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    Wyświetlanie 1-3 z 3
    Tytuł:
    Zabytki w kompetencji samorządów?
    Historical Monuments in the Competence of Self-governments?
    Autorzy:
    Makowiecki, Ryszard
    Powiązania:
    https://bibliotekanauki.pl/articles/537683.pdf
    Data publikacji:
    2001
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    dobra kultury
    ustawa o ochronie dóbr kultury
    obowiązki i prawa samorządów wobec zabytków
    zadania gmin wobec zabytków
    samorządy a zabytki
    analiza stanu prawnego ochrony zabytków
    Opis:
    In the face of the progressing transference of rights and duties to self-governments we may expect that soon they latter will be burdened with greater privileges are regards undertakings connected with the protection of historical monuments. The author underlines that this process calls for flexibility: it is impossible to ascribe identical tasks to all self-governments. The range of the rights and duties of particular self-governments should stem from their staff and financial potential as well as the degree of familiarity with cultural property in a given area. With few exceptions (the largest cities) the preparation of self-governments for a proper realisation of tasks must take years, and a one-time introduction of a uniform system of obligations on a national scale would be highly unsuitable. It is important that the right to decide about historical monuments be given to qualified persons and not to offices.
    Źródło:
    Ochrona Zabytków; 2001, 2; 175-177
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Popiersie cesarza Hadriana ze zbiorów antycznych Muzeum Narodowego w Poznaniu - problematyka badawcza i konserwatorska
    A Bust of Emperor Hadrian from the Antique Art. Collections of the National Museum in Poznań — Research and Conservation
    Autorzy:
    Wiatr, Grzegorz
    Powiązania:
    https://bibliotekanauki.pl/articles/535710.pdf
    Data publikacji:
    2001
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    antyczne popiersie
    zbiory antyczne Muzeum Narodowego w Poznaniu
    Muzeum Narodowe w Poznaniu
    popiersie cesarza Hadriana
    cesarz Hadrian
    rzeźba antyczna
    rekonstrukcja rzeźby
    konserwacja marmurowej rzeźby
    konserwatorska analiza stanu zachowania
    zabytki sztuki starożytnej
    Opis:
    The sculpture depicting the bust of emperor Hadrian owes its present-day appearance to eighteenth-century restoration. The object is composed of 27 fragments, both classical and modern. Only the upper part of the face comes from the bust of H adrian; the rest including parts originating from other classical sculptures, was added. Each part represents a different iconographie type; hence, the numerous redesigns. The shape of the parts was adapted in such a manner so as to render the sculpted form a certain logical form. The elements w ere connected by means of rosin and steel, cast dowels. The whole sculpture was impregnated by means of a resin-wax mass. The object has survived in an unsatisfactory state, with the classical parts representing the worst condition. Their surface, apart from numerous mechanical damage, disclosed a considerable loosening of cohesion between minerals and in certain places a disintegration of the stone (saccharation).
    Źródło:
    Ochrona Zabytków; 2001, 3; 309-316
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Popiersie Rzymianki ze zbiorów antycznych Muzeum Narodowego w Poznaniu - problematyka badawcza i konserwatorska
    A Bust of a Roman Woman from the Antique Art Collections of the National Museum in Poznań — Research and Conservation
    Autorzy:
    Żegnałek, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/539160.pdf
    Data publikacji:
    2001
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    antyczne popiersie Rzymianki
    zbiory antyczne Muzeum Narodowego w Poznaniu
    Muzeum Narodowe w Poznaniu
    portrety kobiece z czasów Trajana
    portrety Trajana
    cechy starożytnych popiersi
    konserwacja marmurowej rzeźby
    niewłaściwe metody konserwatorskie
    konserwatorska analiza stanu zachowania
    rzeźba antyczna
    rekonstrukcja rzeźby
    Opis:
    The discussed bust of a Roman woman is composed of three parts: the head made of white fine-crystalline metamorphic marble, a bust made of volcanic tuff with a facing of colourful plates of limestone (breccia), imitating the folds of the gown and a base made of grey-blue fine-crystalline metamorphic marble. An iconographie analysis undermines the classical origin of the head and the bust. Formally, the head refers to female portraits from the era of Traianus. The bust has no analogy in that period and is regarded as modern. The micro- and macroscopic observation of the damage displayed by the object, observation in UV light, and the outcome of the examination of primary and secondary material cast additional light on studies on the object in question, conducted within the range of the history of art and the history of conservation. Former renovation of the head (probably chemical cleaning followed by polishing the surface) changed the sculpted form of the face. The range and type of damage of the head have no counterparts in the bust, which means that we are dealing with totally distinct and subsequently matched parts of the bust, differing as regards the time of their origin and history. Research based on iconographie analysis, studies concerning material as well as the range and type of damage mean that we should not exclude the possibility that the head is classical and could have originated in second century A. D. The bust is certainly later and, by referring to the history of the object, should be dated as eighteenth-century. The interesting and untypical conservation problem consisted of considerable gaps in the coloured facing imitating the folds of the gown. A reconstruction of the arrangement of the missing folds called for becoming acquainted with copious illustrations and devising a typology of the design of folds in the costumes of classical female busts. The emuing reconstruction was based on a multi-strata technique, based on epoxide resins; the outer layer was reconstructed with the help of HXTAL NYL-1 optically durable resin together with fillers. The appearance of the structure of the mssing facings was achieved by mixing suitable coloured putty, depending on the imitated breccia, and by using painting techniques on the surface of the putty after its binding.
    Źródło:
    Ochrona Zabytków; 2001, 3; 299-308
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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