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Tytuł:
Book review : Sover, Arie (2021). Jewish Humor. An Outcome of Historical Experience, Survival and Wisdom. Newcastle upon Tyne: Cambridge Scholars Publishing.
Autorzy:
Chłopicki, Władysław
Powiązania:
https://bibliotekanauki.pl/articles/2098511.pdf
Data publikacji:
2022-08-11
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
Jewish humour
Israeli humour
Eastern Europe
Bible humour
Mizrahi humour
Źródło:
The European Journal of Humour Research; 2022, 10, 2; 166-169
2307-700X
Pojawia się w:
The European Journal of Humour Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
15th International Pragmatics Conference (IPra2017), 16-21 July 2017, Belfast, Northern Ireland
Autorzy:
Chłopicki, Władysław
Powiązania:
https://bibliotekanauki.pl/articles/2143065.pdf
Data publikacji:
2017-11-21
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
pragmatics
humour
Opis:
Academic event report on 15th International Pragmatics Conference (IPra2017), 16-21 July 2017, Belfast, Northern Ireland
Źródło:
The European Journal of Humour Research; 2017, 5, 3; 96-100
2307-700X
Pojawia się w:
The European Journal of Humour Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pigs, pastures, pepper pickers, pitchforks: Carl Sandburg’s Rootabaga Stories and the tall tale
Autorzy:
Heyman, Michael
Powiązania:
https://bibliotekanauki.pl/articles/2143056.pdf
Data publikacji:
2017-11-21
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
humour
nonsense literature
American
Opis:
Past studies of American nonsense literature have tended to lump it together with the British, for many good reasons. This article, however, distinguishes American nonsense, not just from the British, but from any other tradition, by way of its folk origins and cultural context. One of the least-recognized writers of nonsense is Carl Sandburg, who is famous for his iconic American poetry, but his Rootabaga Stories (1922-30) are some of the best and most distinctive representatives of the genre. Sandburg’s nonsense short stories are lyrical and strange, but their value lies also in their distinctive American origins. They are distinguished in having particularly American themes, cultural tendencies, and geography, but also in their formal techniques, which hearken back to American folklore and the tall tale in particular, as in W. B. Laughead’s Paul Bunyan (1922).
Źródło:
The European Journal of Humour Research; 2017, 5, 3; 56-67
2307-700X
Pojawia się w:
The European Journal of Humour Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Humorous Approaches to Environmental Issues. The Case of Illegal Logging in Romania
Humorystyczne podejście do kwestii środowiskowych. Przypadek nielegalnego pozyskiwania drewna w Rumunii
Autorzy:
Constantinescu, Mihaela-Viorica
Powiązania:
https://bibliotekanauki.pl/articles/28394748.pdf
Data publikacji:
2023
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
publikacje satyryczne
humor środowiskowy
recepcja humoru
satirical publications
environmental humour
humour appraisal
Opis:
This article highlights the civic role of humour as revealed by the analysis of two Romanian online satirical publications (Times New Roman and Cațavencii). The analysis will emphasise different humorous strategies and the crisis narratives deployed by the journalists, in accordance with the profile of the publication. While a ludic frame is preferred for the Times New Roman authors, the authors from Cațavencii use aggressive humour or articles with humorous insertion in order to make accusations against public or private power structures. Satirical publications are not only meant to entertain the public, but also to raise awareness to critical issues such as the environmental aspects (for example, climate change, deforestation, loss of biodiversity, etc.). The analysis will also tackle the appraisal of humorous articles by the public and the risk entailed by the lens of humour on the public’s perception of the topic: illegal logging in Romania.
