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Tytuł:
Le mariage en Sarthe et en Bretagne entre 1913 et 1952
Małżeństwo w Sarthe i Bretanii w latach 1913-1952
Autorzy:
Le Gallo, Cécile
Powiązania:
https://bibliotekanauki.pl/articles/1954781.pdf
Data publikacji:
2001
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
etnologia
małżeństwo
I poł. XX wieku
Sarthe
Bretania
ethnology
marriage
first half of XX century
Bretagne
Opis:
Artykuł ten jest wynikiem badań etnologicznych dotyczących rytuałów zawarcia związku małżeńskiego w latach 1913-1952 we Francji - w Bretanii oraz w regionie Sarthe. W pierwszej części przedstawia on. jak sani dzień zaślubin wyglądał w obu regionach; autorka starała się odtworzyć zwyczaje nowożeńców oraz obyczaje świąteczne związane /. zaślubinami. Cześć druga jest krótką analizą pojęcia uczucia szczęścia i jego obecności (bądź nieobecności) w badanych obrzędach dnia zaślubin; uwypukla ona różnice w mentalności mieszkańców obu regionów.
Źródło:
Roczniki Humanistyczne; 2001, 49, 5; 97-115
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Adolf Hyłas Darstellungen der Schmerzensmutter
Representations of Our Lady of Sorrows by Adolf Hyła
Autorzy:
Szweda, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/1806871.pdf
Data publikacji:
2019-10-23
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
: Matka Boża Bolesna; Mater Dolorosa; Carlo Dolci; Adolf Hyła; ikonografia maryjna; XX wiek; Kraków
Our Lady of Sorrows; Mater Dolorosa; Carlo Dolci; Adolf Hyła; Marian iconography; XX century; Cracow
Opis:
Adolfa Hyły przedstawienia Matki Bożej Bolesnej W całej spuściźnie malarskiej krakowskiego artysty Adolfa Hyły, żyjącego w latach 1897-1965, oprócz wiodących realizacji chrystologicznych szczególne miejsca zajmowała także ikonografia maryjna. Wśród sześćdziesięciu pięciu obrazów o tej tematyce znajdują się również przedstawienia ukazujące Maryję jako Matkę Bożą Bolesną. Inspiracją do powstania tych dzieł były malowidła autorstwa Carla Dolciego, włoskiego malarza okresu baroku, w typie Mater Dolorosy. W omawianiu historii poszczególnych realizacji ikonograficznych powstałych w latach 1940-1962 zastosowano klucz chronologiczny. Dzięki zachowanemu katalogowi dzieł artysty oraz w trakcie przeprowadzonej kwerendy odnaleziono wszystkie sześć obrazów Matki Bożej Bolesnej. Dwa z nich znajdują się w rękach prywatnych właścicieli, a pozostałe cztery: w parafii Bolechowice k. Krakowa i w Wojniczu, w kościele parafialnym w Spiach i w kaplicy zakonnej sióstr serafitek w Kalwarii Zebrzydowskiej. Adolf Hyłas Darstellungen der Schmerzensmutter Durch den Nachlass des Krakauer Künstlers Adolf Hyła (1897-1965) zeigt sich, welchen bedeutenden Stellenwert die christologische Verwirklichung wie auch die Marienikonografie für ihn hatte. Unter den 65 Bildern zu diesem Themenkreis finden wir auch die Mariendarstellungen als Schmerzensmutter. Eine Inspiration für ihre Entstehung waren Bilder der Mater Dolorosa von Carlo Dolci, einem italienischen Maler und Vertreter des Barocks. Bei der Darlegung und Erläuterung der Entstehungsgeschichte einzelner ikonografischer Darstellungen, die in den Jahren 1940 bis 1962 entstanden, wurde in chronologischer Reihenfolge gearbeitet. Mithilfe der Katalogsammlung über die Werke des Malers und im Rahmen der durchgeführten wissenschaftlichen Recherche konnten alle sechs Bilder der Schmerzensmutter aufgefunden werden. Zwei davon befinden sich in privatem Besitz und vier weitere sind in der Pfarrgemeinde Bolechowice bei Krakau in Wojnicz bzw. in der Pfarrkirche in Spie und in der Klosterkapelle der Töchter der Schmerzensmutter in Kalwaria Zebrzydowska.
