzielnic zabytkowych
adaptacja zabytków
Źródło:
Ochrona Zabytków; 1955, 3; 141-150
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gotycka kamienica krakowska
Autorzy:
Jamroz, Józef St.
Powiązania:
https://bibliotekanauki.pl/articles/535798.pdf
Data publikacji:
1955
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
przebudowa gotyckiego wyglądu Krakowa
gotycka kamienica krakowska
zabudowa rynku w Krakowie
rekonstrukcja domów gotyckich Krakowa
kamienice krakowskie
typy klatki schodowej
Źródło:
Ochrona Zabytków; 1955, 4; 221-236
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zasoby, wartości i stan zachowania zabytków ruchomych Krakowa
THE RESOURCES, THE VALUES AND THE STATE OF PRESERVATION OF CRACOW’S MOVABLE CULTURAL PROPERTY
Autorzy:
Samek, Jan
Powiązania:
https://bibliotekanauki.pl/articles/538025.pdf
Data publikacji:
1972
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
zabytki ruchome na terenie Krakowa
własność zabytków ruchomych Krakowa
krakowskie kościoły zabytkowe
wyposażenie krakowskich kamienic
inwentaryzacja zabytków Krakowa
konserwacja zabytków ruchomych
Opis:
U n d e rta k in g his co n sid e ra tio n s on th e “mo v ab le cu ltu r a l p ro p e r ty ” p re s e n t in th e a re a of th e tow n of C ra cow th e a u th o r ex p la in s th e m e an in g of th is term. In th is co u n try th e p ro te c ted h is to ric a l m o n um en ts an d c u ltu ra l p ro p e r ty a re div id ed in to two categories, n am e ly th e s e immovable, as e.g. th e w o rk s of a rc h ite c tu re o r tow n p lan n in g an d th o se movable as, fo r in s ta n c e , th e a r c h ite c tu ra l d e ta ils, m u ra l p a in ting s, e a se l p a in tin g s , g rap h ic a rt, s c u lp tu re an d th e pieces of a rtis tic h a n d ic r a ft lik e th e g o ld sm ith ’s work, th a t of wood c a rv e r ’s, o r b la ck sm ith and s.o. As m ay be seen from th e above th e scope of th is d e fin itio n is one v e ry w id e and, fo r ex am p le , w ith in a n im m o v ab le o b je c t fo rmin g a s e p a ra te b u ild in g th e r e m ay be fou n d a n um b e r of mo v ab le objects, lik e doorways, window mouldings, th e stucco d e co ra tio n s a n d th e o th e rs. While s ta rtin g th e ir w o rk th e g ro u p of a r t h is to rian s h ad to d e te rm in e w h a t sets of mo v ab le m o n um en ts h a v e b e e n p re s e rv e d w ith in th e a re a of th e tow n of Cracow, fu r th e r to d e fin e th e ir resource, h is to ric a l or a r tis tic v a lu e , th e s ta te of p re s e rv a tio n , th e possibility of th e ir sa fe g u a rd in g an d mak in g th em accessible to th e public. T h e m a jo r p a r t of c u ltu ra l p ro p e rty was p re s e rv ed in s itu w ith in th e m o n a s te rie s an d ch u rch e s fo r whom th e y w e re fo u n d ed or designed. A c co rd in g to p re lim in a ry e stim a tio n s some 20,000 item s h a v e b e en p re s e rv e d among w hom a n um b e r of those counting to th e firs t and second class; only in th e Our Lad y C h u rch 1,823 o bjects we re p re se rv ed . S ev e ra l “movable m o n um en ts” a re p re s e rv ed a t b u rg h e rs ’ homes an d o th e r tow n houses w ith th e ir n um b e r am o u n tin g as high as to 6,000 objects. U n fo rtu n a te ly , u p to th e p re s e n t day th e o rie n ta tio n is la ck in g as to th e n um b e r of objects which a re still n o t covered w ith in v en to rie s or o th e r w ritte n reco rd s as th e y a re p re s e rv ed in g o v e rn am e n ta l agencies o r u n d e r th e g u a rd of v a rio u s societies an d associations. No in fo rm a tio n a t a ll is av a ilab le w ith re sp e c t to p riv a te collections. Only some 80 of th em h av e been reg iste red , h owever, it is a well known fa c t th a t th e r e e x is t a few h u n d re d of m a jo r or m in o r collections of p a in tin g s or h a n d ic ra ft w o rk s (weapons, numismatics, g la s sw a re etc.) of co n sid e rab le value. All th e a fo re - m en tio n ed w o rk was u n d e rta k e n in connection w ith p re p a ra tio n s to p u b lish th e “C atalogue of C u ltu ra l P ro p e rty in th e Town of C ra cow ”. This in tend ed m u lti-v o lum e , illu s tra te d p u b lic a tio n will be p rin te d u n til 1976. A n um b e r of co n se rv a tio n cards w e re p re p a re d conta in in g th e basic d a ta re la tin g to a given movable o b je c t th a t comprise th e d e te rm in a tio n of style, dating, a sh o rt d e sc rip tio n (m a te ria l, dimensions, re fe ren c e s, illu s tra tiv e sources) an d also th e a ssessm en t of ac tu a l s ta te of p re s e rv a tio n . The w orks connected w ith p re p a ra tio n of “movable m o n um e n ts” a re designed fo r a couple of y e a rs an d d a ta h av e a lre a d y been collected w ith concern to a b o u t 80 p e r c en t of th e re so u rc e a t hand.