W artykule podkreślono obywatelską rolę humoru, co ujawniła analiza dwóch rumuńskich satyrycznych publikacji internetowych (Times New Roman i Cațavencii). Analiza skupia się na różnorodnych strategiach humorystycznych i narracjach kryzysowych stosowanych przez dziennikarzy, zgodnie z profilem publikacji. O ile w przypadku autorów Times New Roman preferowana jest ludyczna oprawa, o tyle autorzy Cațavencii odwołują się do agresywnego humoru lub artykułów z humorystycznymi wtrąceniami, aby w ten sposób rzucać oskarżenia pod adresem zarówno publicznych, jak i prywatnych struktur władzy. Publikacje satyryczne mają na celu nie tylko dostarczyć rozrywki społeczeństwu, lecz także podnieść świadomość na temat kluczowych zagadnień, takich jak aspekty środowiskowe (na przykład zmiany klimatyczne, wylesianie, utrata bioróżnorodności itp.). Analiza obejmuje także ocenę artykułów humorystycznych przez czytelników oraz ryzyko, jakie niesie za sobą prymat humoru dla społecznej percepcji omawianego tematu: nielegalnego pozyskiwania drewna w Rumunii.  
Źródło:
Półrocznik Językoznawczy Tertium; 2023, 8, 1; 183-205
2543-7844
Pojawia się w:
Półrocznik Językoznawczy Tertium
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Humour and belonging: a thematic review
Autorzy:
Arab, Reza
Milner Davis, Jessica
Powiązania:
https://bibliotekanauki.pl/articles/2098506.pdf
Data publikacji:
2022-08-11
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
humour
laughter
belonging
inclusion
exclusion
Opis:
Serving as introduction to this Special Issue, this article presents a thematic review of topics involved in studies on humour and belonging. It briefly elaborates on the intricacies of concepts such as humour, sense of humour and belonging and their relationships. It then provides a selective review of some major relevant studies. Finally, the themes and contents of the Special Issue are introduced.
Źródło:
The European Journal of Humour Research; 2022, 10, 2; 1-13
2307-700X
Pojawia się w:
The European Journal of Humour Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Book Review. Quirk, Sophie (2015) Why Stand-Up Comedy Matters. How Comedians Manipulate and Influence
Autorzy:
Dore, Margherita
Powiązania:
https://bibliotekanauki.pl/articles/2143118.pdf
Data publikacji:
2017-11-21
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
Humour
Stand-up Comedy
Manipulation
Opis:
As the title and introduction explain, Sophie Quirk’s monograph sets out to investigate the reasons and ways comedians manipulate and influence their audience. The term manipulation, however, should be considered apart from its often negative connotations and should be interpreted as the comedian’s attempt to skilfully communicate with their audience, elicit laughter and, most importantly in this case, influence their beliefs, attitude and behaviour (see p. 2). With these premises, Quirk explores instances of stand-up comedy including some interaction between mainly well-known British comedians (e.g. Eddy Izzard, Stewart Lee, Josie Long, etc.) and their audience. She also interviews some of these performers so as to gain a first-hand understanding of the comedians’ performing experience.
Źródło:
The European Journal of Humour Research; 2017, 5, 3; 108-111
2307-700X
Pojawia się w:
The European Journal of Humour Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Lubricating culture awareness and critical thinking through humour
Autorzy:
Takovski, Aleksandar
Powiązania:
https://bibliotekanauki.pl/articles/1955690.pdf
Data publikacji:
2021-12-30
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
instructional humour
critical thinking
cultural awareness
Opis:
There is an ample evidence supporting the benefits of instructional humour, among which increased attention and interest, information retention and learning speed, more productive learning environment, a more positive image of the instructor, more efficient acquisition of linguistic and cultural competencies, an increased conversational involvement, enhanced cultural awareness and more stimulated critical thinking. However, most of the research findings rely on what is termed appropriate humor such as puns, jokes, anecdotes and alike, while potentially offensive humour that relates to sexual, ethnic, religious, political identity is generally labeled inappropriate and advised to be avoided in the classroom environment. It is in this particular context that this study seeks to test the potential of such humour, sexual and ethnic in particular, to act as a tool of increasing cultural awareness and stimulate critical thinking among university students. To do so, the study relies on an experimental class design combining few in-class and extracurricular activities created by using sexual and ethnic humour samples.
