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    Wyświetlanie 1-4 z 4
    Tytuł:
    Prawoskrzydłowy manewr wojsk polsko-litewskich w bitwie pod Orszą (8 września 1514 r.)
    The Right-flank Manoeuvre of the Polish-Lithuanian Army at the Battle of Orscha (8th September 1514)
    Autorzy:
    Bołdyrew, Aleksander
    Powiązania:
    https://bibliotekanauki.pl/articles/1807072.pdf
    Data publikacji:
    2019-10-23
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    wojskowości wczesnonowożytnej; bitwa pod Orszą (1514); sztuka wojenna; taktyka; Królestwo Polskie; Wielkie Księstwo Litewskie; Wielkie Księstwo Moskiewskie
    early modern history of warfare; battle of Orscha (1514); art of war; tactic; Kingdom of Poland; Grand Duchy of Lithuania; Grand Duchy of Muscovy
    Opis:
    Bitwa pod Orszą stanowiła nie tylko konfrontację zjednoczonych sił polsko-litewskich z armią Wielkiego Księstwa Moskiewskiego, ale także dwóch odmiennych stylów walki. Obecność piechoty i artylerii polsko-litewskiej spowodowała, że ich wróg musiał zastosować odpowiedni szyk bojowy, co uniemożliwiało wykonanie szerokiego manewru terenowego, zmianę miejsca zbiórki głównych sił lub przegrupowanie armii. Pierwszy aspekt formacji sił zjednoczonych, związany z ich wsparciem na zakolu Dniepru w rejonie wsi Paszyno–Ruklino–Pugajłowo, umożliwił jedynie obronę w wybranym obszarze lub atak. Spośród wielu manewrów przeprowadzonych przez zjednoczone siły zbrojne podczas bitwy, na specjalną uwagę zasługuje ten z udziałem polskiej najemnej kawalerii na prawym skrzydle armii polsko-litewskiej. Istotną rolę ogrywała również piechota i artyleria, ukryte na południowo-zachodnim krańcu pola bitwy w olszowym gaju, który porastał brzeg Dniepru. Głównym zagadnieniem niniejszego opracowania jest prawoskrzydłowe uderzenie na wojska moskiewskie. Ponadto, autor porusza problem możliwego podobieństwa między tym manewrem a wcześniejszymi doświadczeniami współpracy kawalerii, artylerii i piechoty na polu bitwy.
    The battle of Orscha led up not only to clash of the Polish-Lithuanian’s united forces with the army of the Grand Duchy of Muscovy, but also to confrontation of two diffirent fighting styles. Presence of Polish-Lithuanian’s infantry and artillery had made their enemy use appropriate battle order, which made resorting to wide terrain manoeuvre, changing the place of ghatering of the main forces or jumping away to reorganisation the army impossible. The first aspect of united forces’ formation, connected with their support on the bend of the Dnieper in the area of villages Paszyno–Ruklino–Pugajłowo, made possible only defence in chosen area or attack. From between many manoeuvre carried out by united forces during the battle, this one with participation of Polish mercenary cavarly at the right-flank of the Polish-Lithuanian’s army especially draw attention to oneself. Also infantry and artillery, hidden on the south-west edge of battlefield in an alder grove overgrowning the bank of the Dnieper, acted out relevant role. The main issue of this study is clash with the Moscow regiment of the left hand. Moreover I would like to address the problem of possible similarity between this manoeuvre and earlier experience of cooperating cavalry, artillery and infantry.
    Źródło:
    Roczniki Humanistyczne; 2018, 66, 2; 25-38
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kilka uwag o życiu i twórczości malarskiej Bohdana Kelles-Krauzego
    Some Remarks on the Life and Painting of Bohdan Kelles-Krauze
    Autorzy:
    Błotnicka-Mazur, Elzbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/1945489.pdf
    Data publikacji:
    2007
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    sztuka Lublina i Lubelszczyzny
    malarstwo okresu międzywojnia
    architektura – modernizm
    architektura – funkcjonalizm
    the art of Lublin and the Lublin region
    painting of the inter-war period
    architecture – modernism
    architecture – functionalism
    Opis:
    Bohdan Kelles-Krauze (1885-1945) was an architect by profession, but a painter by avocation and that from his early age onward. This artist was an extremely important figure in the artistic milieu of Lublin in the inter-war period. He settled in Lublin together with his family in 1921. Today he is forgotten undeservedly and his name is well-known only to a small group of scholars. He graduated from Lviv Polytechnic in 1910, and then went on artistic journeys to Munich and Paris. Several times he changed his jobs until he finally permanently settled in Lublin. There he was employed at the Regional Administration of Public Works at the post of regional architect, where he stayed until his premature death in 1945. He was an author of several dozen buildings in Lublin and in the Lublin region. They are different with regard to style and function. Then his designs gradually passed from national forms to functionalism. Krauze's passion outside his job was painting. Many of his works have been preserved to date. They are composed of various paintings, and at the same time they are coherent in term of their workshop. Despite concrete transformations with regard to their form, especially with regard to colour and texture, subtle references to the works of home painters and those from the circle of French post-Impressionism, his style is clear. Against the backdrop of Lublin painters who advocated traditional stylistics he appeared as a modern artist. In his works he combined two apparently incongruent elements: the sensitive painter Krauze always maintained the clear logic of Krauze architect with solid drawing and real form built with an elaborated colour.
