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    Wyświetlanie 1-6 z 6
    Tytuł:
    Provocateurs of Experiences, Practitioners of Traps
    Autorzy:
    Ogrodzka, Dorota
    Mirosław, Rusek
    Powiązania:
    https://bibliotekanauki.pl/articles/2164332.pdf
    Data publikacji:
    2022-12
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    participatory art
    performance
    experience
    trap
    collective
    Opis:
    This article is a self-analytical description of the work of the Laboratorium Teatralno-Społeczne (Social Theatre Laboratory), an artistic collective based in Warsaw. It mainly focuses on the Theatre’s audience/participant involvement strategies and their ways of constructing theatre experiences and telling stories in a participatory style. The author discusses examples of performances, performative actions, ways of creating the dramaturgy and the type of relationships that performers establish with the audience in the work of the Laboratorium Teatralno-Społeczne collective. At the same time, she examines what kinds of challenges are faced by groups and artists who declare their willingness to create participatory art. She seeks to propose interpretative notions for naming and describing these challenges.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2022, English Issue 2022; 95-132
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Prowokatorzy doświadczeń, praktyczki pułapek
    Provocateurs of experiences, practitioners of pitfalls
    Autorzy:
    Ogrodzka, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/2050056.pdf
    Data publikacji:
    2022-04
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    participatory art
    performance
    experience
    trap
    collective
    Opis:
    The article is a self-analytical description of the activities of the Theatre and Social Laboratory (TSL) – an artistic collective operating in Warsaw. The main subjects are strategies for engaging audiences / participants, as well as ways of constructing theatrical experiences, and building and telling stories in the participatory style. The author discusses examples of performances, performative actions, ways of creating dramaturgy and the type of relationships that performers establish with the audience in the work of TSL collective. At the same time, she wonders what kinds of challenges are faced by teams or artists who declare their willingness to create participatory art. She tries to propose interpretation categories for naming and describing these challenges.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2022, 168; 161-199
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Signifier Cannot Be Detached from the Body
    Autorzy:
    Dworakowska, Zofia
    Rusek, Mirosław
    Powiązania:
    https://bibliotekanauki.pl/articles/1955934.pdf
    Data publikacji:
    2021-12
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    qualitative research
    participatory art
    performance studies
    representation
    Symphony of the Ursus Factory
    Opis:
    The text is a proposal to analyse the film Symphony of the Ursus Factory from three different perspectives: performance studies, qualitative research, and participatory art. Departing from a quote by the director, Jaśmina Wójcik, where she reminisces about her first encounters with the former employees of the factory, the author focuses on the issue of embodied knowledge. Through discussing different moments of the film and its visual and audial strategy, the author also shows how theatricality mixes with documentality in the production. The author also refers to different events and activities from the nine-year-long Factory Ursus Project to show it as a long-term process grounded on different modes of participation and collaboration, without which the movie could not have been possible and which legitimates its artistic form.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2021, English Issue 2021; 90-112
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Znaczenia nie da się oddzielić od ciała
    The Meaning Cannot Be Separated From The Body
    Autorzy:
    Dworakowska, Zofia
    Powiązania:
    https://bibliotekanauki.pl/articles/1359084.pdf
    Data publikacji:
    2021-06
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    qualitative research
    participatory art
    performance studies
    representation
    Symphony of the Ursus Factory
    Opis:
    The text is a proposal to analyse the film Symphony of the Ursus Factory from three different perspectives: performance studies, qualitative research, and participatory art. Departing from a quote by the director, Jaśmina Wójcik, where she reminisces about her first encounters with the former employees of the factory, the author focuses on the issue of embodied knowledge. Through discussing different moments of the film and its visual and audial strategy, the author also shows how theatricality mixes with documentality in the production. The author also refers to different events and activities from the nine-year-long Factory Ursus Project to show it as a long-term process grounded on different modes of participation and collaboration, without which the movie could not have been possible and which legitimates its artistic form.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2021, 163/164; 28-51
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wyjść z teatru i w nim pozostać Nikołaj Jewreinow – spojrzenie z XXI wieku
    Stepping Out of the Theater and Remaining in It: A 21st Century Retrospective on the Art of Nikolai Evreinov
    Autorzy:
    Osińska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1815536.pdf
    Data publikacji:
    2021-02
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    Nikolai Evreinov
    theatralization of life
    the scapegoat ritual
    drama therapy
    performance studies
    Opis:
    Nowadays the growing interest in the work of Nikolai Evreinov, especially in the idea of the theatralization of life, provokes the question: Was Evreinov really ahead of his time, as Erika Fischer-Lichte suggests? What do his ideas mean today, in the era of performance studies? The article discusses Evreinov's most important concepts – such as the theatralization of life (on the example of human sex life, among others), monodrama, theater for oneself – as well as his works on the origins of theater which he saw in the scapegoat rituals, folk rituals, and public executions. Evreinov's ideas are juxtaposed with his work as a director (as the co-creator of the Ancient Theater in St. Petersburg, and the director of the mass spectacle The Storming of the Winter Palace) and with his dramatic works (on the example of the following dramas: The Beautiful Despot, In the Stage-Wings of the Soul [also known as: Theatre of the Soul], the parody The Inspector General [also known as: The Government Inspector] and The Chief Thing).
    Źródło:
    Didaskalia. Gazeta Teatralna; 2021, 161; 176-226
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Federalny program ratunkowy” Centrum Politycznego Piękna jako przykład performansu pamięci wielokierunkowej
    “Federal Emergency Programme” by the Centre for Political Beauty as an Example of the Performance of Multidirectional Memory
    Autorzy:
    Tabak, Wiktoria
    Powiązania:
    https://bibliotekanauki.pl/articles/1830738.pdf
    Data publikacji:
    2021-10
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    Centre for Political Beauty
    Kindertransport
    Holocaust
    refugee crisis
    war in Syria
    Michael Rothberg
    multidirectional memory
    political art
    Opis:
    The article highlights the activities of the Centre for Political Beauty), a Berlin-based collective operating on the border of art and activism. The author maps the artistic strategies of the creators, discusses their inspirations and general assumptions of the collective. A significant part of the text is devoted to an extensive analysis of Federal Emergency Programme (2014), a public intervention whose starting point was an attempt to rewrite the historical Kindertransport rescue operation to the socio-political realities shaped by the conflict in Syria. Using the theory of reconstruction and the Michael Rothberg’s theory of multidirectional memory, the author refers to this project – and other similarly structured actions – as “performances of multidirectional memory”, which allows her to point out how the highly polarizing the public, artistic-activist campaigns of Centre for Political Beauty create scenarios of political alternatives in which different experiences of extreme violence are not prioritized.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2021, 165; 8-34
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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