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    Wyświetlanie 1-9 z 9
    Tytuł:
    Manifesti del Futurismo polacco
    Manifestos of Polish Futurism
    Autorzy:
    Ranocchi, Emiliano
    Powiązania:
    https://bibliotekanauki.pl/articles/28409117.pdf
    Data publikacji:
    2016
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Polish Futurism
    Manifestos
    Opis:
    The Author presents the most significant Manifestos of Polish Futurism in Italian translation. They follow the original Polish text, also maintaining the graphic aspects.
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 103-139
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Paweł Graf, Automobil w pędzie. Studia o futuryzmie i futurystach, Wydawnictwo Naukowe UAM, Poznań 2018, pp. 522.
    Autorzy:
    Ranocchi, Emiliano
    Powiązania:
    https://bibliotekanauki.pl/articles/1195743.pdf
    Data publikacji:
    2020
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Book reviews
    Futurism
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2020, 11; 215-219
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La storia chiusa del Futurismo polacco
    Closed-down History of Polish Futurism
    Autorzy:
    Gazda, Grzegorz
    Powiązania:
    https://bibliotekanauki.pl/articles/28409114.pdf
    Data publikacji:
    2016
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Polish Futurism
    Literary criticism
    Opis:
    News of Italian futuristic manifestos reached Poland soon after the first publications by F.T. Marinetti and his group in Italy and France. On the verge of regaining their independence, the Poles recognized that futurism presented them with an opportunity to renew and modernize their literature. Thus futurism inspired Polish journalists, critics, artists and poets for a whole century. This process reached its peak between 1918 and 1939. Thereafter, and for decades, it became an object of analyses and interpretations by literary historians. Today — and this article is devoted precisely to this problem — a hundred years later, Polish literary scholars seem to be closing down this avant-garde movement — perhaps definitively? — and assessing its merits in the history of Polish literature.
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 7-14
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Polish Cyborg. A Reflection on the Relationship between Man and Machine in Early Polish Modernism
    Autorzy:
    Ranocchi, Emiliano
    Powiązania:
    https://bibliotekanauki.pl/articles/28409103.pdf
    Data publikacji:
    2016
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Machine
    Futurism
    Cyborg
    Polska
    Utopia
    Opis:
    Far from being enthusiastic “modernolatry” of Italian futurism, Polish futurism demonstrates an attitude of ambivalence toward modernity. This is particularly evident in the Polish approach to that very synecdoche of modernity which is the machine. In his essay of 1923, the leader of the group, Bruno Jasieński, compares the fetishistic cult of the machine, which characterizes the Italian approach, with the utilitarian one of the Russians, exemplified by a quote from Majakovskij. To these two propositions, as a sort of Hegelian synthesis, he adds a Polish one consisting in the conception of the machine as a prosthesis, a continuation of the human body. Thereby he introduces an idea later known as “cyborg”. The category of cyborg is also useful to understand the work of another today almost forgotten Polish writer of the Twenties, Jerzy Sosnkowski. He was the author of a short novel, A Car, You and Me (Love of Machines), in which a whole chapter concerns the chief character’s dystopian nightmare wherein machines take control over the world. The third section of the essay deals with the idea of man a machine – an old, 18th century conception, which became actual anew in the 20th century and whose traces we can findc among others in a well-known poem by Tytus Czyżewski. Thirty years before N. Wiener, Polish modernists seem to have sensed the social, political and anthropological implications of the mechanization of work.
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 39-60
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Najmłodsi futuryści warszawscy”, czyli o peryferiach polskiego futuryzmu – próba rekonesansu
    “The youngest Warsaw futurists”. A Reconnaissance of the Periphery of Polish Futurism
    Autorzy:
    Jaworski, Krzysztof
    Powiązania:
    https://bibliotekanauki.pl/articles/28409088.pdf
    Data publikacji:
    2016
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Polish Avant-garde
    Futurism
    Inter-war period
    Opis:
    The article discusses the so-called periphery of Polish Futurism, especially the activities of those known as the “Youngest Warsaw futurists”, who to this day are considered only as imitators or even plagiarists of writers such as Bruno Jasieński and Aleksander Wat, the artists who represent the mainstream of this literary movement. These groups (“Warsaw Katarynka”, “Homunkulus”) were active in literary field in the years 1921-1924, but most of their ephemera (“jednodniówki” – once-lived publications) have so far been considered missing. The article attempts for the first time to sort out the chronology of these publications and to show them in the broader context of “recognised” Futurist publications.
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 15-25
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Anatol Stern e Bruno Jasieński
    Anatol Stern and Bruno Jasieński
    Autorzy:
    Tomassucci, Giovanna
    Powiązania:
    https://bibliotekanauki.pl/articles/28409092.pdf
    Data publikacji:
    2016
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Futurism in Poland
    Anatol Stern
    Bruno Jasieński
    Opis:
    The Author presents her first Italian translation of Anatol Stern’s article (excerpted from his monograph on Polish Avantgarde Rebelled Poetry. Sketches on Interwar Period Poetry [1964, 2nd issue 1970]) about another prominent initiator and ideologist of Polish futurism, Bruno Jasieński. After the Thaw, Stern first contributed to Jasieński’s rehabilitation, publishing his poetry and the novel I burn Paris and writing several essays about his work. The article presented also offers a choice of translated fragments of Jasieński’s poetry, just a few known in Italy, and an artistic profile of Stern.
