Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "kierownik" wg kryterium: Wszystkie pola

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-4 z 4
    Tytuł:
    Il direttore spirituale come persona discernente. Studio sulla base della moderna letteratura teologica italiana
    Kierownik duchowy jako osoba rozeznająca. Studium na podstawie współczesnej włoskiej literatury teologicznej
    The Spiritual Director as a Discerning Person. A Study Based on Contemporary Italian Theological Literature
    Autorzy:
    Miczyński, Jan K.
    Powiązania:
    https://bibliotekanauki.pl/articles/31340069.pdf
    Data publikacji:
    2009
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    kierownictwo duchowe
    rozeznawanie duchowe
    sakrament pojednania
    kierownik duchowy
    direzione spirituale
    discernimento spirituale
    sacramento della penitenza
    direttore spirituale
    Opis:
    Szczególnym miejscem rozeznawania duchowego jest kierownictwo duchowe, które należy rozumieć jako pomoc w stawaniu się dojrzałym w wierze, w otwieraniu się na działanie Ducha Świętego. Celem jest rozwój człowieka, czyli stawanie się podobnym do Jezusa Chrystusa. Kierownictwo duchowe może być również definiowane jako przekazywanie wiary przez osobę podejmującą się funkcji kierownika duchowego. Celem jest pozwolenie, aby w osobie kierowanej wzrastał Chrystus. W świetle Mt 28, 19 sprawowanie kierownictwa jest wpisane w strukturę hierarchiczną Kościoła. Przedmiotem rozeznawania w sakramencie pokuty winno być odkrywanie sposobu udzielania się Boga, a także Jego woli. Kierownik winien nieustannie zwracać uwagę na harmonijny wzrost modlitwy i pokory u penitenta, biorąc pod uwagę i rozumiejąc wszystkie zdolności osoby kierowanej, jej słabości oraz łaski udzielane przez Ducha Świętego.
    Źródło:
    Roczniki Teologii Duchowości; 2009, 1; 207-214
    2081-6146
    Pojawia się w:
    Roczniki Teologii Duchowości
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wanda Kaniorowa – pedagog, twórca i kierownik zespołu artystycznego (1912-1980)
    Wanda Kaniorowa as Educator, Founder and Manager of an Artistic Ensemble (1912-1980)
    Autorzy:
    Drela, Luiza
    Powiązania:
    https://bibliotekanauki.pl/articles/1857136.pdf
    Data publikacji:
    2003
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Wanda Kanior
    edukacja artystyczna
    amatorski ruch artystyczny
    zespół folklorystyczny
    tancerze
    choreograf
    artistic education
    amateur artistic movement
    folk ensemble
    dancers
    choreography
    Opis:
    Wanda Kaniorowa (1912-1980), the founder of amateur artistic movement in the Lublin region, was born and spent her childhood in Kiev. Between the two World Wars she graduated from pedagogy, choreography and direction departments; she also gained her first experiences working as a teacher. She considered this job the most important one during all her life, and she thought educating the young generation well was the most important problem and the basis for all other achievements. In her work she was distinguished by initiative, efficiency, and willingness to act in difficult, dispiriting – it would seem – times, as well as by unselfish, welfare involvement. During World War II she took part in the resistance movement, as she belonged to the Home Army. In each place she lived in (first in Polesie and then in the Lublin region) Wanda Kaniorowa, working as a teacher, at the same time established an artistic ensemble, often made up of not only children and youths but adults as well, even of people who never went to school. She popularized in their circles theatrical forms, recitation, dance and singing. With the plays she herself wrote and then put up with amateurs she had local and national successes. The performances, at first with patriotic, religious and fairyland subjects, in the Communist Poland assumed forms and contents that supported the building of a new, secularized reality. In 1948, influenced by a group of children who wanted to have a closer contact with art, she established in Lublin the Theatre of the Young Spectator. At that time she was an employee of the Culture Department of the People's Provincial Council in Lublin and the work with amateurs was her welfare work. The rehearsals before the numerous performances of the Theatre were most often held in the hall of the Provincial Office. With a natural talent of a manager W. Kaniorowa won financial means for the work of the group that was deprived of any premises. The latter were given to the theatre in 1953, when after its artistic successes (the second place in the National Contest in the category of Song and Dance Ensembles) the members of the Presidium of the State and Welfare Employees Trade Union Headquarters changed the name of the ensemble to the Dance and Song Ensemble of the Lublin Region of the SWETU and affiliated it to the Presidium of the PPC in Lublin. W. Kaniorowa was given the job of the artistic manager of the formation and a real school of education by means of art and dance was established in this way. Professionals collaborated with it, but