Źródło:
Ochrona Zabytków; 1972, 3; 183-189
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z problemów odbudowy elementów dawnego miasta w Warszawie
Autorzy:
Kuzma, Mieczysław
Powiązania:
https://bibliotekanauki.pl/articles/537771.pdf
Data publikacji:
1948
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
zachowanie cennych wartości starego miasta
dawny układ sieci ulicznej
plan Tiregaille’a
ulica Nowoświecka
Nowy Świat
Krakowskie Przedmieście
kościół św. Krzyża
prostowanie zabudowy
barokowa kompozycja fasad kościołów
obraz Canaletta
Źródło:
Ochrona Zabytków; 1948, 3-4; 159-163
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Secesyjna stolarka drzwi zewnętrznych w Krakowie
The Art Nouveau Woodwork of Outer Doors in Cracow
Autorzy:
Janicka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/537187.pdf
Data publikacji:
2001
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
secesyjna stolarka drzwi zewnętrznych w Krakowie
secesyjna stolarka drzwiowa
Kraków
secesyjna elewacja
krakowskie budowle secesyjne
secesyjne drzwi
konstrukcja drzwi secesyjnych
kompozycje skrzydeł drzwi secesyjnych
dekoracje drzwi
prześwity drzwi
nadświetla drzwi
Opis:
Numerous elevations of Cracow town houses from the turn of the nineteenth century have lost their original character. One of the still preserved architectonic elements of the façades are historical doors. The old woodwork has been irreplaceably destroyed due to incompetent repair or the replacement of original doors with contemporary counterparts. The characteristic features of Art Nouveau doors in Cracow town houses include a great variety of construction solutions, plastic forms and types of decoration motifs. The doors possess a loom construction (with a tenoned transom bar) located behind the break jamb, and installed by means of a hook, a bolt or a flat bar. In 69 cases we are dealing with left-wing doors, and only in a single instance are the doors right-wing. The skylights and windows are, as a rule, arranged in a loom pattern behind the break jamb, and only sometimes do they have rebate and semi-permanent frames. The door wings represent a frame-panel construction, with the panel sunk in from the inner side along the perimeter, and the double panel with an indirect rail sunk into into the wing frame. The compositions of the wings in Art Nouveau doors in Cracow are strongly associated with tendencies predominant in art at the beginning of the twentieth century. Traits typical for that period include the application of such means of expression as a fluid undulating line with gentle modelling or a flat sphere with geometricised forms. Due to their composition expression, the doors in question can be divided into three groups: with curvilinear, rectilinear and mixed forms. The first group is composed of doors with a prevalence of fluid and “rigid” configurations, while the group with rectilinear forms is distinct for radiant shapes with right and slant angles. Taking into consideration the composition configurations and stylistic solutions employed for designing Art Nouveau door woodwork, the doors can be ascribed, with a great dose of probability, to a concrete architect. Particular attention is due to Henryk Lamensdorf, Bieniamin Torbe and Jan Zawiejski, chiefly owing to the artistic level of the designs, their individual composition style, and care for preserving a diversity of composition forms. Decorative arrangements occur mainly on the wings, cover strips and transom bars. The themes of the embellishment motifs include predominantly stylised plants, naturalistic floral forms and geometrical depictions. The profiles of the frames, bars and the sashes of the skylights and the windows assume rectilinear and curvilinear forms, usually as a series of bandages, cavettos or offsets. Technical analysis demonstrates considerable neglect of all the components of historical doors. Typical devastation of the woodwork affected the lower parts of the wings and the timber at the level of the handle, caused by the installation of interphones. The most frequently missing elements include window bars, metal grating and door hardware, especially handles and a signboards. Finally, extensive destruction occurs in the case of the original glazing, supplemented by unsuitable material. In her work on premises for a conservation programme, the author took into account, first and foremost, the historical values of the given object conceived as a document, which exerts a great impact on leaving the authentic object in its place. Just as significant are the aesthetic qualities, decisive for the removal of secondary supplements and the reconstruction of the missing fragments in accordance with the technology and style of the door. In view of the criterion of the utilitarian qualities of the monument, and thus the fulfilment of contemporary requirements as regards exploitation and technology, it is necessary to reconstruct the fittings and to adapt them to modern interphones.
Źródło:
Ochrona Zabytków; 2001, 4; 345-356
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-7 z 7

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies