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Wyświetlanie 1-4 z 4
Tytuł:
Paryskie Radio „Solidarność” – zapomniany epizod w radiofonii
‘Solidarność’ Radio in Paris. A Forgotten Episode in Radio Broadcasting
Autorzy:
Orzechowska-Chodurska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/478192.pdf
Data publikacji:
2010
Wydawca:
Instytut Pamięci Narodowej, Komisja Ścigania Zbrodni przeciwko Narodowi Polskiemu
Opis:
Parisian “Radio Solidarity” started broadcasting a few days after imposing martial law in Poland, in December 1981. Frenchmen, who were its originators and founders, by creating that radio, they mainly set out to support fights against world’s totalitarian systems and to foster all bearing democracies in the communist countries, therefore new political situation in Poland played only secondary role. However, it was not long until Radio Solidarity became a “Polish voice”. Many creative, dedicated and young Poles, stopped in France by martial law, started creating strong basis of the radio crew. Among its members there were also emigrants from other countries – those of the Eastern Block and from Afghanistan and some French political, social and trade unions’ activists. Radio programmes were initially broadcasted in French because they were aimed at francophone listeners. Then particular transmissions were also in Polish. Due to the fact that the broadcast coverage was limited, no-one but people living in Paris and in suburbia was able to listen to it. Radio Solidarity was informing both, French and Polish listeners, about current political situation in Poland. It was also deeply engaged in organizing help for Poles staying in France and for fellow countrymen living in Poland – especially for the internees and their families. Furthermore, French trade unions’ activists and many nongovernmental organizations’ members were offered access to “live” radio transmissions in order to discuss and exchange opinions with the listeners. As the radio was developing, its engagement in activity for the defence of human rights increased, nonetheless the Polish issue was being raised the most frequently in many radio programmes. Radio Solidarity reached its climax of popularity in 1982 as a result of public concern in France about Polish problem. Radio Solidarity was not at service of any political organisations’ nor of trade unions’ and was not sponsored regularly. Moreover, the radio crew never derived financial benefits from their work, they worked for free – for the society. Despite the fact that the radio was being offered financial support from many its friends, the permanent lack of money was really problematic. Once, in 1991, the permission to broadcast expired – Radio Solidarity eventually stopped existing.
Źródło:
Pamięć i Sprawiedliwość; 2010, 2(16); 171-191
1427-7476
Pojawia się w:
Pamięć i Sprawiedliwość
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Plastyka w Kościele w latach 1981–1989. Trwałe przymierze czy epizod?
Art in the Church in the years 1981–1989. A permanent alliance or just an episode?
Autorzy:
Gralińska-Toborek, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/477094.pdf
Data publikacji:
2005
Wydawca:
Instytut Pamięci Narodowej, Komisja Ścigania Zbrodni przeciwko Narodowi Polskiemu
Opis:
The article describes art under the patronage of parish churches in the years 1982–1989 as an important element of independent culture and as a unique phenomenon not only in Polish art but also in Church history. Some of the reasons for this movement are on the one hand the dying out of the avante guarde movement, with its strong criticism and the search for new avenues of expression and, on the other hand, the socio-political changes in the country and the Church’s opening up to culture. The beginning of this phenomenon was the activity of the Polish Artists’ Union in the years 1980–1981 and its taking the side of the Independent Self-governing Trade Union “Solidarity”. And later, on the introduction of martial law, their boycott of officially sponsored cultural life. It consolidated a large proportion of the community and made the independent circulation of art easier. The Catholic Church played an important part in this through rendering available its institutions – diocesan museums, Church premises and other accommodation in which galleries and exhibitions were organised. At the same time priests would “spread the word” in the artistic community and create chaplaincies to serve that community. community and create chaplaincies to serve that community. The Church-sponsored art movement created its own iconography (political-patriotic and religious), its own forms and styles of display (among others in the premises of the Churches), it had its own theorists and critics as well as its audience. It also had its opponents who sought to undermine its independence and artistic value. The reason this movement died out at the end of the eighties was the weariness of both parties: the artists and Church representatives, the arrival of a new generation of artists, the end of the boycott of official galleries and museums, finally the changes in Poland in 1989. The Church-sponsored artistic movement is hence, an important, but closed chapter in Polish post-war art. The Church, thanks to its involvement in independent culture renewed its contact with artists, but did not acquire modern religious art, which could permanently take root in places of worship.
Źródło:
Pamięć i Sprawiedliwość; 2005, 1(7); 181-201
1427-7476
Pojawia się w:
Pamięć i Sprawiedliwość
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Profesorowie, którzy nie kształtują światopoglądu marksistowskiego, a wzdychają do dawnych czasów”. Epizod z dziejów polskiego szkolnictwa wyższego w okresie stalinowskim na przykładzie lubelskiego UMCS
“Professors Who do Not Shape Marxist Ideology but Long For Old Times”. The Episode in the History of Polish Higher Education in the Stalinist Period on the Example of the Maria Curie-Sklodowska University in Lublin
Autorzy:
Kruszyński, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/477594.pdf
Data publikacji:
2015
Wydawca:
Instytut Pamięci Narodowej, Komisja Ścigania Zbrodni przeciwko Narodowi Polskiemu
Tematy:
Uniwersytet Marii Curie-Skłodowskiej
Komitet Uczelniany PZPR
profesorowie
Maria Skłodowska-Curie University University Committee of the Polish
United Workers’ Party
professors
Opis:
‘Professors Who do Not Shape Marxist Ideology but Long For Old Times’. The Episode in the History of Polish Higher Education in the Stalinist Period on the Example of the Maria Curie-Sklodowska University in Lublin
Źródło:
Pamięć i Sprawiedliwość; 2015, 1(25); 199-220
1427-7476
Pojawia się w:
Pamięć i Sprawiedliwość
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Proces siedemnastu” w Radomsku (7 maja 1946 roku) – najtragiczniejszy epizod działalności sądów doraźnych Korpusu Bezpieczeństwa Wewnętrznego
The “Trial of the Seventeen” in Radomsko (7 May 1946) – the most tragic episode of the activities of the summary courts of the Internal Security Corps
Autorzy:
Wąs, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/34111929.pdf
Data publikacji:
2023
Wydawca:
Instytut Pamięci Narodowej, Komisja Ścigania Zbrodni przeciwko Narodowi Polskiemu
Tematy:
judiciary of the People’s Republic of Poland
summary trials
Underground Polish Army
Stalinism
the “trial of the seventeen”
sądownictwo PRL
procesy doraźne
Konspiracyjne Wojsko Polskie
stalinizm
„proces siedemnastu”
Opis:
Tematem artykułu jest proces siedemnastu żołnierzy Konspiracyjnego Wojska Polskiego, schwytanych przez komunistów po spektakularnej akcji uwolnienia więźniów z aresztu miejskiego w Radomsku, przeprowadzonej przez KWP w nocy z 19 na 20 kwietnia 1946 r. Rozprawa, która odbyła się 7 maja 1946 r. w sali kina „Wolność” w Radomsku, była jednym z przeszło trzystu procesów, które w trakcie pięciomiesięcznej działalności przeprowadziły sądy doraźne KBW, występujące pod szyldem sądów okręgowych. W jej wyniku, niejako w akcie zemsty, na śmierć skazano dwunastu podsądnych, karę więzienia wymierzono jedynie pięciu oskarżonym. Duże emocje wzbudza sposób wykonania wyroku, który nie był egzekucją, lecz brutalnym mordem.
The subject of this article is the trial of seventeen soldiers of the Underground Polish Army (KWP) captured by the communists after a spectacular operation to free prisoners from the Radomsko municipal jail, carried out by the KWP on the night of 19–20 April 1946. The trial, which took place on 7 May 1946 in the hall of the “Wolność” cinema in Radomsko, was one of more than three hundred trials conducted by the summary courts of the Internal Security Corps (KBW), acting under the banner of district courts, during their five-month activity. As a result, twelve defendants were sentenced to death, as if in an act of revenge, while only five defendants received prison sentences. Great emotion is aroused by the way the sentence was carried out, as it was not an execution but a brutal murder.
Źródło:
Aparat Represji w Polsce Ludowej 1944–1989; 2023, 21; 452-477
1733-6996
Pojawia się w:
Aparat Represji w Polsce Ludowej 1944–1989
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-4 z 4

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