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    Wyświetlanie 1-6 z 6
    Tytuł:
    Wiarygodny obraz Boga a relacje między wiarą i nauką
    Autorzy:
    Królikowski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/1927605.pdf
    Data publikacji:
    2019
    Wydawca:
    Instytut Teologiczno-Pastoralny im. św. bpa Józefa Sebastiana Pelczara
    Tematy:
    obraz Boga
    obraz świata
    dialog
    konflikt
    nauki przyrodnicze
    teologia
    teologia fundamentalna
    image of God
    imgae of world
    dialogue
    conflict
    sciences
    theology
    fundamental theology
    Opis:
    The article takes the issue of the image of God in the perspective of the relationships between faith and science. The structure of the article determines the three kinds of relationships between them. The first two are relations of conflict resulting on the one hand from the supremacy of faith over science, on the other - the reduction of faith by science. The third group of relations is the positions of dialogue and integration. Each relationship casts on the image of God. The consequence of the supremacy of faith over the science is the understanding of God as a distant, unknownable, inaccessible to man, and on the other as a tyrant who does not respect the autonomy, freedom and dignity of his creation. In the reduction of faith by science the image of God is twofold. On the one hand, God is reduced to the role of physics premise and assumption of the mechanics of the universe or to the Newtonian Watchmaker, and on the other is by science rejected as an unnecessary assumption. These claims of science are, however, included in the materialistic and atheistical position and going beyond their competences. The positions of dialogue and integration show that not only is no conflict between faith and science, but also that the results of science are the basis for a credible understanding of God’s image, which is consistent with his biblical image.
    Źródło:
    Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej; 2019, 26; 203-223
    1234-8880
    Pojawia się w:
    Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Staurologiczno-rezurekcyjne wątki w malarstwie Salvadora Dalego
    STAUROLOGICAL-RESURRECTIONAL THEMES IN SALVADOR DALÍ’S PAINTING
    Autorzy:
    Królikowski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/490054.pdf
    Data publikacji:
    2016
    Wydawca:
    Instytut Teologiczno-Pastoralny im. św. bpa Józefa Sebastiana Pelczara
    Tematy:
    chrystologia
    wydarzenia paschalne
    Ostatnia Wieczerza
    Ukrzyżowanie
    Zmartwychwstanie
    Wniebowstąpienie
    ikonografia
    Salvador Dalí
    christology
    paschal mystery
    Last Supper
    Crucifixion
    Resurrection
    Ascension
    iconography
    Opis:
    Salvador Dalí, one of the most famous Surrealist artists, and 20th century painters, highly imaginative, eccentric, know for his unusual behaviour, maybe best-known for his work ‘The Persistence of Memory’, was also the author of religious paintings. From them on the christological or rather staurological-resurrectional criterion can be distinguish group of paintings which in very original way are connected to paschal mystery’ themes. These pictures and their staurological-resurrectional contents are subject of this article. These pictures have been analysed in three points: Last Supper, Crucifixion, Resurrection. Dalí’s staurological-resurrectional works show thematic dependencies and relationships not only in the indicated groups but also between them. It shows Dalí’s coherent method of artistic expression – nuclear mysticism. In his painting this is a kind of synthesis mysticism and sciences, especially atomic and nuclear physics, in presentation religious contents, especially christological.Dalí’s works are not refer directly to paschal events, but present significance of Christ’s crucifixion and resurrection for whole universe, for all creation, and especially for a man. Dalí’s pictures shows that Christ by his death and resurrection transformed world in new creation, that He has been present in world history and waiting with an offer of salvation (especially in Eucharist) for every man, that He wants to bring all people and whole creation into heaven, and in this way complete His Ascension. Dalí shows heaven as reality very close to man, available for him at all the time. People can participate in heaven, if they are open to God’s reality. Dalí pictures helps to see that human life is in constant relationship to God which is not far away, but very close, although in another dimension.