In the entire painting heritage of the Cracow artist Adolf Hyła, who lived in the years 1897-1965, alongside leading Christological realizations, Marian iconography had a special place. Among the sixty-five paintings on this subject, there are also representations showing Mary as Our Lady of Sorrows. The inspiration for the creation of these works were paintings by Carl Dolci, an Italian painter of the Baroque period, in the Mater Dolorosa type. In discussing the history of individual iconographic realizations created in the years 1940-1962, a chronological key was used. Thanks to the preserved catalog of Hyła’s works and during the search, all six paintings of Our Lady of Sorrows were found. Two of them are in the hands of private owners, and the other four are: in the parish of Bolechowice near Cracow and in Wojnicz, in the parish church in Spie and in the religious chapel of the Seraphic Sisters in Kalwaria Zebrzydowska.
Źródło:
Roczniki Humanistyczne; 2018, 66, 4; 115-130
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bolesław Prus a wiek XX
Bolesław Prus and the 20th Century
Autorzy:
Fita, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/1956096.pdf
Data publikacji:
1998
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
Prus i w roku 1900, i wcześniej, a także później spoglądał na kończący się czy już zakończony wiek XIX i próbował ogarnąc go jako całość, dostrzec momenty ważne i przełomowe, sukcesy i klęski.
In the year 1900, but also earlier and in subsequent years, Prus reflected on the finishing or just finished 19th century, trying to grasp it as a whole and to discern its important and its crucial moments, its successes and its failures.
Źródło:
Roczniki Humanistyczne; 1998, 46, 1 Special Issue; 399-409
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Epistemologia XX wieku: Przegląd stanowisk
Twentieth-century Epistemology: A Review of Standpoints
Autorzy:
Judycki, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/2106963.pdf
Data publikacji:
1999
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
The paper seeks to make a review of the main standpoints and trends in the epistemology of the twentieth century. First, the problems of philosophical epistemology are discussed in the way as it is presented in the handbooks and monographs published in the 1980s and 1990s on philosophical epistemology. Then the three main currents of 20th-century epistemology have been distinguished: 1) the scientistic current in which the tasks of philosophical epistemology is to examine the grounds of scientific knowledge: here we find neo-Kantism and neopositivism; 2) the antiscientistic trend represented by phenomenology and neoscholasticism; 3) the philosophical trends which undermine a possibility for a purely rational relationship subject object by highlighting the non-rational factors which determine that relationship, e.g. social, historical, vital-psychological and other factors. Here we find the epistemology of Marxism and neo-Marxism, views on knowledge as regards hermeneutics, existentialists, personalists, the socalled philosophy of life. The analytic philosophy of knowledge after the Second World War and so-called naturalized theory of knowledge have been analyzed separately. The discussion takes into consideration, among other things, the following standpoints of: H. Cohen, E. Cassirer, E. Husserl, W. V. O. Quine, J. Habermas, J. Derrida, R. Rorty, L. Wittgenstein, and some main problems of contemporary epistemology: fundationalism, coherentionism, skepticism, internalism-externalism, issues concerning truth, realism and antirealism. Some broader epistemological consequences of the influential standpoints as regards the philosophy of science have been discussed here: K. Popper, T. S. Kuhn and P. K. Feyerabend. Finally, the author seeks to make a diagnosis concerning some possible directions of the development of epistemology in the twenty-first century.