Źródło:
The European Journal of Humour Research; 2021, 9, 4; 1-19
2307-700X
Pojawia się w:
The European Journal of Humour Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On the "Dark Side": Facebook humour used for inclusion and exclusion
Autorzy:
Mullan, Kerry
Powiązania:
https://bibliotekanauki.pl/articles/2098480.pdf
Data publikacji:
2022-08-11
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
humour
belonging
inclusion/exclusion
Facebook
affiliative/aggressive
Opis:
This study examines the use of online humour in a subversive local community Facebook group set up in 2017 by disgruntled members banned from a similar group “in opposition to [the original group’s] arbitrarily-applied rules, [its] enforced happiness, and [its] suppression of any post that isn't about giving away lemons or asking to borrow small appliances”. The dissatisfaction with the guidelines and the administration of the original Facebook group provides rich material for humorous posts in the new group, many with varying degrees of aggression directed at the founder and certain members of the “Dark Side”, as the original group is frequently referred to.  This article will demonstrate how the use of humour in this new rival Facebook group is used for the purposes of inclusion and exclusion, and how it contributes to a sense of belonging in this online community of practice (Lave & Wenger 1991) created by a small group of self-declared dissidents. It will be shown how the humour shapes the identity of the group through the members’ shared ideologies and beliefs (Tanskanen 2018), and how the humorous messages intended to denigrate and belittle the “Dark Side” reinforce unity among the group members, since the feeling of superiority over those being ridiculed coexists with a feeling of belonging (Billig 2005). Fifteen single comments or multi-post threads were chosen for analysis. These appeared during the first twenty months of this rival group’s existence, and included primarily affiliative and/or aggressive humour (Meyer 2015) directed at the original group. The analysis was carried out using elements of computer-mediated discourse analysis (Herring 2004), and an insider participant-observer online ethnographic approach. The examples chosen illustrate how the humour is used to unite the members of this subversive group by dividing them from the original one, to create the joking culture (Fine and de Soucey 2005) of the new group, and in so doing, creates and sustains the members’ shared identity as irreverent breakaway troublemakers.
Źródło:
The European Journal of Humour Research; 2022, 10, 2; 96-115
2307-700X
Pojawia się w:
The European Journal of Humour Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The role of ‘familiarity’ in Mandarin Chinese speakers’ metapragmatic evaluations of Australian conversational humour
Autorzy:
Chang, Wei-Lin Melody
Sinkeviciute, Valeria
Powiązania:
https://bibliotekanauki.pl/articles/2098500.pdf
Data publikacji:
2022-08-22
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
familiarity
Australian conversational humour
Mandarin Chinese
metapragmatics
Opis:
Although research on humorous practices of Anglo-Australians has received much attention, the understanding of those practices by members of various multilingual communities in Australia has not been much studied. In this paper, we look at metapragmatic comments on concept familiarity in relation to conversational humour, particularly focusing on Mandarin Chinese speakers’ perceptions of conversational humour in Australian English. In order to explore what role ‘familiarity’ plays in (inter-)cultural conceptualisation of humour, we analyse interview data where speakers of Mandarin Chinese provide their metapragmatic comments on humorous exchanges among Australians. Drawing on approximately 8.2 hours of interview data elicited by a segment from the reality television gameshow Big Brother 2012, i.e., a teasing sequence between two acquainted persons, it is suggested that the concept of familiarity is the one most frequently alluded to in the theme of how participants ‘draw the boundary’ between intimates and acquaintances. From the analysis it emerged that Mandarin Chinese speakers’ evaluations of humorous exchanges in Australian English are driven by their culturally-informed perceptions that are conceptualised through various emic notions, e.g. guanxi (‘interpersonal relationship’), various labels for classifying different relational distance, and qiji (‘opportune moment’). The findings of this exploratory paper suggest that the role of ‘familiarity’ in relation to humour is crucial in the perception of appropriateness of humorous practices in interaction, especially across cultures.
Źródło:
The European Journal of Humour Research; 2022, 10, 2; 74-95
2307-700X
Pojawia się w:
The European Journal of Humour Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Vestibules to the “world of topsyturvydom” – paratexts in nonsense anthologies
Autorzy:
Hołobut, Agata
Hołownia, Olga
Powiązania:
https://bibliotekanauki.pl/articles/2143070.pdf
Data publikacji:
2017-11-21
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
nonsense verse
anthology
paratexts
book covers
humour
Opis:
In this article we examine eighteen selected nonsense anthologies published in the UK since the 1920s, working on the assumption that they define, re-shape and visually reinterpret the genre for a general audience in parallel to scholarly approaches to nonsense. In the first part of our paper we look at the process of anthologising and its main functions, followed by an overview of key nonsense anthologies. In the second part, we inspect peritexts that influence the reception of these collections and, by extension, the perception of literary nonsense, looking specifically at book titles, cover designs, tables of contents, prefaces and postfaces. In doing so we hope to reveal the implied reader of the anthologies, comment on their coverage relative to the established Victorian canon and recognise the distinctive features of the genre, foregrounded by the anthologists’ editorial and aesthetic choices.
Źródło:
The European Journal of Humour Research; 2017, 5, 3; 4-24
2307-700X
Pojawia się w:
The European Journal of Humour Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Humorous nonsense and multimodality in British and American childrens poetry
Autorzy:
Chrzanowska-Kluczewska, Elzbieta
Powiązania:
https://bibliotekanauki.pl/articles/2143119.pdf
Data publikacji:
2017-11-21
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
children's poetry
nonsense
humour
multimodality
visual modality
Opis:
Nonsense and humour are two cognitive and linguistic phenomena that frequently overlap. The focus of this article falls on chosen instances of humorous nonsense poetry, targeted at English-speaking children, which contains verbal and visual modes of expression. Formal sources of nonsense-creation in natural language can be several, among others semantic anomaly, syntactic ill-formedness and structural ambiguity, phonetic and graphological experimentation. The interplay of nonsense with the visuality of the text in children's poetry assumes three distinct forms: 1) visual poems, 2) multimodal texts,, where illustrations, often nonensical and funny in themselves, support the verbal text, and 3) texts based on the phonetic play. Examples will be drawn from the classics of the Anglophone children's poetry: Mother Goose, the Victorian classics L. Carroll and E. Lear, 20th-c. British and American poets - L. Hughes, e.e. cummings, T. Hughes, J. Agard, as well as the Polish-British pair W. Graniczewski and R. Shindler. In all the poems to be analyzed multimodality has an important role to play in the creation and strengthening of the effect of humorous bisociation/incongruity. A tight intertwining of the phonetic, semantic and visual layers in such texts becomes an additional challenge for their translators. The theoretical keystone for our considerations remains H. Bergson's study Laughter (1900/2008), which deftly combines the Superiority, the Incongruity and the Release Theory of Modern Humour Studies. Bergson rightly links the sources and effects of the nonsensical and the comic to the notion of game/play and to the idea of dream-like illusion they create.
Źródło:
The European Journal of Humour Research; 2017, 5, 3; 25-42
2307-700X
Pojawia się w:
The European Journal of Humour Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Book review : Dore, Margherita (2020). Humour in Audiovisual Translation: Theories and Applications. New York: Routledge.
