Autor: Skrzypczyk, Aleksandra - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Nieznane ilustracje Brunona Schulza do zeszytów z nutami
Bruno Schulz’s Unknown Illustrations of Sheet Music Books
Autorzy:: Skrzypczyk, Aleksandra
Powiązania:: https://bibliotekanauki.pl/articles/645734.pdf
Data publikacji:: 2018-12-03
Wydawca:: Fundacja Terytoria Książki
Opis:: In the paper, the author presents the results of her research on the origins of two illustrations credited to Bruno Schulz. Illustrations decorate the covers of two different tango sheet music books from the 1930s – „Dziewczę me, wspomnij noc. Tango” („Oh Girl, Remember the Night. Tango”) and „Biały motyl” („White Butterfly”). One of the covers was found on a vintage auction, while the other remains only in the memory of the last owner and inheritor of the songwriter. The author interviews the last owner of the books, reconstructing the story of Schulz’s friendship with musicians and the history of lost illustrations.
Źródło:: Schulz/Forum; 2018, 12
2300-5823
Pojawia się w:: Schulz/Forum
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 2.

Tytuł:: Głos Schulza
Bruno Schulz’s Voice
Autorzy:: Skrzypczyk, Aleksandra
Powiązania:: https://bibliotekanauki.pl/articles/645480.pdf
Data publikacji:: 2020-09-24
Wydawca:: Fundacja Terytoria Książki
Opis:: The aim of the article is to answer the question of what Bruno Schulz’s voice might have sounded like. Only a few witnesses mention it, and their reports are sometimes contradictory. In the prewar Polish press many radio programs are listed, some of which mention that the Polish Radio broadcast Schulz’s reading of his short story “Dodo.” Thus, it is believed that the author of The Cinnamon Shops was actually on air, and perhaps more literary programs devoted to Schulz have been broadcast as well. It still seems possible to find the archival materials on which Schulz’s voice might have survived.
Źródło:: Schulz/Forum; 2020, 15; 224-230
2300-5823
Pojawia się w:: Schulz/Forum
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 3.

Tytuł:: Schulz w operze
Schulz in the Opera
Autorzy:: Skrzypczyk, Aleksandra
Powiązania:: https://bibliotekanauki.pl/articles/645887.pdf
Data publikacji:: 2017-03-01
Wydawca:: Fundacja Terytoria Książki
Opis:: The article describes three operas inspired by the works of Bruno Schulz: 1976 Demiurgos by Juliusz Łuciuk, Mannequins by Zbigniew Rudziński, premiered in 1981, and Tree of Codes, written by the Australian composer Liza Lim, premiered in 2016 in Germany. The fate of two Polish operas inspired by Schulz varies considerably – there has been no stage premiere of Demiurgos yet, and Mannequins have won world fame. Demiurgos is a sonorous opera in which the composer, through the relationship of the father and his son, presents his own musical philosophy – the coexistence of tradition and modernity. Rudziński is fascinated with Schulz’s language, which he believes can be translated into a musical language and which has its musical potential. Lim’s opera, composed after reading Jonathan Safran Foer’s Tree of Codes, presents a mythical place beyond time, a fluid reality in which boundaries are unstable, and characters undefined and hybrid.
Źródło:: Schulz/Forum; 2017, 9
2300-5823
Pojawia się w:: Schulz/Forum
Dostawca treści:: Biblioteka Nauki

Artykuł

Skocz do pozycji: 4.

Tytuł:: Próba biografii akustycznej Brunona Schulza. Doświadczenia audialne
Towards an Acoustic Biography of Bruno Schulz: Auditory Experiences
Autorzy:: Skrzypczyk, Aleksandra
Powiązania:: https://bibliotekanauki.pl/articles/1375658.pdf
Data publikacji:: 2021-05-25
Wydawca:: Fundacja Terytoria Książki
Opis:: The article analyzes the potential sonic experiences of Bruno Schulz. The numerous references to music in his prose inspire questions about Schulz’s attitude towards music. Based on the testimonies of his family and friends, it is impossible to determine Schulz’s opinion on the art of sounds, or whether he was musical and what kind of music he listened to. The ‘acoustic biography’ presented here becomes a metaphor for Schulz’s probable auditory experiences. Arranged in the chronological order, it respects the principles of probability, and is based on the historical and cultural context of 19th- and 20th-century Poland.
Źródło:: Schulz/Forum; 2020, 16; 28-44
2300-5823
Pojawia się w:: Schulz/Forum
Dostawca treści:: Biblioteka Nauki

Artykuł

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