Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "#metoo" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-5 z 5
    Tytuł:
    „Naszym światem włada nieczułość” #MeToo i transformacja
    "Our World Is Ruled by Insensitivity." The #MeToo Movement and Its Transformation
    Autorzy:
    Adamiecka-Sitek, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/1815527.pdf
    Data publikacji:
    2021-02
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    #MeToo
    discrimination
    intersectionality
    "Gardzienice"
    institutional critique
    Opis:
    The article analyzes the transformational potential of the #MeToo movement in terms of personal experience, institutional, and social transformations, looking first of all at the dynamics the movement has created in theater in Poland and around the world. The author unveils the systemic dimension of violence encoded in invisible and standardized relations of domination and subordination, inscribed in the two models which are still very common in Polish theater: the "master and apprentice" model defining the position of a director and the "feudal" model visible in institutional relations.Looking at the "Gardzienice" case and the reactions of the public to the testimonies exposing violence, the author also mentions examples of institutional and systemic reactions to similar situations in British and Belgian theater. In this way, she outlines possible directions for action in Polish theater. She asks questions about the transformative and emancipatory potential of the #MeToo movement, emphasizing the necessity to consider an intersectional perspective, to build alliances and to practice promiscuous care.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2021, 161; 86-134
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Our World Is Ruled by Insensitivity”: The #MeToo Movement and Transformation
    Autorzy:
    Adamiecka-Sitek, Agata
    Rusek, Mirosław
    Powiązania:
    https://bibliotekanauki.pl/articles/1955947.pdf
    Data publikacji:
    2021-12
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    #MeToo
    discrimination
    intersectionality
    Gardzienice
    institutional critique
    Opis:
    The article analyzes the transformational potential of the #MeToo movement in terms of personal experience, institutional and social transformations, looking first of all at the dynamics the movement has created in theatre in Poland and around the world. The author unveils the systemic dimension of violence encoded in invisible and standardized relations of domination and subordination, inscribed in the two models which are still very common in Polish theatre: the “master and apprentice” model defining the position of a director and the “feudal” model visible in institutional relations. Looking at the Gardzienice case and the reactions of the public to the testimonies exposing violence, the author also mentions examples of institutional and systemic reactions to similar situations in British and Belgian theatre. In this way, she outlines possible directions for action in Polish theatre. She asks questions about the transformative and emancipatory potential of the #MeToo movement, emphasizing the necessity to consider an intersectional perspective, to build alliances and to practice promiscuous care.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2021, English Issue 2021; 4-41
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “No one will ever be alone again”: Performances of Precarity and Solidarity amid the Greek #MeToo
    Autorzy:
    Fragkou, Marissia
    Powiązania:
    https://bibliotekanauki.pl/articles/2031436.pdf
    Data publikacji:
    2022-02
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    MeToo
    Greek theatre institutions
    solidarity
    precarity
    feminism
    Opis:
    This essay considers how #MeToo’s recent iteration in the Greek context has stirred trouble in the theatre, instigating a politics of resistance against obdurate histories of injustice against women’s bodies in the industry whilst also creating spaces for solidarity among performers and theatre makers. My main intention is to examine how the above issues form part of the same ecology of precarity that dovetailed when the Greek #MeToo began to take force. In doing so, I will first focus on two recent major incidents occurring in the country’s flagship state theatre, the National Theatre of Greece, which involved two of its former male artistic directors in order to discuss how debates around precarity and exclusion in the theatre industry were unearthed. I will then shift focus to Greek artists’ self-organizing tactics through the examples of the activist network Support Art Workers and the Actors’ Trade Union who have started developing codes of conduct and strategies to challenge the devaluation and feminization of artistic labour. The article will further make reference to specific developments across the international theatre industry that connect to the tenets of the #MeToo which offer apertures for progressive change in the field of Greek theatre and its institutions.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2022, 167; 6-32
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dlaczego przestały milczeć? Dlaczego zostały wysłuchane? Afektywna analiza #metoo w Teatrze Bagatela
    Why Did They Break the Silence? Why Were They Heard? An Affective Analysis of #MeToo at the Bagatela Theatre
    Autorzy:
    Kwaśniewska, Monika
    Powiązania:
    https://bibliotekanauki.pl/articles/889481.pdf
    Data publikacji:
    2020-10
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    Bagatela Theatre
    #MeToo
    affect theory
    media
    institutional critique
    Opis:
    The article analyses the media coverage of the accusations of sexual harassment and mobbing made against Henryk Jacek S., a long-time director of the Bagatela Theatre in Krakow, by its female employees. Based on the employees’ statements, the author tries to describe the situation in the theatre before the case was exposed. She refers to the category of ‘ugly feelings’, created and explored by Sianne Ngai, and specifically, to the affect of animatedness, which is characterised by particularly limited agency and the blurring of the boundary between the inside and the outside. The moment when the female employees broke the silence is associated by the author with the affect of disgust (as defined by Sara Ahmed) and the related revulsion and nausea. She also examines how this affective dynamic has influenced the women’s agency and effectiveness in relation to the recipients of their public appearances.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2020, 159; 1-41
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Jaka jest przyszłość niemieckiego teatru?
    What is the future of German theatre?
    Autorzy:
    Głowacka, Aneta
    Powiązania:
    https://bibliotekanauki.pl/articles/2031441.pdf
    Data publikacji:
    2022-02
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    MeToo
    system of theatre organization in Germany
    democratisation of institutions
    power relations
    work ethic
    Opis:
    This article discusses the transformations taking place in German theatre, triggered by the #MeToo movement. In Germany, these began in 2018 with the sexual harassment accusation of a prominent film and television director and producer, Dieter Wedel, although the activism of organisations drawing attention to violence against women began much earlier. Subsequent cases of harassment and violence in the workplace revealed in the media have prompted the theatre and film community to discuss corrective action on a systemic level. The article discusses both the actions taken by various organisations and associations, such as the Deutscher Bühnenverein (German Stage Federation), the Themis association or the non-profit organisation ensemle-netzwork, as well as research conducted in Germany (among others by Thomas Schmidt) on abuses of power in theatre and film. Their results clearly indicate the need for equality, anti-violence and anti-discrimination measures in the film and theatre industry, as well as a change towards a more democratic management model.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2022, 167; 33-56
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies