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Tytuł:
Cerkiew w Świątkowej Małej
AN ORTHODOX CHURCH AT ŚWIĄTKOWA MAŁA
Autorzy:
Kiełboń, Czesław
Powiązania:
https://bibliotekanauki.pl/articles/536118.pdf
Data publikacji:
1982
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
cerkiew łemkowska
Opis:
The orthodox church is situated on the territory of Krępna commune in Krosno district. The author describes in details this wooden monument of sacred art, with a very rich decor of the interiors, dating back to the 17th century. Of particular note is worthy the icon depicting the Last Judgement, from 1651. According to the author the structure was built in 1762, with some parts being older than that. The communique is concluded with a concise chronicle of conservation works carried out on the building in previous years. In the mid-fifties the church was adapted to satisfy the requirements of the Roman-Catholic rituals.
Źródło:
Ochrona Zabytków; 1982, 3-4; 227-229
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z badań lubelskiej Pracowni Dokumentacji Naukowo-Historycznej PKZ nad budownictwem drewnianym w województwie rzeszowskim
FROM INVESTIGATIONS ON WOODEN BUILDINGS IN RZESZÓW VOIVODSHIP CARRIED OUT BY SCIENTIFIC-HISTORICAL DOCUMENTATION DEPARTMENT OF THE LUBLIN HISTORICAL MONUMENT CONSERVATION ATELIER
Autorzy:
Michalczuk, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/537290.pdf
Data publikacji:
1970
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
budownictwo drewniane w woj. rzeszowskim
cerkiew w Krempnej
typ łemkowski
cerkiew w Smolniku
Opis:
In his article the author deals with works on documentation for the wooden building monuments in the Rzeszów Voivodship area which are actually carried out by the Scientific-Historical Documentation Department of the Historical Monument Conservation Atelier in Lublin. More detailed attention is paid by the author to problems, and especially that of dating, of the wooden orthodox uniate church at Krempna, Jasło district, as he himself collaborated in preparing of its historical documentation. The need for a more tight co-operation between the historian-documentalist and the architect and builder is emphasized in conclusion.
Źródło:
Ochrona Zabytków; 1970, 3; 225-228
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Badanie zapraw budowlanych cerkwi w Tmutarakaniu i Kerczu oraz soboru w Kijowie
RESEARCH ON THE MORTARS OF THE ORTHODOX CHURCHES IN TMOUTARAKAN, KERCH AND KIEV
Autorzy:
Znaczko-Jaworski, Igor L.
Powiązania:
https://bibliotekanauki.pl/articles/536735.pdf
Data publikacji:
1977
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
cerkiew w Tmutarakaniu
zaprawy budowlane
zaprawy wapienne
cerkiew w Kerczu
skład chemiczny zapraw
Sobór Zaśnięcia Matki Boskiej w Kijowie
Opis:
The author — an expert associated with the USSR Academy of Sciences — deals with the results o f the analysis of the mortars sampled in the Orthodox Church at Tmoutarakan (Tamansky Peninsula) dating from 1023, that at Kerch — built in the beginning of the 10th century, and o f the one in Kiev, erected in the years 1073—1078. On the basis of the findings o f the research discussed — in the course o f which the chemical structure of the mortars was compared and also their content of, respectively, calcium and magnesium carbonate, etc. — the author has classified the examined mortars in consonance with the standards binding in the Soviet Union. The research has revealed an affinity of the mortars of the Orthodox Churches in Tmoutarakan and Kiev and a different character of that sampled at Kerch what results from the composition of the local limestone deposits and identical, or different, methods of mortar production. Now, the high quality of the mortars once used in Kiev was due to the correct proportions o f calcareous cement and crushed brick sand, observed in their preparation.