    Źródło:
    Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej; 2016, 23; 123-157
    1234-8880
    Pojawia się w:
    Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Strukturalna wiarygodność Kościoła w eklezjologicznych poglądach ks. Mariana Ruseckiego
    STRUCTURAL CREDIBILITY OF THE CHURCH IN REV. MARIAN RUSECKIS ECCLESIOLOGICAL THOUGHT
    Autorzy:
    Królikowski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/490180.pdf
    Data publikacji:
    2015
    Wydawca:
    Instytut Teologiczno-Pastoralny im. św. bpa Józefa Sebastiana Pelczara
    Tematy:
    Kościół
    eklezjologia fundamentalna
    koncepcje Kościoła, wiarygodność Kościoła
    strukturalna wiarygodność
    argumentacja
    Church
    fundamental ecclesiology
    conceptions of the Church
    credibility of the Church
    structural credibility
    argumentation
    Opis:
    This article presents question of structural credibility of the Church based on ecclesiological thought of rev. Marian Rusecki, professor of fundamental theology and the founder of Fundamental Theology School of Lublin. Though Rusecki did not work out fully comprehensive fundamental ecclesiology, he in his researches investigate many issues connected with credibility of Church. First of all Rusecki pointed to the divine-human structure of Church. He motivates this structure in reference to the paschal ecclesiogenesis, which in turn indicates on essence of the Church – the communicaton of Revelation and the salvation in time and space. Rusecki introduced theological conceptions of Church: salvation-historical, semeiotical, personalistic. They serve to show realization Church's essence in temporary, spatial and deep (from below) dimensions. These dimensions and these conceptions of the Church are connected each other and indicate that the Church is credible and true. Salvation-historical conception presents Church as herald of Revelation in temporal dimension. This article shows temporary frames of Church and its permanent identity and continuity in time from creation to the end of time. Attention was turned on Tradition, Magisterium Ecclesiae and permanent ecclesiogenesis which make possible communication of Revelation by the Church in time. Semiotical conception of the Church refers to spatial dimension and shows Church as salvific community, as sign of Christ, and sign of salvation. It has two breadths – Church membership and relationship to the Church. In deep (from below) dimension, based on of personalistic conception, the Church is shown as the environment in which the man can fulfill his orientation towards transcendence and fully realize his personal existence in Jesus Christ and His Church. Church as witness of Revelation and Christ leads a man to conversion and to faith, and include him in the sacramental sign of the Church. Church has transformative influence on man and on the various dimensions of his life. But members of the Church in their live are witness of Jesus Christ and the Church too. This part of article presents also axiological argumentation for credibility of the Church. These dimensions of Church portray fulfillment Church's essence and realization of its mission, thereby structural credibility of Church becomes justify. Article pays attention also on conditions of the cognizance of the structural credibility of the Church.
    Źródło:
    Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej; 2015, 22; 177-210
    1234-8880
    Pojawia się w:
    Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    ROLA SANKTUARIÓW W UZASADNIANIU WIARYGODNOŚCI CHRZEŚCIJAŃSTWA NA PRZYKŁADZIE DIECEZJI RZESZOWSKIEJ
    THE ROLE OF SANCTUARIES IN JUSTIFYING THE CREDIBILITY OF CHRISTIANITY ON THE EXAMPLE OF THE DIOCESE OF RZESZÓW
    Autorzy:
    Królikowski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/490006.pdf
    Data publikacji:
    2017
    Wydawca:
    Instytut Teologiczno-Pastoralny im. św. bpa Józefa Sebastiana Pelczara
    Tematy:
    wiarygodność, chrześcijaństwo, argumentacja, sanktuaria, uzasadnianie, świadectwo, dobro, nadzieja, kultura
    credibility, Christianity, argumentation, sanctuaries, justification, testimony, good, hope, culture
    Opis:
    The present article, on the example of selected sanctuaries of the diocese of Rzeszów, undertakes the question of ability of the sanctuaries to justify the credibility of the Christianity. According to author of the article sanctuaries can play role of premises in some arguments of credibility of the Christianity that are formulated in fundamental theology school of Lublin. In this function article shows sanctuaries as premises of martyrological, goods-bringing, hope-giving, and cultur-making arguments. In a martyrological one sanctuary premise emphasizes a meaning of martyrs as a witnesses of Christian faith, accents continuity of saving activity of God, especially through mediation of Mary and saints. It also draw attention to man as a witness of works of God’s grace and to his testimony. In goods-bringing argument sanctuaries show role of saints and Mary's in receiving goods from God. Sanctuaries are places where God gives to man spiritual and physical goods or restores them. Moreover, sanctuaries are places where man is stimulated to do good. In hope-giving argument sanctuary premises indicated that sanctuaries are places of hope and places of confirming this hope, which has basic in Resurrection of Christ. Sanctuaries play an important role in strengthen and build of final hope, which give sense to the whole of man's life, and enable man to act in true and freedom. In culutre-making argument sanctuary premises justify its role in forming man as creator and recipient of the culture. Sanctuaries lead to the highest values, help to discover and experience beauty. Sanctuaries are also related to works of art such as painting, sculpture, architecture, literature and music. They have also importance for the development of education.