Źródło:
Roczniki Filozoficzne; 1999, 46-47, 1; 5-67
0035-7685
Pojawia się w:
Roczniki Filozoficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Andrzej Napiórkowski OSPPE, Teologie XX i XXI wieku
Andrzej Napiórkowski OSPPE, Teologie XX i XXI wieku [Theologies of 20th and 21th century]
Autorzy:
Nadbrzeżny, Antoni
Powiązania:
https://bibliotekanauki.pl/articles/2037804.pdf
Data publikacji:
2017
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Źródło:
Roczniki Teologiczne; 2017, 64, 2; 221-223
2353-7272
Pojawia się w:
Roczniki Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wokół katolickich koncepcji samowychowania XX wieku
Around the Selected Catholic Concepts of 20th Century Self-Education
Autorzy:
Grochowski, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/2036249.pdf
Data publikacji:
2019
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Źródło:
Roczniki Pedagogiczne; 2019, 11(47), 1; 137-139
2080-850X
Pojawia się w:
Roczniki Pedagogiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polszczyzna kobiet – prolegomena historyczne (XIX i 1. połowa XX wieku)
Women’s Polish Language – Historical Prolegomena (The Nineteenth Century and the Mid-Twentieth Century)
Autorzy:
Walczak, Bogdan
Powiązania:
https://bibliotekanauki.pl/articles/1945494.pdf
Data publikacji:
2007
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
biolekty
zapożyczenia
galicyzmy
biolects
borrowings
gallicisms
Opis:
The author analyses memoirs of the nineteenth and mid-twentieth centuries. Three of them were written by women (Zamoyska, Lubomirska, and Nałkowska) and three were written by men (Łoś, Sczaniecki, and Piłsudski). The text seeks to verify the hypothesis expressed in the earlier works of the author (Women’s Polish Language – Historical Prolegomena, 1994), namely that the contribution of French borrowings was greater in women’s language. The memoirs under study confirm this hypothesis. They contain on the average four times more gallicisms (asides from French, rare and individual borrowings) than men’s memoirs of that period.
Źródło:
Roczniki Humanistyczne; 2007, 55, 6; 145-155
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kulturowe zawirowania wokół człowieka końca XX wieku
Cultural Maelstrom Around Man of the End of the Twentieth Century
Autorzy:
Zdybicka, Zofia J.
Powiązania:
https://bibliotekanauki.pl/articles/2106942.pdf
Data publikacji:
1996
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
The paper analyzes the cognitive and intellectual situation concerning above all man. The author claims that it results from the dominating currents of modern and contemporary philosophy whose principal lines may be laid down in three interrelated theorems:1. The culture of the recent centuries has run the course starting from understanding man as “homo sapiens” to “homo demens”, that is people first confided unconditionally in reason and made it the ultimate authority, and then gave up reason. In other words, they started from radical Rationalism of the seventieth century, especially the rationalism of the Enlightenment, and then gave up truth and ended up in radical irrationalism in the period of Post-modernism,2. from deification of man by endowing him with divine attributes to reification and subduing man to his own products, that is from superman to post-man,3. from absolute freedom postulated by many philosophers to actual enslavement by things (the attitude of consumption), the mass media which impose attitudes and life styles, and politics (democracy founded on radical liberalism may easily become totalitarianism). Despite the fact that negative phenomena stand out, contemporary culture is not yet am aggregate of what is false and evil. One may notice there many crumbs of truth and good. Undoubtedly, philosophy has exposed the position of man; Christianity, notwithstanding its often opposition, is still present in life and culture. The Catholic Church, and in particular John Paul II, makes ever new efforts to defend human dignity of man. “The Church ever anew stands to struggle with the spirit of this world. This struggle is nothing else but a struggle for the soul of this world, the soul of man”. (John Paul II, Crossing the Threshold of Hope, Lublin 1994).