Źródło:
Ochrona Zabytków; 1977, 3-4; 154-157
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Odkrycie najstarszej datowanej drewnianej cerkwi w Ukrainie
Finding of the oldest dated wooden church in Ukraine
Autorzy:
Slobodian, Vasyl
Powiązania:
https://bibliotekanauki.pl/articles/536838.pdf
Data publikacji:
2014
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
architektura cerkiewna
cerkiew
architektura drewniana
Stara Skwarzawa
Ukraina
Opis:
The article presents the circumstances of finding the oldest wooden tserkva in Ukraine, in the village Stara Skvaryava near Zhovkva. The finding was made on the occasion of creating documentation of the renovation of that disused church. The oldest references to the village Skvaryava come from 1515, and to the church itself – from 1578. The subsequent broader information regarding the church appeared in the 18th century protocols of parish visitation. The protocols contain also information about moving the church from Glinsk to Stara Skvaryava in 1715. That building is identified as a wooden single domed eastern type church from the 16th century on the basis of an analysis of sources. Along with the church, an iconostasis with icons from various periods was moved to Stara Skvaryava. Its oldest part was probably made by the masters from Przemyśl in the 16th century, and the other parts in the 17th and 19th century. The protocol of a Dean’s visitation of 1792 informs that the church was restored at the end of the 18th century. From 1947 to 1989 the church was closed. Opened in the early 1990s, it was used until completion of construction of a new brick church in 1995. The monument, abandoned since then, needed an urgent renovation. According to some sources, the currently existing wooden church was built in 1820. However, the earlier origin of the church can be confirmed by the window openings typical of the beginning of the 18th century. The discovery in 2008 of the inscriptions on the wall of the nave: „АФИ” and „ѿ АѰ Сей цркви С лѣтъ без осми”, allows unambiguously to date the church at 1508 and confirms the information of its moving from Glińsk. The celebrations of the quincentenary of the church on Michaelmas in 2008 became a true feast for all inhabitants and unified them in the pursuit of preservation and restoration of the original look of the church. In spring 2009 renovation works began and were continued in the next years when financial resources were available. Taking into consideration a unique character of the church and its original equipment, as well as the fact that this is the oldest Ukrainian wooden eastern type church with a known date of construction, it is necessary to aim at listing it in the National Register of Cultural Heritage of Ukraine.
Źródło:
Ochrona Zabytków; 2014, 1; 75-87
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Odkrycie malowideł ściennych w cerkwi "Spasa na Bieriestowie" w Kijowie
THE DISCOVERING OÇ MURAL PAINTINGS IN THE ORTHODOX CHURCH OF „SPAS NA BERESTOV YE” (THE SAVIOUR CHURCH AT BERESTOVO), KIEV, USSR
Autorzy:
Babiuk, Włodzimierz
Kolada, Jurij
Powiązania:
https://bibliotekanauki.pl/articles/535149.pdf
Data publikacji:
1973
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
cerkiew „Spasa na Bieriestowie”
malowidła ścienne w cerkwi w Kijowie
cerkiew p.w. Zbawiciela w Kijowie
fresk „Obfity połów ryb”
Opis:
Th e au th o rs giving a sh o rt h is to ric a l su rv ey of th e o rth o d o x ch u rc h of th e S a v io u r in Kiev supply a d e sc rip tio n of an a c c id e n ta l discovery of m ed iev a l m u ra ls d u rin g th e re p a irs m ad e in th e beg in n in g s of th e p re s e n t c en tu ry . The th e n discovered m u ra l p a in tin g s w e re su b je c ted to co n se rv a tio n a lre ad y d u rin g th e p e riod b e tw e en th e tw o w o rld w a rs, h owever, it was only in 1970 th a t a sy s tem a tic course of re s to ra tio n a n d co n se rv a tin g tr e a tm e n ts h av e b e en s ta rte d . The sou n d in g in v e s tig a tio n s allowed to sta te th a t th e tw e lf th -c e n tu ry frescoes a re covered by a p a in te d laye r coming from th e 17 th -cen tu ry th e a re a of w h ich ran g e s to some 100 m2. Towa rd th e end of 1971 a b o u t o n e -fifth p a r t of th e s e v e n te e n th -c e n tu ry frescoes w a s removed an d re lin e d onto new support. The th u s d iscovered p ic to ria l composition of sa c red c h a ra c te r p re s e n ts th e scene of „A b u n d an t Fish H a rv e s t”. T h ough th e a u th o rs give an ex h a u s tiv e de sc rip tio n of those m ed iev a l p a in tings th e y do not supply any in fo rm a tio n w ith re g a rd to me th o d s ap p lied in co n se rv a tio n of th e old R u th e n ia n p a in tin g s . The w o rk s a re still in th e course. Th e se v e n te e n th -c e n tu ry frescoes th a t a re cu t off from th e p la s te r lay e r an d tr a n s fe r re d onto th e n ew su p p o rt a re tem p o ra rily e x h ib ite d in po rch of th e S a v io u r’s o rth o d o x ch u rch , Kiev.