Autorzy:
Leggieri, Antonio
Powiązania:
https://bibliotekanauki.pl/articles/2098512.pdf
Data publikacji:
2022-08-11
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
humour
audiovisual translation
subtitling
dubbing
audio description
Źródło:
The European Journal of Humour Research; 2022, 10, 2; 162-165
2307-700X
Pojawia się w:
The European Journal of Humour Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The idea of national humour and Americanisation in Australia and Britain
Autorzy:
Rolfe, Mark
Powiązania:
https://bibliotekanauki.pl/articles/2098501.pdf
Data publikacji:
2022-08-11
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
Australia
Americanization
Britain
humour
newspapers
film
vaudeville
modernity
minstrelsy
Opis:
The widespread notion of a unique national humour involves an impulse to apply the commonplace assumptions of national identity that demand uniqueness of identity, history, language and culture for a political society. What is deemed true and distinctive of the nation must be also be true and distinctive of its national humour, goes the thinking. However, such cultural exclusivity has not been reconciled with cultural exchanges between nations. Paradoxically, conceptions of national humour have been formulated in dynamic tension with such exchanges during the various phases of globalization that have taken place since the 19th century. The Americanisation of humour, in particular, has been an important component of such transmissions and resulted from the commercial popular culture dominated by America since the nineteenth century. Australia is a prime example examined here along with examples from Britain. To complicate matters of transmission, Americanisation sometimes arrived in Australia via Britain as well as directly from America itself. Australians and Britons periodically reacted against American culture, including humour, as a threat to national identity. But this was part of a dynamic tension played out between modern and traditional, imported and local in their selections and adaptations of humour imports from America. There is a huge and historic complexity of cultural anxiety and cultural transfer lying behind the apparent cultural comforts of belonging to a nation-state. Moreover, humour has played its part in the continual discursive recreation of the nation in the form of constant searches for the unique national humour of a people.
Źródło:
The European Journal of Humour Research; 2022, 10, 2; 51-73
2307-700X
Pojawia się w:
The European Journal of Humour Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Does Conceptual Integration Theory Possess the Cognitive Toolkit to Explain the Comic? Building Bridges Between Diverse fFelds of Linguistics in Respect of the English Humour
Czy teoria integracji pojęciowej zawiera odpowiedni aparat kognitywny do wyjaśniania komizmu? Budowanie mostów pomiędzy różnymi dziedzinami językoznawstwa w zakresie badań nad humorem angielskim
Autorzy:
Jabłońska-Hood, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1192782.pdf
Data publikacji:
2019
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
cognitive linguistics
humour
conceptual integration theory
conceptual blending
frame-shifting
English humour
teoria integracji pojęciowej
amalgamat
przestrzeń mentalna
multimodalność
humor angielski
komizm
komedia
Opis:
In this paper, I would like to display the workings of the mechanism of conceptual integration theory (CIT for short), aka blending, as envisaged by Fauconnier and Turner (1998 & 2002). I wish to demonstrate that blending is a potential candidate for a humour theory. On the basis of a few chosen examples of English humour, specifically a joke, a cartoon and a scene from a sitcom, I hope to prove that CIT possesses a toolkit for an in-detailed analysis of any humour type. Further, I wish to argue that some examples of comedy may require the cognitive procedure of frame-shifting alongside CIT, in order to account for the funniness in a systematic way. Frame-shifting is a term proposed by Seana Coulson to be used in joke analysis (Coulson 2017). I would like to point to the fact that it may boost CIT in humour explanation. Yet it needs to be stressed that frame-shifting on its own canntot explain humour. It ought to be regarded as a parameter to be included within CIT. Futher, it is especially important to verify whether or not frame-shifting is always obligatory when studying comedy. Certainly, it is valid for shorter pieces of discourse, but its presence may not be required for all the other types of humour. The paper aims to refer to this issue in conclusive remarks, following the analyss of the comic. Additionally, I would like to demonstrate that blending can function as a higher-order theoretical paradigm which explicates humour origin and which interlinks with other well-established processes involved in any comic study, e.g. incongruity perception and/or resolution. I put forward that CIT is capable of complementing incongruity resolution theories in its power to explain the source of the comic. What is more, I would like to postulate that in its power to throw light on the humour source and origin, CIT may be assigned the status of a cognitive tool with which to explicate humour.
