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    Wyświetlanie 1-7 z 7
    Tytuł:
    Miejsca bezpieczne: Kafka, Walser, Schulz
    Safe Places: Kafka, Walser, Schulz
    Autorzy:
    Wilczyński, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/645536.pdf
    Data publikacji:
    2018-12-03
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    The paper begins with a reference to Franz Kafka’s unfinished long short story “The Burrow,” which has been chosen as a starting point of a series of intertextual associations focusing on futile efforts made by various modernist literary narrators and characters to find a sense of safety in some specific settings. The route from “The Burrow” runs through selected short stories by Martin Walser toward late fiction by Bruno Schulz, in particular “The Republic of Dreams” and “The Homeland,” revealing affinities connecting the Polish writer from Drogobych with two writers of the German language, who shared his fears and obsessions.
    Źródło:
    Schulz/Forum; 2018, 11; 55-63
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Szyfr masochizmu. Amerykańskie konteksty prozy Brunona Schulza
    Cipher of Masochism. The American Contexts of Bruno Schulz’s Fiction
    Autorzy:
    Wilczyński, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/645597.pdf
    Data publikacji:
    2012-06-04
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    The paper focuses on the affinities between the short stories of Bruno Schulz and the fiction of two American writers from the 1930s: Djuna Barnes, known mainly for her masterpiece Nightwwod (1936), and Nathanael West, author of Miss Lonelyhearts (1933) and The Day of the Locust (1939). The background of a comparative reading of Schulz and the writers who most likely did not have a chance even to hear about him, is the poetics of masochistic fiction developed by Gilles Deleuze in his study of the work of Leopold von Sacher-Masoch, translated into English as Coldness and Cruelty. The present interpretation is not rooted in Artur Sandauer’s hasty claim about the masochistic aspect of Schulz’s fiction, but takes into consideration some common features of the poetics of Schulz, Barnes, and West, surprisingly akin to that of Sacher-Masoch’s once scandalizing novels.
    Źródło:
    Schulz/Forum; 2012, 1; 47-61
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Schulz rozpleniony
    Schulz Disseminated
    Autorzy:
    Wilczyński, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/645732.pdf
    Data publikacji:
    2015-03-02
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    The editorial articulates a suspicion that had Schulz lived long enough, possibly even until today, he would have been greatly surprised by his growing fame abroad, like perhaps many other twentieth-century schlemiel-heroes of literature and the humanities, such as Kafka, de Saussure, Propp or Bakhtin. The present number of Schulz/Forum is then introduced as a collective testimony of his popularity outside the Polish language.
    Źródło:
    Schulz/Forum; 2015, 5; 3-4
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ciągłość szyn, ciągłość rynków i ogrodów. Wspólne przestrzenie Romana Jaworskiego, Stefana Grabińskiego i Brunona Schulza
    The Continuity of Rails, Markets, and Gardens. Common Spaces of Roman Jaworski, Stefan Grabiński, and Bruno Schulz
    Autorzy:
    Wilczyński, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/645758.pdf
    Data publikacji:
    2016-09-05
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    The paper is an intertextual analysis of the selected works of three Polish modernist authors: Roman Jaworski, Stefan Grabiński, and Bruno Schulz. The world of their fiction – all of them in one or another world were related to Galicia, the south-eastern part of the prewar Poland – shows significant affinities even though none of them was a realist. Their poetics was predominantly oneiric and fantastic, yet what connects their short stories are representations of railroads, central squares of small Galician towns, and gardens. Schulz was no doubt the most outstanding of them all, yet it can be legitimately argued that, on the other hand, he belonged to a company that shared certain representational devices, rhetoric, and in some cases style.
    Źródło:
    Schulz/Forum; 2016, 8; 31-42
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Schulz w Drohobyczu po raz piąty
    Schulz in Drogobych for the Fifth Time
    Autorzy:
    Wilczyński, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/645508.pdf
    Data publikacji:
    2015-09-07
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    In September 2012, Pedagogical University in Drogobych, Ukraine, hosted 5th International Bruno Schulz Festival. The Festival’s topic was “Bruno Schulz as Philosopher and Literary Theorist.” In 2014, thanks to financial support of the Polish Institute in Kyiv, a four-language volume was published, including all the academic papers delivered during the festival conference. The opening section of the collection includes four statements by special guests: the Polish intellectual Adam Michnik, the noted Israeli fiction writer David Grossman, the Ukrainian writer Taras Prokhasko, and the Russian writer Victor Yerofeev. The remaining sections focus on new interpretations of Schulz’s works, various comparative contexts, and the history of the town of Drogobych, where Schulz was born and finally killed by the Nazis.
    Źródło:
    Schulz/Forum; 2015, 6; 122-124
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Polska proza galicyjska przed wojną i po wojnie. Bruno Schulz w kontekście literatury Katastrofy
    Polish Galician Fiction before and after World War II. Bruno Schulz and the Literature of the Disaster
    Autorzy:
    Wilczyński, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/645728.pdf
    Data publikacji:
    2015-03-02
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    Usually Schulz’s fiction is not interpreted with reference to the Holocaust and massive ethnic cleansing in East-Central Europe during World War II. The present paper is rooted in a belief that some of his later stories can actually be treated as “prophetic” when placed in a sequence consisting of the works by Schulz and other Polish writers from Galicia: Ida Fink, a Holocaust survivor, Zygmunt Haupt, an émigré in the United States, and Leopold Buczkowski, after the war in Poland. Schulz’s followers, at least in a chronological sense, seem to have been inspired by the metaphorical energy of his fiction, though in the stories by Fink and Haupt, as well as the early novels by Buczkowski, the Schulzean metaphor is replaced by metonymy – a figure of death, and allegory – in Walter Benjamin’s terms, a post mortem mask of history stigmatized by violence. Arguably, Fink, Haupt, and Buczkowski recorded in their fiction the fulfillment of Schulz’s catastrophic prophecy.
    Źródło:
    Schulz/Forum; 2015, 5; 5-17
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zapowiedź Schulzowskich cliché-verre’ów
    Schulz’s Cliché-verres Anticipated
    Autorzy:
    Chomycz, Łesia
    Wilczyński, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/645478.pdf
    Data publikacji:
    2020-09-24
    Wydawca:
    Fundacja Terytoria Książki
    Opis:
    A commentary on E. Menar’s essay “Sztuki graficzne. Z okazji odbyć się mającej wystawy grafiki oryginalnej w Borysławiu” that announced Bruno Schulz’s exhibition in Borsyław in March 1921. It is a brief account of the historical development of graphic arts. The author explains the essence and significance of graphics, including woodcut, etching, and lithography. The most attention he paid to the etching which, in his opinion, was the most sophisticated and difficult, allowing the artist to use a variety of materials. One of the most interesting aspects of the essay is the emphasis on the cliché-verre technique, rarely used in Poland but preferred by Schulz. Menar’s essay is of a high quality, perhaps surprising in a paper sponsored by and addressed to oil industry clerks. It seems that the author’s task to attract the reader (both the future spectator and the potential buyer) by an accessible introduction to the graphic arts and its tradition was fully accomplished. However, no information concerning E. Menar has been found and his identity remains unknown.
    Źródło:
    Schulz/Forum; 2020, 15; 220-223
    2300-5823
    Pojawia się w:
    Schulz/Forum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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