Źródło:
Ochrona Zabytków; 1973, 1; 62-65
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Spalona cerkiew z Hulcza i grupa cerkwi tomaszowsko-hrubieszowskich
THE BURNT-DOWN UNIATE ORTHODOX CHURCH AT HULCZE AND A GROUP OF THE UNIATE ORTHODOX CHURCHES IN TOMASZÓW-HRUBIESZÓW REGION
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/537944.pdf
Data publikacji:
1974
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
drewniane zabytki woj. lubelskiego
drewniana architektura sakralna
cerkiew z Hulcza
cerkwie grupy tomaszowsko-hrubieszowskiej
cerkiew z Hrebennego
pożary w zabytkach drewnianych
Opis:
In the south-eastern part of vaivodship of Lublin, and, to be more accurate, within the areas of Tomaszów and Hrubieszów districts and partly in Zamość district may be encountered a group of timber-constructed Uniate orthodox churches characteristic of their specific architectural features which are greatly differing from those present in architecture of orthodox churches in the neighbouring areas. The most ancient sacred buildings of that group are dating from the mid-seventeenth century while those most recently built, from the years ending the nineteenth century. They all were erected as those clearly divided into three parts in their general plans, namely that of sanctuary, nave and a part designed for the feminine worshipers and, in addition, with a strong emphasis on the nave forming both in plan and in the outer shape of the whole building its clearly discernible central portion. The above Uniate orthodox churches are, furthermore, characteristic of considerable heights of their outer walls which the impression cannot be obscured even by a strong enough horizontal accent formed by the overhanging eaves running around the building. Due to the separate roofings applied in all the three main portions of the building and having the shape о-f three domes or a dome crowning the nave and two gable roofs covering the two remaining parts and also owing to the strictly observed rule that the nave should always dominate over the other two portions have been more still emphasised not only the central nucleus and the symmetry of the whole structure but, at the same time, through this perpendicular accentuation of its separate portions was considerably strengthened an impression of its height. Both magnitude, but at the same time a certain tallness of solids of these Uniate orthodox churches seem to be even more striking features in the triple-dome buildings. For special attention deserve the two different, with concern to height, ways that were usually applied for shaping 'of carcasses of these sacred buildings which are either differentiated, i.e. these of nave walls are higher and thus dominating over those of the other two portions (normally having the same heights), or are of the same height in all the three portions of the building and are ending with a common cornice. Buildings in their first version are mainly to be found in the area of Tomaszów district and the so designed objects exibit an unbroken traditional continuity in their forms dating from the mid-seventeenth century until the first quarter of the nineteenth century. Designs representing the second version are grouped in the area of Hrubieszów district and their preserved and well known examples are dating from the nineteenth century. The burnt-down (due to the faulty electrical installation) Uniate orhodox church at Hulcze (erected in 1869) constituted one of the outstanding examples of the „Hrubieszów versionb of that group. The until now gathered documentation allows to state that the territorial range of the timber-constructed Uniate orthodox churches belonging to Tomaszów-Hrubieszów group is covering the territory of the neighbouring deanships of the former Uniate diocese of Chełm and also that the local building tradition was continued throughout the period from the first half of the 17th century until the years ending the 19th century. This tradition must have been one strong enough if even after the abolition in (1875 by the tzarist authorities of the Uniate diocese and after introducing of the orthodox rite lit was able to prevent the penetration of foreign influences which the fact is apparently evidenced by orthodox churches erected after 1875 and planned for the Russian-type liturgy who, however, preserved their former character.
Źródło:
Ochrona Zabytków; 1974, 1; 38-44
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Drewniana cerkiew w Kulasznem : z materiałów IS PAN do inwentarza drewnianej architektury sakralnej w Polsce
THE WOOD-CONSTRUCTED ORTHODOX CHURCH AT KULASZNE, RZESZÓW VOIVODSHIP
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/537934.pdf
Data publikacji:
1975
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
drewniana cerkiew w Kulasznem
wschodni typ cerkwi łemkowskich
Kulaszne
Opis:
The orthodox church of St. Nicolas the Bishop at Kulaszne that is being dealt with in the present report was totally destroyed by fire in 1974. In view of a wide range of research problems associated with it the author considered it necessary to publish a set of materials concerning the above object. Within the first part of publication the archival, bibliographic and illustrative sources are presented then a full description of the object itself and the state of investigations is reported from which it follows that this church has been erected in 1883—1912 on a site occupied previously by another, earlier built church. The newly built church was erected with the use of carcass construction based on a stone sill. It was covered with gabled roofs provided with turrets and a lantern. The plan was divided into three clearly separated bodies with a porch and sanctuary enclosed at three sides. The ceiling was covered with figurai paintings dating from the time of erection. It was the most lately erected church within the space of the Osława Valley at the same time representing one of the last links in a chain of the so-called eastern-type orthodox churches on the territory of an ancient Lemki culture. As its prototype may, among others, be considered the orthodox church at Komańcza (1802—1836). That type of orthodox churches has developed in the first Quarter of the 19th century.