Źródło:
Roczniki Filozoficzne; 1996, 43-44, 2; 55-68
0035-7685
Pojawia się w:
Roczniki Filozoficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zmierzch polskich galerii sztuki w XX-wiecznym Londynie
The Twilight of Polish Art Galleries in 20th-century London
Autorzy:
Sienkiewicz, Jan Wiktor
Powiązania:
https://bibliotekanauki.pl/articles/2120042.pdf
Data publikacji:
2001
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
The article foreshadows a bigger publication, now in preparation, devoted to history of exhibitions organized by Polish art galleries in London after World War II. So far, the knowledge of the range of importance of Polish exhibiting institutions and their role in promoting both artists and the newest trends in European art in the second half of the 20th century is only fragmentary. The author of the article presents a history of three Polish galleries: Drian Gallery, Centaur Gallery and Grabowski Gallery and an outline of their activities. Among these three, the one that functioned longest, as it was 43 years (from 1957 to 2000), is Drian Gallery, owned by Halima Nałęcz. One year before, in 1999, the official closing of Centaur Gallery took place, the place which was managed by Dinah and Jan Wieliczko. The gallery started its activities in London in 1960, working incessantly for almost 40 years. The shortest life, 16 years, had Grabowski Gallery, created in 1959 by Mateusz Bronisław Grabowski, a pharmacist by education, and closed in 1975. Each of these galleries had its own individual profile, its own key for selecting artist for exhibition and promotion, and its own ways to assure their functioning on the difficult London art market. Apart from the activities of these institutions, an important role in the history of Polish presence on the London cultural scene was played by organizations belonging to a different category i.e. galleries-studios. These were the following: Feliks Topolski Memoir of Century, open to visitors once every three months and a gallery of works by Marian Bohusz-Szyszko, on a permanent exhibition in the buildings of St. Christopher's Hospice in London-Sydenham. Apart from that, Polish Social and Cultural Association in London (POSK) is a host to a collection of works by Polish artists, contemporary and former members of the Association of Polish Artists in Great Britain. However, this is just an exhibition, not a gallery, which partly illustrates the output of Polish painters – mostly graduates of the School of Easel Painting at the Polish University Abroad. Being brought to attention many times, e.g. at the I Congress for Polish Culture on Emigration in 1970, the appeal to attempt a through historical analysis and an evaluation of the achievements of Polish galleries in their exhibiting and promotional work in the second half of the 20th century in London is a vital task. Together with establishing its importance in the context of Polish history of art and Polish cultural heritage both in Poland and on emigration this task seems very urgent, if it is not a belated one. It may seem late in the light of `passing away' of patrons, art lovers, gallery owners and artists of the pre-war generation themselves, which happens more and more often. The end of the 20th century provides another incentive to this work establishing time borders both in the context of Polish history of art and in the history of a remarkable phenomenon of `Polish' London in the second half of the 20th century.
Źródło:
Roczniki Humanistyczne; 2001, 48-49, 4; 277-301
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polacy w Luksemburgu. Imigracja i duszpasterstwo w XX wieku
Poles in Luxembourg Immigration and Pastoral Care in the 20th Century
Autorzy:
Zabraniak, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/1963153.pdf
Data publikacji:
2019-07-27
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
The present paper deals with the history of Polonia in Luxembourg in the 20th century. First, the history of the Great Duchy of Luxembourg and its economic development were outlined. Then the emigrations of Polish citizens, their pastoral care, educational and organisational activities were shown. The Polish people in Luxembourg immigrated before the First World War. In the inter-war period there were, respective of the labour market, between several hundred to several thousand Polish citizens. The largest communities of Polish workers were established in the southern part of the Duchy with developed industry, mainly in Esch-sur-Alzette and the surrounding. They were employed in steelworks, mining, building, and chemical industry. Some of them worked in the northern agricultural regions. After the Second World War the Polish people in Luxembourg numbered ca. 1000-2000. Most of the Polish emigrants were Roman-Catholic. Initially, Polish priests provided pastoral care. They came to Polish communities from time to time. From the legal point of view, the territory of Luxembourg was subordinate to the Polish Catholic Mission in Belgium, the Mission established by Polish Primate Cardinal August Hlond (by virtue of the decree of 17th April 1930 in agreement with the Polish Catholic Mission in Paris. Its first rector was Rev. Hilary Majkowski who lived in Esch-sur-Alzette at St. Joseph's church. Due to a great economic crisis the Mission declined in the following year. Pastoral ministry was again provided by the priests from France. From April 1948 the Oblates from the Polish Catholic Mission in Belgium began to work, first occasionally and then regularly, among the Polish people in Luxembourg. Until 1995 they relied on the kind help of the priests from Luxembourg who made the places cult available. St. Henry's church in Luxembourg was given to the Polish community from 1995 onwards. The headquarters of the Polish Catholic Mission were transferred there. In 2005 the Poles could participate in the Polish Holy Masses in three places: Luxembourg (St. Henry's church), Esch-sur-Alzette (the chapel of the Italian Catholic Mission), and Ingeldorf near Diekirch (St. Celsius's church).