the members of the group were amateurs. The manageress had a high opinion of their freshness, strength and authenticity of experiencing the art and elicited these features on the stage (in folk and national dances). She formed her actors as human beings and influenced their artistic tastes, and she herself found her vocation in the activity. After the “Polish October” of 1956 the Lublin ensemble, like all the ensembles belonging to the trade unions, lost its subventions and it faced the threat of being liquidated. In 1957, owing to the aid, among others, of the then Lublin voivode, Paweł Dąbek, the group, as well as its output and belongings (costumes and the premises in I Armii Wojska Polskiego Street), managed to survive. The members of the Ensemble's idea was put into practice – a self-dependent Ensemble of Song and Dance of the Lublin Region Association was established; it was independent economically and only partially was it subsidized by the People's Provincial Council. The artistic development of the Ensemble was so rapid that in 1959 the group of Lubliners (chosen by the Ministry for Culture and Arts) represented Poland in the prestigious Folklore Dance Contest in Agrigento in Sicily. The representative of the authorities, when bidding them good-bye, said: “Do not return without the first prize”. Under the pressure of these words, starving during the journey, they struggled ambitiously and won the first prize, sharing it with another, professional group. In 1972 the Ensemble managed by W. Kaniorowa already represented Europe. At the Folklore Festival in Japan the representatives of the Emperor's family, organizers and sponsors of the event decided that it was the best one of all taking part. In sum, up to 1980 the Ensemble prepared and staged over 90 different performances, including 44 ones directed by W. Kaniorowa; also with her choreography. It gave 2987 concerts: 2560 in Poland and 418 during its abroad tours – there were 43 of them. It was seen by about 2 million spectators. W. Kaniorowa's contributions include: her care of young people's education, achieving a high artistic standards with a group of amateurs, establishing its high prestige, ensuring financial means for many years of the Ensemble's work, creating the atmosphere of “a great family” in it, mutual help among the members, educating people devoted to work, representing the Lublin region, Poland and Europe on the world's stages. In 1978 W. Kaniorowa was decorated with the Commander's Cross of the Order of Poland's Revival. Among the issues concerned with the Ensemble of Song and Dance of the Lublin Region that have not been studied yet the following ones should be mentioned: defining W. Kaniorowa's worldview, examining the facts in the light of source materials, gathering information about people aiding the Ensemble in crisis situations and about the employees who were significant for the Ensemble's work, examining the changes in the ideological conception of the Ensemble, ways of gathering and using the folk materials and of collecting the costumes. It will also be purposeful to make research into the question of what integrated the members of the Ensemble as well as what – in the field of work organization – made the work unusually effective, and how the artistic tours affected the young amateurs, or what they taught them about the world. People and facts connected with the Lublin Ensemble surely deserve to be presented in an academic monograph.
    Źródło:
    Roczniki Nauk Społecznych; 2003, 31, 2; 43-70
    0137-4176
    Pojawia się w:
    Roczniki Nauk Społecznych
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Teatr miejski we Lwowie i jego dyrektor w sezonie 1918-1919
    The Town Theatre in Lvov and His Director in the Season of 1918-1919
    Autorzy:
    Greszczuk, Danuta
    Powiązania:
    https://bibliotekanauki.pl/articles/1944037.pdf
    Data publikacji:
    2010
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    Sezon 1918/1919 w miejskim teatrze we Lwowie
    dyrekcja Romana Żelazowskiego
    kierownik sceny artystyczno-malarskiej Andrzej Pronaszko
    1918/1919 season in the town theatre in Lvov
    Roman Żelazowski's management
    Andrzej Pronaszko as head of artistic-painting stage
    Opis:
    The beginning of the twentieth century augured considerable changes in the capital of Galicia, both economic and cultural. The fact that Poland regained independence and difficult war months were for Lvov an enormous test that had led to the city's fall. In the critical season 1918/1919, the City board entrusted the town theatre after the famous Ludwik Heller to the actor Roman Żelazowski. The months of struggles for the town became an exceptional experience for the management and actors. The repertoire included above all patriotic moods, the relationships between the repertoire, critics, and the public. The dramatic struggles notwithstanding, the traditional values of the Lvov stage remained unmoved in the majority of the Polish dramatic works. From the materials that are available emerges a picture of plays that represent Żelazowski's enduring team.