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 141-154
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Panorama di collaborazioni internazionali. Enrico Prampolini e i suoi contatti con gli ambienti dell’avanguardia polacca
    An Overview of International Cooperation. Enrico Prampolini and His Contacts with Polish Avant-garde
    Autorzy:
    Strożek, Przemysław
    Powiązania:
    https://bibliotekanauki.pl/articles/28409104.pdf
    Data publikacji:
    2016
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Futurism
    Prampolini
    networking
    avant-garde Magazines
    avant-garde scenography
    Opis:
    The article focuses on the reception of Enrico Prampolini’s work in Polish Avant-garde circles in the 1920s and 1930s. It shows Prampolini as a central figure in “networking” between artists and illustrates how such “networking” phenomena resulted in the popularisation of Italian Futurism in Poland and Polish Avant-garde in Italy. It highlights the range of Prampolini’s contacts with Poland, especially with the «Zwrotnica» circle, Jalu Kurek and Jan Brzękowski, who promoted his theatrical productions and paintings. The outcome of these contacts was most of all a good knowledge of Futurist scenography in Poland, an invitation for Polish scenographers to take part in the “Triennale” which Prampolini organized in 1936 in Milan, and his cooperation with the “a.r.” collection of Modern Art in Łódź. The painting entitled Tarantella (1920), which Prampolini offered to Brzękowski and was installed in Łódź in 1931, testifies to this important collaboration.
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 27-37
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Na skrzyżowaniu dwóch wrogich epok stoję, cynicznie gryząc papieros”. O tekstowych projekcjach twórczości futurystów w relacji do ich postaci multimedialnych na przykładzie Marsza Bruno Jasieńskiego
    “I am standing at the intersection of two hostile eras, cynically chewing my cigarette”. Multimedia projects of futuristic literary works: Bruno Jasieński’s poem ‘March’ as a case study
    Autorzy:
    Graf, Paweł
    Powiązania:
    https://bibliotekanauki.pl/articles/28409090.pdf
    Data publikacji:
    2016
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Bruno Jasieński
    Futurism
    digital poetry
    new media
    inter-semiotic translation
    Opis:
    The article focuses on the media transformation of literary works. B. Jasieński’s futurist poem Marsz, published in the interwar period in printed form, recently underwent a multimedia adaptation. The author analyzes the mutations the literary text underwent in interpretation and significance when expressed in the new creative forms of contemporary multimedia “language”. The analysis of the formal structure and of several, sometimes small semantic elements, shows the different way of understanding the poem as expressed through new multimedia means. The futurist poem Marsz has been read as an ironical poem, totally contradicting its original literal meaning. The second part of the article examines a digital version of the poem, which again changes its original meaning. At this moment in time, the relationship between the textuality and virtuality of poetry (and literature in general) constitutes the main space where art “happens” and manifests itself. Thus, the discussion over the digital version of Jasieński’s poem leads to some general considerations about contemporary theory of image and its anthropological expressions.
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 77-91
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Il futurismo polacco nella critica letteraria dell’epoca
    Polish Futurism in Literary Criticism of the Early Twentieth Century
    Autorzy:
    De Carlo, Andrea F.
    Powiązania:
    https://bibliotekanauki.pl/articles/28409110.pdf
    Data publikacji:
    2016
    Wydawca:
    Associazione Italiana Polonisti (AIP)
    Tematy:
    Polish Futurism
    Literary criticism
    Stefan Żeromski
    Snobbery and Progress
    Karol Irzykowski
    Opis:
    The article analyses the critical voices raised against the young poets and artists who promoted Futurism in Poland during the first half of the Twentieth century. Futurist manifestos influenced the new Polish poetry, stimulating a lively debate among intellectuals of the calibre of Stefan Żeromski and Karol Irzykowski. In general, the coeval criticism of Polish Futurism focused on three main points: the lack of originality and servile imitation of foreign literary models; the repudiation of the past and national traditions; Futurism as an expression of ideologies such as Fascism in Italy and Bolshevism in Russia. In this article, specific attention is devoted to an analysis of the essay Snobizm i postęp (Snobbery and Progress, 1923) by Żeromski. The writer, criticising Polish imitators of Russian Futurism, affirmed that Polish literature and culture, in the context of national reconstruction after three partitions of Poland, needed to maintain its natural connection with the past and at the same time, without losing its national nature, to weave some universal suggestions into the plot of purely Polish themes. The goal of this article is to reveal that Żeromski and Irzykowski’s critical stance towards the Polish Futurists, which influenced the critics of the next generation, was dictated by a shallow analysis of Futuristic works and by their inability to understand Futuristic efforts to modernise Polish art and literature.
    Źródło:
    pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 61-76
    2384-9266
    Pojawia się w:
    pl.it / rassegna italiana di argomenti polacchi
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-9 z 9

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