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    Tytuł:
    Zbójcy, psy i kolektywy Franka Castorfa w Volksbühne w latach 1992-2017
    Frank Castorf’s Robbers, Dogs and Collectives in Volksbühne from 1992-2017
    Autorzy:
    Duda, Artur
    Powiązania:
    https://bibliotekanauki.pl/articles/889379.pdf
    Data publikacji:
    2020-02
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    political theater
    German theater
    Frank Castorf
    Volksbühne
    theatre groups
    Opis:
    The article is an attempt to sketch the problem of the theatre group in the work of Frank Castor, German director and head of Berlin’s Volksbühne. The aesthetics of cynical, political, and critical theatre adopted by Castorf determined his thoughts about the theater group as a dynamic, constantly evolving category, developed with the contemporary theatre program in mind and in opposition to the theatre as an institution. The author presents the collectives of Frank Castorf during his time as head of Volksbühne, recalling the statements of the director himself and his colleagues, as well as reaching for the source of his practice through the lens of his activities in the eighties in a provincial theatre in Anklam.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2020, 155; 1-24
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wyzwania kolektywnej dyrekcji Volksbühne oraz teatru politycznego par excellence
    Challenges of Collective Management of the Volksbühne and of the Political Theatre Par Excellence
    Autorzy:
    Duda, Artur
    Powiązania:
    https://bibliotekanauki.pl/articles/2079074.pdf
    Data publikacji:
    2022-06
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    Volksbühne
    post-heroic management
    contemporary German theatre
    political theatre
    the order of the distribution of the sensible
    Opis:
    The article presents selected issues related to the collective management of the Volksbühne initiated by René Pollesch together with six representatives of the theatre company. The crisis caused by the non-renewal of Frank Castorf’s managerial contract and the disclosure of the sexist practices of one of his successors, Klaus Dörr, provoked a broad debate around the preferred management style in this Berlin theatre. Drawing on numerous articles and conversations published in professional magazines (Theater heute, Theater der Zeit) and the opinion-forming all-German press, the author illuminates the heuristic, intuitive character of the new collective management at the Volksbühne against the background of the growing debate in Germany about the need to empower social groups excluded in terms of class, race or gender. The calls for dismantling the central position of the theatre manager (Intendant) and employing a post-heroic management model are confronted with the analysis of the Volksbühne case in terms of ‘politicised’ theatre. According to Jacques Rancière, the political nature of art manifests itself in establishing an open space in which voiceless groups or communities can articulate their political aspirations and attempt to redefine the order of the ‘distribution of the sensible.’ On the one hand, it is worth noting that the newest collective management of the Volksbühne seeks to go beyond the centralised pattern of leadership performed by Frank Castorf and his group of ‘old revolutionaries’ towards the emancipation of women and non-heteronormative groups. On the other hand, the problem of empowerment of Eastern Europeans regained its importance after the outbreak of the war in Ukraine. It means the restitution of a key challenge of Castorf’s theatre that was proclaimed after the reunification of Germany.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2022, 169-170; 312-335
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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