Źródło:
Ochrona Zabytków; 1975, 2; 132-136
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W sprawie zabytkowej drewnianej architektury cerkiewnej powiatu Tomaszów Lubelski
ON THE NEED OF PRESERVING THE HISTORICAL ORTHODOX CHURCHES IN TOMASZOW LUBELSKI DISTRICT (POLAND)
Autorzy:
Brykowski, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/536150.pdf
Data publikacji:
1972
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
drewniana architektura cerkiewna
cerkwie woj. rzeszowskiego
cerkiew w Korczminie
cerkiew Michała Archanioła w Wierzbicy
dzwonnica cerkiewna w Machnowie
cerkwie pow. Tomaszów Lubelski
Opis:
This article was prepared as a result of field surveys carried out in the years 1970—1971 as a part of work on documentation of the wood sacred buildings which is conducted by the Institute of Art of the Polish Academy of Sciences and is supplemented by data taken from the “Catalogue of Monuments of Art in Poland” which were collected in 1954—1955. The author points to the deplorable state of preservation of the orthodox churches in territories of the Lublin and Rzeszów Voivodships. These objects, already considerably damaged by natural wear and entirely deprived of protection are very fastly turning into ruins. It may be expected that within a relatively short period of time, unless suitable measures will be taken, it will come to a total disappearing of objects belonging to this category of wood-constructed buildings. The data characterizing the number of orthodox churches in the first post-war years, when confronted with those pertaining to the actual state are best illustrating this disastrous situation. As an excellent annex to the article may be regarded the attached “Description of the wood-constructed orthodox churches and belfries that are endangered or have been demolished in Tomaszów Lubelski District”. In his attempt to find an answer to the question what should be done to stop the disappearance of the wood-constructed sacred buildings in this country the author puts forward a proposal that the most representative objects should be transferred to open-air museums of wood building. In addition, he is of opinion that the problem deserves to be popularized among both local authorities and communities. One form of their protection and preservation could consist in their adaptation to modern requirements or their overhanding to administration of the Roman Catholic Church, of schools etc. For objects whose preserving has already become impossible should be prepared a full documentation in form of inventorying surveys, drawings and photographs, thus allowing to obtain the only means forming an evidence of their existence. Such measures, however, are to be considered as the last extremity. It must be borne in mind that every historical monument being a specimen of cultural property and a witness of the past periods of the Polish culture should be preserved at any cost for the forthcoming generations.
Źródło:
Ochrona Zabytków; 1972, 4; 276-285
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jasina – cerkiew Strukowska z Listy UNESCO na tle innych świątyń huculskich
Yasinia – the Strukivska tserkva from the UNESCO World Heritage List compared to other Hutsul temples
Autorzy:
Witkowski, Włodzimierz
Powiązania:
https://bibliotekanauki.pl/articles/535679.pdf
Data publikacji:
2015
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
cerkiew huculska
cerkiew drewniana
architektura drewniana
Jasina
Huculszczyzna
Zakarpacie
Lista światowego dziedzictwa
UNESCO
Hutsul tserkva
wooden tserkva
wooden architecture
Yasinia
the Hutsul Land
Transcarpathia
UNESCO World Heritage List
Opis:
In 2013, the tserkva dedicated to the Ascension, and traditionally called the Strukivska tserkva, in Yasinia, in the district of Rakhiv, in the Transcarpathian area, in the Hutsul Lands, was inscribed on the UNESCO World Heritage List, together with fifteen other wooden tserkvas in Polish and Ukrainian Carpathian region. Due to his long-lasting supervision over inventory measurements of the Hutsul folk architecture and wooden sacred architecture in the Hutsul Lands and in the Pokuttya region, the author makes a detailed presentation of this temple, which is known in Poland mainly in tourist and sightseeing circles, and compares it with other Hutsul tserkvas with similar plan characteristics. The article contains presentation of the history of this tserkva, which was built in 1824. Its traditional name is supposed to originate from the surname of a Hutsul shepherd, Ivan Struk, who probably founded it as a votive offering for a miraculous rescue of a flock of sheep in winter, which is a theme of a legend that is popular in this part of the Hutsul Lands. On the basis of the field studies that – among others – resulted in making measurement documentation by architecture students from the Lodz University of Technology, under the supervision of the author, there are discussed characteristics of the log construction, with consideration given to the use of squared timber, corners with dovetail joints and cut endings of logs, which is common among others in wooden sacred architecture in the Transcarpathian area, but more seldom in the Galician Hutsul Lands. The temple has no choir gallery over the vestibule for women, which is atypical in Hutsul tserkvas, yet here it is a result of very small sizes of the object. In the tserkva there has been preserved a valuable baroque iconostasis, unfortunately with icons that have been painted on the former paintings recently. A high artistic value is represented by a few other elements of the decor: single icons, processional crosses and banners. Another interesting element is a severe decoration of wooden construction arches at the junction of nave square and side arms, with the characteristic wooden volutes, which is unique for the Hutsul Lands but known for example in the Podhale region. It is one of the two tserkvas of the Hutsul type situated on the South of the Carpathian arch. Other wooden tserkvas in this area belong to totally different types of spatial forms, which are not related to the Hutsul Lands. Due to its plan and shape the one-dome Strukivska tserkva may be classified to the group of a dozen or so recognised wooden temples mainly from the Galician Hutsul Lands and the Pokuttya region that are based on a spatial pattern of a central building on the Greek cross plan, which is composed of five squares, with the middle one being bigger than the remaining ones. This group may comprise both elder (the end of the 18th c. – the beginning of the 19th c.) traditional one-dome Hutsul tserkvas, such as: Deliatyn (1785, extended in 1894, 1902, 1911- -1912), Velyka Kam’yanka (1794), Zelena, the district of Nadvirna (1796, later extended), Zhabye Slupeyka (about 1800, extended in 1850, does not exist), Dora (1823, extended in 1844), Lojeva (1835), Bili Oslavy (called the lower one, 1835), and fivedome objects from the 2nd half of the 19th c.: Tlumachyk (1852, does not exist), Knyazhdvir (1864, does not exist), and Havrylivka (1862, not examined by the author yet), and also the threedome tserkva in Hvizdets (1855), in which the side arms are narrower (rectangular, not square). Whereas, three temples from the parish of Mykulychyn, designed by professionals: Mykulychyn (1868, designed by the architect J. Czajkowski), Tatariv (1912, designed by the architect Franciszek Mączyński from Cracow, polychromes made by the painter Karol Maszkowski, also from Cracow) and Polyanytsya Popovichivska (1912, does not exist), the so called new tserkva in Vorokhta (the 30s of the 20th c.), the tserkva in Zarichchya (1943, designed by the architect Lev Levyns’kyi), are creative interpretations of the original pattern. The two latter ones may be classified simultaneously to a large group of tserkvas in the national Ukrainian style. Similar characteristics are probably to be found in the tserkva in Tysmyenichany (1865), not examined by the author yet. A few tserkvas were extended from the classic three-part plan to the ‘cross’ plan with an enlarged nave square by means of adding side arms; for example: Krasne, the district of Rozhniativ, earlier the county of Kalush (about 1840, extended, 1899 rebuilt) and Chornyi Potik, (the 19th c?). The Strukivska tserkva is decidedly the smallest one in the discussed group (side of the nave log construction is about 5 metres long), which may be explained by the fact that it was a private, peasant foundation. Tserkvas that belong to the pattern described above are situated in a quite compact group in a relatively small geographical area, which may be basically associated mainly with the upper Pruth valley from Vorokhta to Zabolotiv. Some of them are located by roadsides that lead to major tracts or to the Pruth valley. The river and trade routes at its banks contributed to spreading of the pattern, yet it did not spread beyond these tracts. Maybe, in the course of some further studies in the areas of Pokuttya, at the North of the Pruth river, which have been less explored yet, it will happen to find some other examples of objects with the same original plan. The pattern of the tserkva at the Greek cross plan with enlarged nave square was present (though very rare) not only in other regions of former Galicia, but also in Northern, middle, and Eastern lands of Ukraine. However, tserkvas of this type did not exist in a compact group in such a small area as in the discussed region of the Hutsul Lands and Pokuttya. Due to its morphology the group described as the cruciform tserkvas with enlarged nave square presents a set that may be distinguished from the remaining types of wooden temples in the