    Źródło:
    Roczniki Humanistyczne; 2007, 55, 4; 245-277
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    "The Family of Man" po latach. Wokół krytyki i recepcji wystawy
    The Family of Man a few decades later
    Autorzy:
    Leśniak, Kamila
    Powiązania:
    https://bibliotekanauki.pl/articles/1887883.pdf
    Data publikacji:
    2014
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Edward Steichen
    fotografia artystyczna
    fotografia polska po 1945 roku
    fotografia obca po 1945 roku
    krytyka artystyczna
    recepcja
    reportaż
    socrealizm
    wystawy fotograficzne
    zimna wojna
    artistic photography
    Polish photography after 1945
    foreign photography after 1945
    criticism of art
    reception
    documentary
    socialist realism
    photography exhibitions
    cold war
    Opis:
    The photographic exhibition The Family of Man created by Edward Steichen was for the first time opened in the halls of the Museum of Modern Art in New York in 1955. It was a great commercial success and in the next less than ten years it was shown in 68 countries the world over. In the years 1959-1960 it also came to Poland and owing to its favorable reception became one of the most important turning points in the history of the Polish post-war photography, both artistic and documentary. During the next years the exhibition The Family of Man was also subjected to harsh criticism. The starting point for the present paper is the image of the exhibition that emerges from the Polish writing. The literature of the subject is modest, it consists mainly of small contributions; moreover, there are several works, in which thoughts taken from a few famous critical texts devoted to the exhibition, among others from the texts by Roland Barthes, Susan Sontag, Allan Sekula, are cited without any reflections. Only some Polish researchers interpret these important critical opinions with respect to the specific political and artistic situation that existed in Poland of the 1950s and 1960s (among others socialist realism, Gomuła’s thaw). The present article aims at indicating the profits from a reinterpretation of the exhibition on the ground of the history of Polish photography, and also of Polish culture of the post-war decades. The author tries to indicate the basis for studying Polish reception of the Steichen project. The reflections contained in the present paper are mainly focused on several subjects that are important for the exhibition, like the war, the American politics in the era of the cold war, the family. Moreover, the discussion also points to some aspects of the origin of the exhibition and to the conception of photography that is contained in it.
    Źródło:
    Roczniki Humanistyczne; 2013, 61, 4; 205-240
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Norwid jako strateg w kontekście rozważań o walce i wojnie
    Norwid as a strategist in the context of deliberations about struggle and war
    Autorzy:
    Kasperski, Edward
    Powiązania:
    https://bibliotekanauki.pl/articles/16729611.pdf
    Data publikacji:
    2020-05-07
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    archistrategia
    strategia
    walka
    wojna
    bitwa
    pojedynek
    tszin
    heroizm
    personalizm
    sztuka
    wróg (l’ennemi)
    ciemiężca (l'oppresseur)
    przeciwnik (l’adversaire)
    oponent (l’opposant)
    taktyka
    logistyka
    żołnierz
    historia
    ciągłość
    powstanie 1863
    presja moralna
    Mickiewicz
    polarność
    archstrategy
    strategy
    struggle
    war
    battle
    duel
    polarity
    heroism
    personalism
    art
    enemy (l’ennemi)
    oppressor (l’oppresseur)
    adversary (l’adversaire) opponent (l’opposant)
    tactics
    logistics
    soldier
    history
    continuity
    the 1863 Uprising
    moral pressure
    Opis:
    Norwid’s deliberations about strategy were not a very well known but important and inventive current in his thought and literary work. In his concise essay La philosophie de la guerre, in the rhapsody Fulminant and in numerous poems, poetical digressions, remarks, notes and memorials the writer defined strategy as a domain of knowledge, a kind of art and a practical skill, necessary to reach long-range historical aims, and especially – in the particular situation of the partitions of Poland and in the face of the lost uprisings – to conduct an efficient struggle for independence, ending in a success. Opposing the long-term planning and strategic actions to a war, a battle, a skirmish and short-term plots – or in one word: to “bloody episodes, “convulsive straining”, futile martyrdom and fatalities, Norwid advocated a peaceful struggle carried on incessantly and consistently, a struggle that aimed at realizing positive human values, and not selfish goals. He thought that this kind of “struggle is a normal task of Humanity” and a universal law of history; whereas bloody war – is a license and an exception, acceptable only in the situation of a “just war”, in defense of universal values that were violated.  According to this conception the writer contrasted the “soldier’s” attitude capable of he-roism first of all in everyday life and everyday work, with the “marauding soldier’s” one, taking one’s anger out on other people in aggression, violence; one greedy for blood and revenge. Hence in Norwid’s understanding it was the ability to predict and forestall events and to take precautionary measures in time that was the essence of strategy. He also connected successful strategy with working out and keeping to “a perfectly well conceived plan” that, owing to earlier preparations, concentrating the means in the right place and time, as well as to well thought out maneuvers, eliminated or reduced to a necessary minimum the use of physical force and violence towards the opponent. The basis of strategy was then formed by a long-range intellectual conception, and also by the ability to carry on struggle with various means, including also struggle “on the field of the idea” and “on the field of the word”.
    Źródło:
    Studia Norwidiana; 2015, 33; 51-76
    0860-0562
    Pojawia się w:
    Studia Norwidiana
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

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