Temat: institutional criticism - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Feedback: próba zmapowania zjawiska. Część pierwsza: Fragmenty teorii feedbacku
Feedback: an attempt to map the phenomenon
Autorzy:: Mańka, Mira
Powiązania:: https://bibliotekanauki.pl/articles/3201182.pdf
Data publikacji:: 2023-04
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: feedback
feedback methods
violence studies
institutional criticism
non-hierarchical artistic strategies
Opis:: The article is an attempt to organise the knowledge about the theory and practice of feedback and to indicate it as a tool to support, organise and discipline the process of creative work and artistic education. The author embeds her reflections on feedback in two contexts. One is that of interdisciplinary knowledge in the field of psychology, sociology, education, and the theory and practice of business; the other is that of lived knowledge resulting from following the path of university and artistic education in Poland. Referring to her own work and the experiences of other creators, she constructs an open selection of her own reflections, recommendations and directions for the development of feedback, both in the perspectives of Polish theatre pedagogy and individual artistic practice.
Źródło:: Didaskalia. Gazeta Teatralna; 2023, 174; 6-43
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Reżyserka w teatrze. Władza w teatrze i możliwości zmiany modelu pracy na przykładzie procesu twórczego podczas realizacji spektaklu „M.G.” w Teatrze Polskim w Warszawie
Female Director in a Theatre. Power in theatre and possibilities to change the model of work based on the example of the creative process during the production of M.G. at Teatr Polski in Warsaw
Autorzy:: Strzępka, Monika
Powiązania:: https://bibliotekanauki.pl/articles/2079052.pdf
Data publikacji:: 2022-06
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: feminism
institutional criticism
contemporary history of Polish theatre
theatre ensembles
public theatre
Opis:: This piece of work is an attempt, grounded in artistic practice, to describe several key aspects of the mechanisms of hierarchy, power and violence in Polish theatre taking into account the perspective of a woman director. These mechanisms are currently the subject of theoretical studies and discussions within the community. In this paper I would like to propose a look “from the inside.” There is a historical and theoretical part followed by an attempt to analyse the mechanisms of power-sharing in theatre based on a discussion on competitions for the position of theatre manager, taking into consideration the criteria that discriminated against women for years, and the unspoken assumptions. This is followed by a self-reflection on the evolution of the author’s own working methods as a director with almost twenty years of artistic experience, and finally a description of the hierarchical relationships between an actress, a director and a manager, and of the political mechanisms involved. The second part of the paper is empirical in nature and is based primarily on the author’s experience of working at the Teatr Polski in Warsaw as well as her active participation in professional and public debate. It also describes the tension between the possibility of individual professional success and the permanence of anachronistic and violent systemic mechanisms of functioning of the institution of theatre.
Źródło:: Didaskalia. Gazeta Teatralna; 2022, 169-170; 33-74
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

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