Temat: marginality - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: L’éloge du vagabondage au XIXe siècle : une pensée minoritaire
The eulogy of vagrancy in the 19th century: Stirner, Nietzsche, Gide
Autorzy:: Jeusette, Julien
Powiązania:: https://bibliotekanauki.pl/articles/483582.pdf
Data publikacji:: 2014
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:: vagrancy
marginality
individualism
evasion
anarchism
Gide
Barrès
Opis:: All along the nineteenth century in France, the vagabond becomes a main social and philosophical issue, for he is hunt down by scientists – vagrancy is conceived as a mental illness – and by jurists – different laws are created to criminalize the act. By establishing a link between this sudden obsession and the concern expressed by thinkers (Tocqueville, Comte, Bourget) that the society is dangerously blowing apart in separate individuals, this paper aims to analyze the manifestation of this conflict between society and vagabond in literature, among others Barrès’ Les Déracinés and Gide’s Nourritures terrestres.
Źródło:: Quêtes littéraires; 2014, 4; 47-55
2084-8099
2657-487X
Pojawia się w:: Quêtes littéraires
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: « J’allais sous le ciel, Muse ! et j’étais ton féal ». Le vagabond dans la poésie française de la deuxième moitié du XIXe siècle
« I wandered beneath the sky, Muse! And I was your faithful » The vagrant in French poetry from the second half of the Nineteenth Century
Autorzy:: Varsimashvili-Raphael, Maïa
Powiązania:: https://bibliotekanauki.pl/articles/483590.pdf
Data publikacji:: 2014
Wydawca:: Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:: French poetry
Nineteenth Century
vagrant
marginality
space
Opis:: Throughout history, vagrancy appears as one of the notions of the Human Condition. Its artistic and poetical representations are drawn from multiple sources and offer various models. The fantasy of vagrancy in French poetry in the second half of the Nineteenth Century is fashioned as much through the vagrant’s relationship with space as with Society. Its models spring from marginality and contestation. Spatial structure presents an opposition between « closed » and « open », « interior » and « exterior », and so forth... These separations fluctuate and interact mutually. The poet conjures, from any questing, marginal figure, his own image. The general tendency, from Hugo to Rimbaud, shows both a crushing of the poetical figure, transforming it into a magus or a prophet, and the proliferation of the accursed poet’s « negating anger ».
Źródło:: Quêtes littéraires; 2014, 4; 56-66
2084-8099
2657-487X
Pojawia się w:: Quêtes littéraires
Dostawca treści:: Biblioteka Nauki

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