- Tytuł:
-
„Performuj albo giń”. Przystanek Woodstock jako performans kulturowy
Perform or die. Woodstock Festival as cultural performance - Autorzy:
- Węcławiak, Alicja
- Powiązania:
- https://bibliotekanauki.pl/articles/514886.pdf
- Data publikacji:
- 2016
- Wydawca:
- Fundacja dzień dobry! kolektyw kultury
- Tematy:
-
Woodstock Festival
cultural performance
festival
liminality
ilinx
Przystanek Woodstock
performans kulturowy
festiwal
liminalność - Opis:
- Performance is an occurrence commonly associated with theater, but that concept has a very broad context. Nowadays there are a lot of phenomena we can perceive this way, not just theatrical or quasi-theatrical. If we assume that the most important aspect in this field is „eventness”, almost everything could be called a performance. This specific type of phenomenon (also of aesthetic nature) can be divided into cultural performances, technological performances and organizational performances (source: J. McKenzie) or otherwise into cultural and language performances (source: M. Carlson). In the category of cultural performances we can enter a whole multiplicity of occurrences or events, including festivals, for which eventness, liminality, a kind of subversive or ritualization are an absolute necessity. From this point of view we can also consider our indigenous Polish Woodstock Festival, providing a lot reflections: cultural, social and also aesthetic. Assuming that this festival is a part of aesthetics of the performance, we can expect fulfillment of three functions mentioned by McKenzie: (1) self-reflection and social reflection, (2) presentation of alternatives and (3) possibility for maintenance or changes. It is worth to think about festival’s liminality and context to see how, during a couple of summer days, hundreds of thousands of people participate in one of the largest cultural performance.
- Źródło:
-
Amor Fati; 2016, 1(5); 109-123
2449-7819 - Pojawia się w:
- Amor Fati
- Dostawca treści:
- Biblioteka Nauki
Artykuł