    Źródło:
    Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej; 2017, 24; 203-231
    1234-8880
    Pojawia się w:
    Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Krzyż w ikonografii. W kierunku interpretacji teologicznofundamentalnej
    TOWARDS A FUNDAMENTAL THEOLOGY INTERPRETATION OF THE ICONOGRAPHY OF THE CROSS
    Autorzy:
    Siodłowska, Małgorzata
    Królikowski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/490076.pdf
    Data publikacji:
    2015
    Wydawca:
    Instytut Teologiczno-Pastoralny im. św. bpa Józefa Sebastiana Pelczara
    Tematy:
    krzyż
    ikonografia
    wiarygodność
    chrystologia
    eklezjologia
    cross
    iconography
    credibility
    christology
    ecclesiology
    Opis:
    The purpose of this article is to show cognitive value of the iconography of the Cross for fundamental theology and process of justification of credibility of this redemptive and salvific Event. Authors of article focuses on main motifs and themes of the staurological iconography and classify them in three groups: representations of the Trinity on the Cross (Throne of Grace), ecclesiological elements in representations of the Cross (connected with institution of the Eucharist and New Covenant, and establishing new people of God), and christological implications. Article indicates theological contents of each of that iconographical groups and shows that all of them make a contribution to understanding the reality of paschal mystery and the realm of the Church, help to reflect on the history of salvation, make it easy the contemplation of the mystery of the Cross. Iconography of resurrection of Cross has a sign structure and therefore it contains content of faith, and affects both the aesthetic and intellectual spheres of man. In this way the iconography of the Cross has cognitive functions and to some extent contributes to portraying the credibility of the Cross, Jesus Christ and the Church.
    Źródło:
    Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej; 2015, 22; 267-302
    1234-8880
    Pojawia się w:
    Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zmartwychwstanie w ikonografii. W kierunku interpretacji teologicznofundamentalnej
    TOWARDS A FUNDAMENTAL THEOLOGY INTERPRETATION OF THE ICONOGRAPHY OF THE RESURRECTION OF JESUS CHRIST
    Autorzy:
    Siodłowska, Małgorzata
    Królikowski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/490148.pdf
    Data publikacji:
    2014
    Wydawca:
    Instytut Teologiczno-Pastoralny im. św. bpa Józefa Sebastiana Pelczara
    Tematy:
    resurrection
    iconography
    interpretation
    zmartwychwstanie
    ikonografia
    interpretacja
    Opis:
    The purpose of this article is to show cognitive value of the iconography of resurrection of Jesus Christ for fundamental theology and process of justification of credibility of this salvific Event. Authors of article focuses on main iconographical motifs in the four groups of Resurrection’s scenes: descent into hell, empty tomb, post-resurrection appearance of Jesus Christ, Ascension. Article indicates theological contents of each of that iconographi- cal groups and shows that all of them make a contribution to understanding the reality of the resurrection of Jesus Christ, help to reflect on the history of salvation, make it easy the contemplation of this salvific Event. Iconography of resurrection of Jesus Christ has a sign structure and therefore it the carries content of faith, and affects both the aesthetic and intellectual spheres of man. In this way the iconography of the resurrection has cognitive functions and to some extent contributes to portraying the credibility of paschal events.
    Źródło:
    Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej; 2014, 21; 361-385
    1234-8880
    Pojawia się w:
    Resovia Sacra : Studia Teologiczno-Filozoficzne Diecezji Rzeszowskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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