Niniejszy artykuł dotyczy mechanizmu funkcjonowania integracji pojęciowej, zwanej również teorią amalgamatów, która została stworzona przez Fauconniera oraz Turnera (1998, 2002). Jest również próbą ukazania, iż integracja pojęciowa może być uznana za potencjalną teorię humoru. W odniesieniu do wybranych przykładów humoru angielskiego, tj. żartu, komiksu oraz sceny z komedii, autorka próbuje pokazać, że teoria amalgamatów może posłużyć jako kognitywne narzędzie do wnikliwej analizy komizmu różnego rodzaju. Co więcej, autorka proponuje wprowadzenie terminu frame-shifting obok integracji pojęciowej do systematycznej analizy humoru. Frame-shifting to pojęcie wprowadzone przez Coulson (2017) do analizy żartów, i wydaje się być odpowiednie do studiów nad komizmem, aczkolwiek nie jest to zjawisko, które może samodzielnie objaśnić śmieszność, a powinno być raczej traktowane jako dodatkowy parametr integracji pojęciowej. W artykule autorka próbuje również sprawdzić, czy frame-shifting jest obligatoryjne dla humoru, czy też dotyczy to jedynie krótszych form dyskursu komicznego. Problem ten jest rozważany w konkluzjach artykułu, gdzie autorka argumentuje także, że amalgamat i przestrzenie mentalne powinny zostać uznane za podstawowy mechanizm wykorzystywany do studiów nad komizmem.
Źródło:
Półrocznik Językoznawczy Tertium; 2019, 4, 1
2543-7844
Pojawia się w:
Półrocznik Językoznawczy Tertium
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zarys mechanizmów językowych w niemieckich kawałach
Outline of LinguisticMechanisms in German Jokes
Autorzy:
Biadala, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/1955548.pdf
Data publikacji:
2021-12-29
Wydawca:
Krakowskie Towarzystwo TERTIUM
Tematy:
żart
humor
językoznawstwo kontrastywne polsko-niemieckie
joke
humour
Polish-German contrastive linguistics
Opis:
Obiektem bliższej obserwacji w niniejszym artykule jest językowa analiza niemieckich kawałów (dowcipów) jako krótkich form humorystycznych, w szczególności analiza zawartych w nich „nieporozumień” językowych, które są strategicznym wyróżnikiem gatunkowym tych tekstów. Ich głównym zadaniem jest zażartowanie z kogoś i rozśmieszenie innych. Przeprowadzona analiza lingwistyczna „nieporozumień” językowych porusza różne aspekty komunikacyjne osadzone w perspektywie społecznej: zarówno pragmatykę komunikacji międzykulturowej, kreatywność w komunikacji wewnątrzkulturowej, jak i humor w kulturze i komunikacji. Materiał badawczy wykorzystany do niniejszej analizy tworzy korpus utworzony z ponad 400 niemieckich kawałów pochodzących z różnych źródeł, w większości zaczerpniętych ze zbiorów internetowych. Celem niniejszego opracowania jest zaprezentowanie różnych perspektyw badawczych i analiza językowych mechanizmów służących tworzeniu „nieporozumień” językowych na podstawie wprowadzonych 13-tu kategorii opisujących bliżej gatunek tekstu ‘kawał’ z uwzględnieniem niemieckiej specyfiki kulturowej.
The main subject of this article is the linguistic analysis of German jokes as the short humorous formats, emphasis is placed on the analysis of various language-related “misunderstandings” found in these jokes, whose are strategic genre differentiator of these texts. Their main function is to make fun of someone and to make others laugh. The analysis of these language-related “misunderstandings” raises various communicative issues that are rooted in the social perspective, such as: pragmatics of intercultural communication, creativity in intracultural communication, or humour in culture and in communication. The research material used for this analysis is composed of over four hundred German jokes coming from various sources, with the largest number of texts from internet sources. The aim of this publication is to present various research perspectives and to analyse linguistic mechanisms used in the creation of language-related “misunderstandings” on the basis of thirteen categories that describe the genre ‘joke’ considering the German cultural specificity.
Źródło:
Półrocznik Językoznawczy Tertium; 2021, 6, 2; 50-68
2543-7844
Pojawia się w:
Półrocznik Językoznawczy Tertium
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 19

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