Źródło:
Studia Polonijne; 2006, 27; 159-181
0137-5210
Pojawia się w:
Studia Polonijne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Paleta teologii współczesnych (rec. Andrzej Napiórkowski OSPPE, Teologie XX i XXI wieku)
The Palette of the Contemporary Theologians (reviewed: Andrzej Napiórkowski, OSPPE, Teologie XX i XXI wieku [Theologies of the 20th and 21st Century])
Autorzy:
Jagodziński, Marek
Powiązania:
https://bibliotekanauki.pl/articles/2035278.pdf
Data publikacji:
2019-11-07
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Źródło:
Roczniki Teologiczne; 2019, 66, 7; 187-190
2353-7272
Pojawia się w:
Roczniki Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Warszawskie szkolnictwo artystyczne dla kobiet na przełomie XIX i XX wieku
Artistic Schools for Women in Warsaw at the Turn of the 19th Century
Autorzy:
Huml, Irena
Powiązania:
https://bibliotekanauki.pl/articles/1955819.pdf
Data publikacji:
1999
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
At the end of the 19th century Warsaw was the centre of economic, cultural and political life in the Polish Kingdom. About 1900 it had a population of nearly 700 thousand. Among its inhabitants women constituted a majority (according to the sources from 1888 on 1000 men there were 1112 women). Hence the problem of educating women acquired a great significance, the more so because they could not attend secondary and high state schools and their aspirations as well as the need to be employed in various jobs grew ever bigger. Among them a special place was taken by artistic jobs connected with practising both the so-called “pure art” and the ever more popular “applied” art. After the January Uprising in 1863 there was only one state artistic school in Warsaw – the Drawing Class. In the years 1872-1896 its headmaster was Wojciech Gerson. The school also did not accept women. This situation stimulated development of private education. Various artists taught their students in their own studios. Also Gerson was one of them; apart from men he had many women-students. With time, more and more regular private schools were established, also by women who had been educated at schools of this type in Vienna or Paris. Moreover, courses were organised at museums and other institutions. Well-known Warsaw painters, sculptors and architects usually gave lectures at them, often according to academic syllabuses. The courses comprised freehand drawing of plasters and models and other subjects as the basic ones, depending on the profile and standard of the school. Some of them put a greater stress to oil-painting or water-colours, others to ornamental or architectonic drawing, and lastly many of them prepared their students to professional painting on porcelain, glass, cloths (so-called Gobelin ones), on ivory, to embellishing leather, wood and other materials with the help of various techniques. One well-known result of the programme of this type of education is a report of the special courses at the Industry and Craft Museum presented in detail in one of Bolesław Prus's Weekly Chronicles. According to the report the students, among others, designed patterns for wall paper, clothes and decorative materials, some retouched photographs, others painted pottery, embellished letter paper, leather and paper haberdashery, designed wicker goods including furniture. These are probably only some of the specialities acquired by students of the numerous schools and courses preparing to jobs defined as artistic ones. The students were then employed in many workshops and factories that produced this type of goods at different scales. Many students practised only or also portrait or landscape painting or flower compositions, took up artistic engraving or chamber sculpture. Their works were shown in many prestigious exhibitions and in the Warsaw Annual Salons. The Warsaw artistic schools rendered a great service to a couple of generations of Polish women, which was also profitable for the whole sphere of culture.