    Źródło:
    Roczniki Humanistyczne; 2010, 58, 1; 55-76
    0035-7707
    Pojawia się w:
    Roczniki Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wydawanie odpisów aktów stanu cywilnego i zaświadczeń z ksiąg stanu cywilnego. Uwagi de lege lata i de lege ferenda
    Issuance of Copies of Vital Records and Certificates Based on Personal status records. De Lege Lata and De Lege Ferenda Remarks
    Autorzy:
    Kasprzyk, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/1807459.pdf
    Data publikacji:
    2019-11-15
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
    Tematy:
    rejestracja stanu cywilnego
    wydawanie odpisów aktów stanu cywilnego
    interes prawny
    interes społeczny
    zasada
    kierownik
    urze˛du stanu cywilnego
    akty
    stanu cywilnego
    księgi stanu cywilnego
    urzędy stanu cywilnego
    ograniczonej jawności ksiąg i aktów stanu cywilnego
    registration of personal status
    issuance of copies of vital records
    personal status records
    legal interest
    social interest
    Register Office
    Registrar
    principle of limited access to the records and certificates of personal status
    certificates of personal status
    Opis:
    The first procedure of registration of personal status is done in the form of a certificate of personal status, which from the legal point of view can function as a full or abridged copy. The system of registration with the Office is founded on several principles, including the one of limited access to the files and certificates of personal status. Limited access to the information contained in the files is due to the adoption of this principle. Limited access to vital records on the one hand duly guarantees access to data only for subjects who are specified in Law on Vital Records. Additionally, Art. 83, par. 2 imposes a requirement that the party applying for a copy of a legal status certificate demonstrate a legal interest, which on the other hand rules out unauthorised subjects from retrieving information from vital records. The article focuses on the issuance of copies of vital records and certificates based on entries made into records of personal status, or lack thereof. Art. 83, par. 1-2 of the law of 29 September 1986 is crucial. This is Law on Vital Records (the uniform text published in Journal of Laws 2004, no. 161, item 1688), which specifies subjects that are entitled to receive copies and certificates based on vital records. Article 83 of Law on Vital Records is key for the discussed issue. It divides the subjects that are entitled to receive a copy or certificate into those who do not need to demonstrate a legal interest and those who are not obliged to do so. The persons enumerated in Art. 83, par. 1 of Law on Vital Records are not obliged to justify the reasons for their application. The very fact of being enumerated in the article is sufficient to give those persons an entitlement to obtain a copy or certificate. The norm found in Art. 83, par. 2 also provides legal basis for giving other persons an entitlement to obtain a copy or certificate as it uses a somewhat indefinite expression that states that the applicant demonstrate a legal interest in receiving a copy or certificate. The bodies that use this provision should independently determine whether the applying party can demonstrate its legal interest in the above. With relation to Art. 83, par. 2, no attempt to define legal interest in obtaining information from Vital Records has been made. While interpreting this provision, one can make use of rich judicature and literature concerning the above term on the basis of Article 28 of Code of Administrative Procedure. It must be emphasised that here one deals with legal interest in obtaining a copy of a certificate of personal status with due regard for basic rules governing the registration of personal status.
    Źródło:
    Roczniki Nauk Prawnych; 2008, 18, 2; 319-347
    1507-7896
    2544-5227
    Pojawia się w:
    Roczniki Nauk Prawnych
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies