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Wyszukujesz frazę "choreography" wg kryterium: Temat

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    Wyświetlanie 1-6 z 6
    Tytuł:
    Polityczność choreografii dla rodzin z perspektywy performance as research
    The politicalness of choreography for families from the perspective of performance as research
    Autorzy:
    Bylka-Kanecka, Hanna
    Powiązania:
    https://bibliotekanauki.pl/articles/2031428.pdf
    Data publikacji:
    2022-02
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    performance as research
    choreography
    the political
    TYA
    posthuman
    Opis:
    The aim of the paper is to provide a reflection on the choreographic practice in the field of dance performance for families in the context of related fields of politicalness, from the perspective of performance as research. The author describes some important moments in the global and Polish cultural policy concerning dance for children and presents an understanding of politicalness after Ana Vujanović and Mark Franko. The text undertakes reflection on the usefulness of the language of posthumanism (Chikako Takeshita, Karen Barad and Donna Haraway) in research into choreography intended for families. The author gives an insight into the creative practice by analysing the dimensions of politicalness in three performances by the Holobiont collective which she co-founded.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2022, 167; 209-235
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Politicality of Choreography for Families from the Perspective of Performance as Research
    Autorzy:
    Bylka-Kanecka, Hanna
    Jaskulski, Józef
    Powiązania:
    https://bibliotekanauki.pl/articles/2164335.pdf
    Data publikacji:
    2022-12
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    performance as research
    choreography
    the political
    TYA
    posthuman
    Opis:
    The aim of the paper is to provide a reflection on the choreographic practice in the field of dance performance for families in the context of related fields of politicalness, from the perspective of performance as research. The author describes some important moments in the global and Polish cultural policy concerning dance for children and presents an understanding of politicalness after Ana Vujanović and Mark Franko. The text undertakes reflection on the usefulness of the language of posthumanism (Chikako Takeshita, Karen Barad and Donna Haraway) in research into choreography intended for families. The author gives an insight into the creative practice by analysing the dimensions of politicalness in three performances by the Holobiont collective which she co-founded.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2022, English Issue 2022; 4-30
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Seniorskie potańcówki. O choreografiach podatnych na skruszenie
    Seniors Dancing. On Choreographies Susceptible to Getting Frail
    Autorzy:
    Müller, Alicja
    Powiązania:
    https://bibliotekanauki.pl/articles/22338101.pdf
    Data publikacji:
    2023-10
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    frailty
    old age
    Barbara Bujakowska
    Daria Kubisiak
    inclusive choreography
    Opis:
    The article discusses selected strategies of theatrical collaboration with male and female seniors with no stage experience where the aim is not only to encourage health-promoting behaviours in a group with difficult access to culture, but also to produce events of high artistic value that might be included in the professional theatrical circulation. The author describes two performances – Barbara Bujakowska’s The Voice of Seniors and Daria Kubisiak’s Przyjaciółka (A Girlfriend) in which senior people are empowered and share in the creative process together with professional artists. The article also draws attention to the dangers associated with tokenistic, i.e. apparent, inclusion and emotional exploitation of other bodies, and points to possible alternatives to the narratives that infantilise older people. Referring to Judith Butler’s reflections on frail bodies, the author analyses theatrical practices of care and concern. The article argues that stage emanations of the frailty of old bodies disenchant the stereotype of old age as a time of radically limited possibilities.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2023, 177; 86-109
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Współczesny taniec afrykański jako praktyka dekolonizacyjna
    Contemporary African dance as a decolonising practice
    Autorzy:
    Szymajda, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/11855271.pdf
    Data publikacji:
    2023-06
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    Africa
    choreography
    practices of decolonisation
    postcolonialism
    contemporary African dance
    Opis:
    This article takes a closer look at the processes of re-appropriation of the aesthetic field within which the phenomenon known as ‘contemporary African dance’ was shaped in the second half of the 20th century, mainly for the use of Western audiences. In the context of the generally outlined political and economic conditions of production, and using examples of performances that illuminate the basic concepts of postcolonial theories (e.g. H.K. Bhabha, E.W. Said and R. Bharucha), the main historical and aesthetic lines of the formation of the term ‘contemporary African dance’ and its possible designations are presented, and the artistic attitudes and formal procedures that artists of different generations employ in the process of reclaiming and transforming the aesthetic field that this term defines are evoked.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2023, 175-176; 35-59
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Miękkie choreografie. O tańcu eksperymentalnym dla rodzin
    Soft choreographies. On experimental dance works for families
    Autorzy:
    Müller, Alicja
    Wycisk, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/2031429.pdf
    Data publikacji:
    2022-02
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    experimental dance
    multigenerational projects
    affirmative ethics
    Holobiont collective
    Anna Wańtuch
    soft choreography
    Opis:
    The article discusses characteristic dramaturgical and ethical strategies that appear in the field of experimental dance for families. It describes selected works of Anna Wańtuch (Contact Families Show) and the Holobiont collective (_on_line__) in which children and their guardians are invited to participate in a creative process. Moreover, kids do not imitate adults, but are encouraged to act and perform according to their own wishes and conditions. Both projects practise care and affectionate relations, value the process as an element of production, and are inspired by change. The article argues that these interactive performances can be described as examples of what Mette Ingvarsten calls ‘soft choreography’, i.e. a choreography that produces a safe space for a dialogical meeting and particularly stresses the importance of being attentive and responsive to the different needs of others. It proves that dance works that embody non-hierarchical social systems and do not objectify young audiences have enormous emancipatory potential and can be treated as speculations about possible, more inclusive futures.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2022, 167; 236-262
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Soft Choreographies. On Experimental Dance Performances for Families
    Autorzy:
    Müller, Alicja
    Wycisk, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/2164334.pdf
    Data publikacji:
    2022-12
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    experimental dance
    multigenerational projects
    affirmative ethics
    Holobiont collective
    Anna Wańtuch
    soft choreography
    Opis:
    The article discusses characteristic dramaturgical and ethical strategies that appear in the field of experimental dance for families. It describes selected works of Anna Wańtuch (Contact Families Show) and the Holobiont collective (_on_line__) in which children and their guardians are invited to participate in a creative process. Moreover, kids do not imitate adults, but are encouraged to act and perform according to their own wishes and conditions. Both projects practise care and affectionate relations, value the process as an element of production, and are inspired by change. The article argues that these interactive performances can be described as examples of what Mette Ingvarsten calls ‘soft choreography’, i.e. a choreography that produces a safe space for a dialogical meeting and particularly stresses the importance of being attentive and responsive to the different needs of others. It proves that dance works that embody non-hierarchical social systems and do not objectify young audiences have enormous emancipatory potential and can be treated as speculations about possible, more inclusive futures.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2022, English Issue 2022; 31-57
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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