Źródło:
Roczniki Humanistyczne; 1999, 47, 4; 297-312
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stan diecezji tyraspolskiej pod koniec XIX wieku i jej odrodzenie na początku XX wieku. Misje Ludowe
The State of the Tyraspol Diocese at the End of the Nineteenth Century and its Revival at the Beginning of the Twentieth Century Popular Missions
Autorzy:
Brudzisz, Marian
Powiązania:
https://bibliotekanauki.pl/articles/1963111.pdf
Data publikacji:
2019-07-27
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
The Cherson diocese was established on 8th November 1850 by virtue of a concordat signed between the Russian authorities and the Apostolic See in 1847 and the circumscriptive bull Universalis Ecclesiae cura of 1848 embraced Besarabia (contemporary Moldavia), south Ukraine, Russia, and the Transcaucasia. In 1852, following the order from the Orthodox Church and the Russian government, the capital of the diocese was moved to Tyraspol on the Dniestr, and the diocese itself was renamed to Tyraspol. In 1856 tsarism again moved the seat of the diocese. This time to Saratov on the Volga, which fact was confirmed by the Apostolic See in 1860. Thus the name „Saratov diocese” appeared. The paper presents a „Report on the state of the Tyraspol diocese” made in 1982 by an unknown author. In the introduction of the Report we read that the area of the diocese was 1.227.000 square km, its population numbered 19.320.000, a mosaic of nationalities and religions, a number of Catholics, among others, Germans and Poles. Among the Catholics, the decisive majority was made up by Germans, ca. 200.000, living mainly on the lower Volga and in the province of Cherson; a second place was occupied by Poles, ca. 60.000, and further Armenians (30.000), Georgians, and Russians (Ukrainians). The national mosaic, together with religious mosaic, constituted by Othodox Christians, Protestants, Catholics, and Muslims, was a source of mutual pretensions, or even fights. The bishops of the new diocese were always Germans, for it was mainly for them that the diocese had been established. The „Report” is very critical of the first bishops: Ferdynand Kahn (1788-1864) and Zottmann (1826-1901), and very critical of Bishop Zerr (1849-1934), who in 1902 gave up the bishopric of Tyraspol. The author of the „Report” was also critical of all the members of the consistory and chapter, educators and professors of the theological seminary and the whole of the clergy working in the diocese, including the faithful. Those who earned a positive evaluation were brothers Antonow, Jan and Michał, both Georgians, and Rev. Alexander Boos, a German who had long been the theological seminary's rector. The religious revival in the diocese was owed to Bishops Edward Ropp (1851-1939), and especially Józef Kessler (1862-1933). The latter was the last bishop of the Tyraspol diocese. From 1904 on he worked on a versatile revival of the diocese, where he invited Polish and Austrian Redemptorists, and Bernardines who in the years 1907-1909 conducted almost 38 parochial recollections, 22 for Poles, and 16 for Germans.
Źródło:
Studia Polonijne; 2007, 28; 79-106
0137-5210
Pojawia się w:
Studia Polonijne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sąd Najwyższy Stanów Zjednoczonych na przełomie XIX i XX wieku
The Supreme Court of the United States on the Turn of the 19th Century
Autorzy:
Górski, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/1871344.pdf
Data publikacji:
2019-11-14
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Opis:
The end of 19th and the beginning of 20th century is a period of the most dynamic development in American history. In this period population of the USA growth three times, strongly developed American economy, and USA became a one of the world's superpowers. All these happens in the period after the tragedy of Civil War and after the Reconstruction. Federal Supreme Court was an institution, which played crucial role in the overcame consequences of those years. The Court has have to rebuild trust for himself, which was not simple after the D. Scott case consequences. When it has happened, Court started with great energy shaping constitutional, social, economic and religious foundations of the Republic. The great success of American progress in interesting period is also a great success of the Court, which stabilized law as a foundation of this development.
Źródło:
Roczniki Nauk Prawnych; 2005, 15, 1; 51-84
1507-7896
2544-5227
Pojawia się w:
Roczniki Nauk Prawnych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Виктория Захарова. Универсалии в русской литературе XX века (Серебряный век и русское зарубежье) [Viktoriya Zakharova. Universalii v russkoy literature XX veka (Serebryanyy vek i russkoye zarubezh’ye)]
Viktoriya Zakharova. Universalii v russkoy literature XX veka (Serebryanyy vek i russkoye zarubezh’ye) [Universals in Russian Literature of the 20th Century (The Silver Age and Russia Abroad)]
Autorzy:
Woźniak, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1876270.pdf
Data publikacji:
2020-08-13
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Źródło:
Roczniki Humanistyczne; 2020, 68, 7; 210-215
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 100

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