Hutsul Lands and Pokuttya, and may be referred to as Western or – to be more precise – North-Western type the Hutsul wooden tserkva with two variants and older and younger variations. It is not only the fact of identical scheme of groundfloor plan and similar sizes that is significant here, but also the time when the temples were built (the end of the 18th c. – the beginning of the 2nd half of the 19th c.). An additional fact that in this area there were built a few other tserkvas the forms of which present an interpretation of the original pattern indicates that the pattern was so marked in the described area that it was also observed by professionals, who as early as in the 2nd half of the 19th c. and the beginning of the 20th c. wanted to respect consciously the local building traditions, which presented an inspiration for them. The Strukivska tserkva in Yasinia constitutes a very important element in this interesting group of temples. It is an ‘import’ of the pattern of ‘cruciform’ tserkva from the Galician Hutsul Lands to the Transcarpathians. It was built at the same time when the model of ‘cruciform’ tserkvas with enlarged nave square was spreading to the North from the main Carpathian arch. It represents a high level of building technique, with some distinct features that were characteristic of the area. It has been preserved in a relatively pure form, not ‘spoiled’ (as some other Hutsul tserkvas) with extending, rebuilding, or changing materials for covering walls and roofs. At present, it does not demand any important conservatory works. The inscription of this tserkva on the UNESCO World Heritage List seems thoroughly justified. In the group of eight Ukrainian wooden tserkvas that are inscribed on the List, as many as two come from the Hutsul Lands and Pokuttya, which is a clear evidence for the role of this region for the Ukrainian culture. Translated by Joanna Witkowska
Źródło:
Ochrona Zabytków; 2015, 2; 7-39
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prace rekonstrukcyjno-konserwatorskie na Kremlu Moskiewskim
Autorzy:
Żurowski, T.
Powiązania:
https://bibliotekanauki.pl/articles/538568.pdf
Data publikacji:
1956
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Kreml moskiewski
prace konstrukcyjno-restauratorskie na Kremlu w Moskwie
Cerkiew Wasyla Błogosławionego
odbudowa Kremla
Źródło:
Ochrona Zabytków; 1956, 3; 202-204
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problemy i tendencje ochrony zabytków sakralnych na Ukrainie
Issues and tendencies of protecting historic religious buildings in Ukraine
Autorzy:
Gerycz, Włodzimierz
Powiązania:
https://bibliotekanauki.pl/articles/539106.pdf
Data publikacji:
2010
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
Żółkiew
zabytki sakralne
architektura sakralna
Ukraina
architektura drewniana
cerkiew
ikonostas
ikony
Lista Światowego Dziedzictwa UNESCO
Opis:
Since time immemorial Ukraine has been the center of Eastern Christianity. Many temples were built in Kiev and towns nearby. The ones which survived until this day are treated as the most valuable national historic objects. In the whole country, despite the fact that religious life was being ruined in various periods, especially in the east during Soviet times, many religious historic objects exist. After Ukraine regained independence, the number of voices favoring the protection of cultural heritage began increasing. An appropriate legislation system was created, the state and individual regions readily started joining in to protect and restore historic objects, believers commenced helping with the work related with religious objects. Many good examples of church, orthodox church, monastery and wooden religious architecture restoration can be given. However, the consciousness of congregations and the representatives of the clergy is not always at theappropriate standard. Frequently, the urge to make a profit, the use of wrong technology, or the dishonesty of contractors lead historic objects – the witnesses of our history – to destruction. To improve the level of protection of historic religious objects, the dialogue between society and the clergy has to be broadened, specialists’ activity in the field must be supported, and legalregulations need to be refined.
Źródło:
Ochrona Zabytków; 2010, 1-4; 7-15
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Drewniana cerkiew połemkowska w Stawiszy
Autorzy:
Brykowski, Ryszard
Chrzanowski, Tadeusz
Powiązania:
https://bibliotekanauki.pl/articles/537039.pdf
Data publikacji:
1967
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
drewniana cerkiew w Stawiszy
pożar cerkwi w Stawiszy
budowla łemkowska
ikonostas cerkwi w Stawiszy
ogrodzenie zrębowe
Źródło:
Ochrona Zabytków; 1967, 3; 59-66
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 25

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