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Wyszukujesz frazę "INTERSECTIONALITY" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
“Our World Is Ruled by Insensitivity”: The #MeToo Movement and Transformation
Autorzy:
Adamiecka-Sitek, Agata
Rusek, Mirosław
Powiązania:
https://bibliotekanauki.pl/articles/1955947.pdf
Data publikacji:
2021-12
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
#MeToo
discrimination
intersectionality
Gardzienice
institutional critique
Opis:
The article analyzes the transformational potential of the #MeToo movement in terms of personal experience, institutional and social transformations, looking first of all at the dynamics the movement has created in theatre in Poland and around the world. The author unveils the systemic dimension of violence encoded in invisible and standardized relations of domination and subordination, inscribed in the two models which are still very common in Polish theatre: the “master and apprentice” model defining the position of a director and the “feudal” model visible in institutional relations. Looking at the Gardzienice case and the reactions of the public to the testimonies exposing violence, the author also mentions examples of institutional and systemic reactions to similar situations in British and Belgian theatre. In this way, she outlines possible directions for action in Polish theatre. She asks questions about the transformative and emancipatory potential of the #MeToo movement, emphasizing the necessity to consider an intersectional perspective, to build alliances and to practice promiscuous care.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, English Issue 2021; 4-41
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Naszym światem włada nieczułość” #MeToo i transformacja
"Our World Is Ruled by Insensitivity." The #MeToo Movement and Its Transformation
Autorzy:
Adamiecka-Sitek, Agata
Powiązania:
https://bibliotekanauki.pl/articles/1815527.pdf
Data publikacji:
2021-02
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
#MeToo
discrimination
intersectionality
"Gardzienice"
institutional critique
Opis:
The article analyzes the transformational potential of the #MeToo movement in terms of personal experience, institutional, and social transformations, looking first of all at the dynamics the movement has created in theater in Poland and around the world. The author unveils the systemic dimension of violence encoded in invisible and standardized relations of domination and subordination, inscribed in the two models which are still very common in Polish theater: the "master and apprentice" model defining the position of a director and the "feudal" model visible in institutional relations.Looking at the "Gardzienice" case and the reactions of the public to the testimonies exposing violence, the author also mentions examples of institutional and systemic reactions to similar situations in British and Belgian theater. In this way, she outlines possible directions for action in Polish theater. She asks questions about the transformative and emancipatory potential of the #MeToo movement, emphasizing the necessity to consider an intersectional perspective, to build alliances and to practice promiscuous care.
Źródło:
Didaskalia. Gazeta Teatralna; 2021, 161; 86-134
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Intersectionality and Geopathic Place in Disability Dramaturgy: A Case of ‘All of Us’ by Francesca Martinez (2022)
Autorzy:
Lorek-Jezińska, Edyta
Powiązania:
https://bibliotekanauki.pl/articles/31340781.pdf
Data publikacji:
2024-02
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
disability drama
geopathic place
intersectionality
complex embodiment
Opis:
The aim of this article is to investigate the influence of intersectional politics of recent disability drama on the conceptualization of place. My point of departure is Una Chaudhuri’s concept of geopathic place and its discussion within the context of dramaturgy of disability by Victoria Ann Lewis. In her Staging Place: The Geography of Modern Drama, Una Chaudhuri claims that ‘the geopathic paradigm underlying realist drama … supports a certain construction of identity: identity as a negotiation with – and on occasion a heroic overcoming of – the power of place’ (1997, p. 56). Victoria Ann Lewis in her 2004 article argues that artists with disabilities often ‘re-code’ identity and place as well as ‘disrupt the liberal dichotomies of individual freedom vs. confinement/prison and the related hierarchical oppositions of movement over stasis, and time over place.’ In my discussion of All of Us by Francesca Martinez, I will focus on very recent redefinitions of these oppositions and dichotomies enabled by intersectional constructions of characters and spaces. I will also trace how in exploring the relation between these two categories and human embodiment, All of Us promotes the notions of human variety and shared humanity, which prevent potential stigmatizations of characters with disabilities.
Źródło:
Didaskalia. Gazeta Teatralna; 2024, 179; 115-138
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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